Title: Screen Ruling, Print Resolution AM, FM and Hybrid Halftoning
1Screen Ruling, Print ResolutionAM, FM and Hybrid
Halftoning
- Sasan Gooran
- Linköping University
- LiU-Norrköping
2DIGITAL IMAGES (pixel based)
Scanning
Photo
Digital image
ppi (pixels per inch) Number of samples per inch
3ppi (pixels per inch)
- ppi (scanning resolution) Number of samples per
inch - The higher ppi the better the representation of
the con-tone image (Photo) - Higher ppi requires more memory
- ppi should not be unncessarily high
- Choice of ppi????
4ppi 72
5ppi 36
6ppi 18
7DIGITAL IMAGES Memory
bits/pixel
- Grayscale 8 256 tones
- RGB 3824 256316.7
million colors
8DIGITAL HALFTONING
- Since most printers and image setters are not
able to reproduce different shadows of gray the
original digital image has to be transformed into
an image containing white (0s) and black (1s) -
9Halftoning
10DIGITAL HALFTONING
11DIGITAL HALFTONING Example
Periodic and clustered dots
12DIGITAL HALFTONING Example
Non-periodic and dispersed dots
13HALFTONE CELL
Pixel (/a number of pixels)
Halftone cell
The fractional area covered by the ink
corresponds to the value of the pixel (or the
area)
14HALFTONE CELL
Halftoned image
Original image
15SCREEN RULING/FREQUENCY
- lpi (lines per inch) Number of halftone cells
per inch - The higher lpi the better the print (?!)
- High lpi requires more stable print press etc.
- Does a higher lpi always lead to a better print?
(to be answered later)
16RULE OF THUMB
Ex. A 10 x 15 cm2 photo that is supposed to be 20
x 30 cm2 when printed at 150 lpi has to be
scanned with a ppi about 22150 600.
17HALFTONE CELL
dpi Number of micro dots per inch
This halftone cell represents at most 82 1 65
gray tones
18HALFTONE CELL
Screen ruling number of halftone cells per inch
(lpi)
Micro dot
Resolution number of micro dots per inch (dpi)
Halftone cell
In this case 17 gray tones
19lpi dpi
- lpi Number of halftone cells per inch
- A halftone cell consists of micro dots
- dpi Number of micro dots per inch
- The ratio dpi/lpi decides the size of the
halftone cell
20 lpi dpi
21lpi dpi (Example)
- Assume that dpi is fixed at 600
- lpi 150 only gives 17 gray tones
- lpi 100 only gives 37 gray tones
- lpi 50 gives 145 gray tones
- Does a higher lpi always lead to a better print?
Not necessarily!
22High lpi, few gray tones
23Lower lpi, more gray tones
24Low lpi, more gray tones but large halftone dots,
(not satisfying)
25AM FM HALFTONING
- AM (Amplitude Modulated)
- The size of the dots is variable, their frequency
is constant - FM (Frequency Modulated) 1st generation
- The size of the dots is constant, their frequency
varies - FM (Frequency Modulated) 2nd generation
- The size of the dots and their frequency vary
26AM FM (1st 2nd Generation) Halftone
27AM FM Halftone
AM
FM
28FM Halftone, 1st and 2nd generation
First
Second
29Hybrid Halftoning
AM
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34THRESHOLDING
g and b are the original and the halftoned image,
respectively. t is the threshold matrix.
35THRESHOLDING
This threshold matrix represents 10 gray tones
36THRESHOLD MATRIXExample Line
37THRESHOLD MATRIXExample Spiral
38THRESHOLD MATRIX Clustered Dispersed, 45
degrees
Clustered
Dispersed
39TABLE HALFTONING
40TABLE HALFTONING
Dispersed
Clustered
41FM HALFTONING Error Diffusion
42COLOR PRINT
Additive color mixing, TV, Computer screen
43COLOR PRINT
Subtractive color mixing, Printers
44COLOR PRINT
- CYAN (C)
- MAGENTA (M)
- YELLOW (Y)
45COLOR PRINT
- Three secondary colors
- And Black
- RED (R, MY)
- GREEN (G, CY)
- BLUE (B, CM)
46COLOR PRINT
Original
47COLOR PRINT
AM
48COLOR PRINT
FM
49AM HALFTONE same angle for C, M, Y K
50Conventional Color HalftoningSame raster angle
Error in position can cause color shift
51Conventional Color HalftoningSame raster angle
Error in raster angle can cause Moiré
52Conventional Color Halftoning Different raster
angle, 0, 15, 75 and 45 degrees
AM different angles Rosette patterns
FM
53AM HALFTONE different angles for C, M, Y and K
15, 75, 0 and 45 degrees
54ROSETTE PATTERN
55ROSETTE PATTERN