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Screen Ruling, Print Resolution AM, FM and Hybrid Halftoning

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Photo. Digital image. ppi (pixels per inch): Number of samples per inch. ppi (pixels per inch) ... Print. Con-tone. Image. Halftoned. Image. DIGITAL HALFTONING ... – PowerPoint PPT presentation

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Title: Screen Ruling, Print Resolution AM, FM and Hybrid Halftoning


1
Screen Ruling, Print ResolutionAM, FM and Hybrid
Halftoning
  • Sasan Gooran
  • Linköping University
  • LiU-Norrköping

2
DIGITAL IMAGES (pixel based)
Scanning
Photo
Digital image
ppi (pixels per inch) Number of samples per inch
3
ppi (pixels per inch)
  • ppi (scanning resolution) Number of samples per
    inch
  • The higher ppi the better the representation of
    the con-tone image (Photo)
  • Higher ppi requires more memory
  • ppi should not be unncessarily high
  • Choice of ppi????

4
ppi 72
5
ppi 36
6
ppi 18
7
DIGITAL IMAGES Memory
bits/pixel
  • Grayscale 8 256 tones
  • RGB 3824 256316.7

million colors
8
DIGITAL HALFTONING
  • Since most printers and image setters are not
    able to reproduce different shadows of gray the
    original digital image has to be transformed into
    an image containing white (0s) and black (1s)

9
Halftoning
10
DIGITAL HALFTONING
11
DIGITAL HALFTONING Example
Periodic and clustered dots
12
DIGITAL HALFTONING Example
Non-periodic and dispersed dots
13
HALFTONE CELL
Pixel (/a number of pixels)
Halftone cell
The fractional area covered by the ink
corresponds to the value of the pixel (or the
area)
14
HALFTONE CELL
Halftoned image
Original image
15
SCREEN RULING/FREQUENCY
  • lpi (lines per inch) Number of halftone cells
    per inch
  • The higher lpi the better the print (?!)
  • High lpi requires more stable print press etc.
  • Does a higher lpi always lead to a better print?
    (to be answered later)

16
RULE OF THUMB
Ex. A 10 x 15 cm2 photo that is supposed to be 20
x 30 cm2 when printed at 150 lpi has to be
scanned with a ppi about 22150 600.
17
HALFTONE CELL
dpi Number of micro dots per inch
This halftone cell represents at most 82 1 65
gray tones
18
HALFTONE CELL
Screen ruling number of halftone cells per inch
(lpi)
Micro dot
Resolution number of micro dots per inch (dpi)
Halftone cell
In this case 17 gray tones
19
lpi dpi
  • lpi Number of halftone cells per inch
  • A halftone cell consists of micro dots
  • dpi Number of micro dots per inch
  • The ratio dpi/lpi decides the size of the
    halftone cell

20
lpi dpi
21
lpi dpi (Example)
  • Assume that dpi is fixed at 600
  • lpi 150 only gives 17 gray tones
  • lpi 100 only gives 37 gray tones
  • lpi 50 gives 145 gray tones
  • Does a higher lpi always lead to a better print?
    Not necessarily!

22
High lpi, few gray tones
23
Lower lpi, more gray tones
24
Low lpi, more gray tones but large halftone dots,
(not satisfying)
25
AM FM HALFTONING
  • AM (Amplitude Modulated)
  • The size of the dots is variable, their frequency
    is constant
  • FM (Frequency Modulated) 1st generation
  • The size of the dots is constant, their frequency
    varies
  • FM (Frequency Modulated) 2nd generation
  • The size of the dots and their frequency vary

26
AM FM (1st 2nd Generation) Halftone
27
AM FM Halftone
AM
FM
28
FM Halftone, 1st and 2nd generation
First
Second
29
Hybrid Halftoning
AM
30
(No Transcript)
31
(No Transcript)
32
(No Transcript)
33
(No Transcript)
34
THRESHOLDING
g and b are the original and the halftoned image,
respectively. t is the threshold matrix.
35
THRESHOLDING
This threshold matrix represents 10 gray tones
36
THRESHOLD MATRIXExample Line
37
THRESHOLD MATRIXExample Spiral
38
THRESHOLD MATRIX Clustered Dispersed, 45
degrees
Clustered
Dispersed
39
TABLE HALFTONING
40
TABLE HALFTONING
Dispersed
Clustered
41
FM HALFTONING Error Diffusion
42
COLOR PRINT
Additive color mixing, TV, Computer screen
43
COLOR PRINT
Subtractive color mixing, Printers
44
COLOR PRINT
  • Three primary colors
  • CYAN (C)
  • MAGENTA (M)
  • YELLOW (Y)

45
COLOR PRINT
  • Three secondary colors
  • And Black
  • RED (R, MY)
  • GREEN (G, CY)
  • BLUE (B, CM)
  • BLACK (K, CMY)

46
COLOR PRINT
Original
47
COLOR PRINT
AM
48
COLOR PRINT
FM
49
AM HALFTONE same angle for C, M, Y K
50
Conventional Color HalftoningSame raster angle
Error in position can cause color shift
51
Conventional Color HalftoningSame raster angle
Error in raster angle can cause Moiré
52
Conventional Color Halftoning Different raster
angle, 0, 15, 75 and 45 degrees
AM different angles Rosette patterns
FM
53
AM HALFTONE different angles for C, M, Y and K
15, 75, 0 and 45 degrees
54
ROSETTE PATTERN
55
ROSETTE PATTERN
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