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Acoustic Coupling of Drumset Cymbals

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Time-Frequency (spectrogram) plots. Conclusions and future work. References. Motivation ... spectrogram. 12' struck in presence of 10' spectrogram. Observations ... – PowerPoint PPT presentation

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Title: Acoustic Coupling of Drumset Cymbals


1
Acoustic Coupling of Drumset Cymbals
  • Edmund Spencer, Paul Wheeler,
  • Srinidhi Kaveri, Tushar Andriyas, Brian
  • Beardall.
  • Electrical and Computer Engineering Dept., Utah
    State
  • University, Logan, Utah.
  • ASA Meeting, Salt Lake City, 5th June 2007.

2
Summary
  • Introduction and Motivation
  • Measurement Set-up
  • Time data and analysis
  • Spectral Data
  • Time-Frequency (spectrogram) plots
  • Conclusions and future work
  • References

3
Motivation
  • Investigate cymbal behaviour, interaction with
    other cymbals.
  • Cymbals are usually placed close to each other on
    a drumset.
  • -Relative placement may affect sound.
  • Many cymbals are in proximity in a drum store.
  • -Interaction may affect sound.

4
Cymbal Characteristics
  • Similar to circular plates (non-harmonic radial
    modes).
  • Modified form of Chladnis law
  • plt2 for cymbals.
  • Larger, thicker, heavier cymbals more complex.
  • Chose 10 and 12 small, thin, light splash
    cymbals for this study.

5
Experimental Setup
  • 10 splash cymbal and 12 splash cymbal selected
  • Measurements made with Audio-Technica ATM31a
    condenser microphone
  • Recordings made using Marantz PMD 670 at 44.1
    kS/sec.
  • Spectra-Plus, Audacity and Matlab used for
    analysis.

6

Experimental Setup II
  • Maximized proximity and area of overlap.
  • No tilt in either cymbal.
  • Cymbals struck at the edge with the shoulder of
    drumstick by drummer.
  • Avoided hitting too hard since wobbling produces
    beats.

7
Photograph of Setup Diagonal View
Front View
8
Vibration of a cymbal in slow-motion (120 times
slower)(Source University of Salford Website)
www.acoustics.salford.ac.uk
9
Time series plot for 3 hits of 10 cymbal 20 s
apart
10
Time series plot for 3 hits of 12 cymbal 20 s
apart
11
Time series plot for 3 hits of 12 cymbal in
presence of 10 cymbal 20 s apart
12
10 cymbal spectrum (1st hit)
13
Spectrum plots for 10 only (3 hits)
14
12 cymbal spectrum (1st hit)
15
Spectrum plots for 12 only
16
Spectrum of 12 cymbal when struck in presence of
10 cymbal (1st hit)
17
Spectrum of 12 struck in presence of 10
18
12 cymbal only spectrogram
19
12 struck in presence of 10 spectrogram
20
Observations
  • Interaction between 10 and 12 splash cymbals
    has been observed.
  • Decay time for the 12 slightly shorter when 10
    is present.
  • Relative amplitude between the lowest two modes
    changed.
  • Frequencies at which beats occurred were
    different.

21
Future Work
  • Numerical modeling of cymbals.
  • Analysis of the interaction at higher
    frequencies.
  • Interaction between cymbals of substantially
    different sizes.
  • More realistic setup.

22
References
  • Neville H. Fletcher and Thomas D. Rossing, The
    Physics of Musical Instruments,Springer-Verlag,
    1991.
  • Kinsler et al, Fundamentals of Acoustics, Wiley,
    2000.
  • Charles A. Culver, Musical Acoustics, Fourth
    Edition, Mc Graw-Hill Book Co., 1956.
  • Thomas D. Rossing and N. H. Fletcher, Nonlinear
    vibrations in plates and gongs, J. Acoust. Soc.
    Am., Jan. 1983.
  • Thomas D. Rossing, Chladni's law for vibrating
    plates, Am. J. Phys. 50(3), Mar. 1982.
  • Antoine Chaigne, Cyril Touze, Olivier Thomas,
  • Nonlinear vibrations and chaos in gongs and
  • cymbals, Acoust. Sci. Tech. 26, 5 (2005).
  • R. Perrin et al, Normal Modes of an 18 Inch
    Crash Cymbal, Proceedings Inst. Acoustics, 2006.
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