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Introduction to Literature

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Title: Introduction to Literature


1
Introduction to Literature
  • Conclusion

2
What have we learned together?
  • 1. close analysis of the form and content of a
    literary text (attentive to details, forming a
    pattern, analyzing a passage and its context)
    some notes and one paper as examples
  • 2. reading and taking notes of a longer text
  • 3. different literary genres movements (gothic
    fiction, dramatic monologue metaphysical poetry,
    sonnet, medieval ballad, expressionist tragedy)
  • 4. themes boundary-crossing, love seen from
    different perspectives human mortality modern
    city and American South, family relations,
    madness and memory
  • 5. Reflection and holding a dialogue with the
    text
  • 6. final exam

3
From part to whole 1. Attentive to Textual
Details
  • (Porphyrias Love)
  • The sullen wind was soon awake, It tore the
    elm-tops down for spite,?
  • these two sentences gave the reader a new view of
    the wind, because usually the wind gives people a
    gentle feeling like the breeze, but here it tore
    the elm on purpose it feels like the wind was
    furious and gloomy.
  • And did its worst to vex the lake ?
  • It feels like the wind becomes a naughty kid

4
From part to whole 2. Recollecting Details to
Form a Pattern
  • (Porphyrias Love)
  • I am quite sure she felt no pain
  • How could he be quite sure that she felt no
    pain? I think it was his hallucination and
    arrogance
  • Only, this time my shoulder bore
  • Earlier in the poem, she bore him on her
    shoulders to sooth him from his sorrows/ to show
    her love for him. Now that she's dead and on his
    shoulders. Very ironic.
  • So glad
  • This is also ironic, saying that she finally gets
    the love that she wants from her lover, dead.

5
From part to whole 3. Analyzing Techniques in
Context
  • (To His Coy Mistress) (literary techniques
    listed)
  • There are several literary techniques used in
    this poem. The first one is simile. For example,
    Andrew Marvell used morning dew to represent
    the crystal-clear skin (transient youth) of the
    mistress and amorous birds of prey to depict
    the delightful groans(?) made by a pair of lovers
    when they are making love with each other.
    Marvell also used the Flood and the conversion
    of the Jews to compare the end of the world.
    Moreover, marble vault is a comparison to the
    womb. There is also an allusion in the poem.
    Marvell used the term, vegetable love, to
    indicate that this kind of love is capable only
    of passive growth, not of consciousness, although
    it grows longer, slower, and vaster. There are
    puns in the poem. For instance, Marvell used the
    word, sun, with the double meaning of son and
    run which carries the meaning of the times
    going fast and the ladys running away. The whole
    poem is full of conceit and hyperbole which are
    showed in the use of large space and time to woo
    slowly.

6
From part to whole 3. Analyzing Techniques in
Context
  • (To His Coy Mistress) rev
  • After the hyperbolic hypothesis of age-long and
    expansive courtship gets denied by the gruesome
    reality of marble vault mortality, the speaker
    uses simile, conceit and hyperbole make a
    proposal of seizing the day. While the ladys
    youth is compared to transient morning dew, the
    speaker suggests that they become amorous birds
    of prey which devour time rather than being
    consumed(slow chapped ) by it. Opposed to the
    vegetable love the speaker would be willing to
    be engaged in if they had all the time till the
    Flood and the conversion of the Jews, the
    speaker here suggests that they roll themselves
    (strength and sweetness) into one ball to
    face and fully experience the passing of time,
    its pleasures and pains (tear our pleasures with
    rough strife/Thorough the iron gates of life).

7
From part to whole Analyzing Techniques in
Context
  • (To His Coy Mistress) rev 2
  • After the two surprising conceits--amorous birds
    of prey and ball, the proposal ends with an
    ambiguous and ambitious boast that they will
    make the sun run. To make the sun run, on
    the one hand, the speaker suggests that they
    fully embrace the passage of time so that they
    seem to make time run. On the other hand, the
    sun puns with son, suggesting that they make
    produce a sun through love-making. The whole
    poem, in this way, expresses wittily with
    conceit, pun and hyperbole the meaningfulness of
    loving and seizing the day while they can.

8
Reading a Longer Text
  • Like reading your own life, you need to
  • (1) experience it yourself, instead of depending
    on plot summary, study guides or Chinese
    translation
  • (2) take notes and re-read the text with the help
    of the notes (and study guides).

9
Genre Definitions and Analysis
  • dramatic monologue where, when, how and why ?
    the monologists mentality and purpose, and the
    dramatic ironies implied.
  • metaphysical poetry metaphysical conceit
    concept of love an organized argument.
  • Sonnet also an argument (in three quatrains and
    a couplet or in octave and sestet)
  • medieval ballad language, use of symbol and
    repetition, structure (start with climax, etc),
    versions,
  • Tragedy the characters with flaws but still
    noble or humane features (The Glass Menagerie not
    a greek tragedy)
  • Expressionism presentation (thru symbol or
    some other formal device) of subjective feelings
    but not/more than objective reality.

10
Theme(1) Boundary-Crossing
  • Boundary-Crossing can be breaking constraints to
    be involved in interaction between the self and
    the other exploration and entering the terrain
    of the unknown it can also be violation and
    invasion.
  • A general movement since the 19th century
    (modernity), more prevalent nowadays (the
    postmodern age).
  • Between life and death differently by men (the
    insane, the possessive and the heroic and
    idealistic), or by women (for self-preservation
    or to break the constraint)
  • In the self, and between self and Other the
    conscious and the unconscious, double, racial
    others
  • geographical boundaries, between self and Nature
  • Between different disciplines such as art and
    science math and music, etc.

11
Theme(2) love seen from different perspectives
  • ExtremesLove and Death Porphyrias Lover My
    Last Duchess A Rose for Emily Barbara Allen
    Edward
  • Physical vs. Spiritual Valediction Flea,
    RJs the courting sonnet, "The Sick Rose"
  • The ritual of lovecourtship and persuasion
  • More realistic views
  • Pygmalion,
  • Romance frustrated by environment A Rose for
    Emily Araby AP
  • The Glass Menagerie

12
Theme (3) human mortality
  • Love vs. Human Mortality the transience of life
    presented through seasonal changes (summer,
    autumn), twilight, fire/ember. (sonnet 18 73)
    note the ambiguous endings.
  • Love Death to possess by killing is futile,
    just as union in death is only a myth of the past.

13
Theme (3) Modern City and American South
  • American South Aristocratic manners
    (civilization), music, flowers, porch, and
    courtship of gentleman callers? degradation
    (departure of the father) and displacement
  • Signs of Modern City fire escape, dark alleys,
    paradise dance hall, radio, TV, electricity and
    the wars

14
Theme (4) family relations, madness and memory
  • Memory expressed emotionally through screen
    devices and music filmic juxtaposition of the
    past and the present
  • Madness the lines unclear
  • Family Constraints and Connections (Two Kinds,
    A Rose for Emily My Mother and the Bed, I
    Asked My Mother to Sing Those Winter Sundays
    Cat in the Rain ) Care-taking and
    encouragement, understanding and imposition
  • Under family constraints, one still has to assert
    oneselfwithout hurting the family members too
    much. Catherine does.

15
Reflection and Dialogue (1)
  •  Andre If the monster were good-looking, would
    the story be different???
  • Echo Yes. I think the look of the monster is a
    key, an important setup to unfold the later
    events.

16
Reflection and Dialogue
  • Kate Frankenstein does not create the monster
    for any selfish purposes.         However, in
    the later sci-fi films, such as Blade Runner,
    Artificial Intelligence and the recent "Island,"
    cyborgs or clones are created to serve human
    beings, so they have to be killed after their
    functions are fulfilled even though they are
    beautiful.

17
Reflection and Dialogue (2)
  • Would Laura be more confident after being
    encouraged by Jim? Would she blow off the
    candle to welcome modern life?
  • To re-write the story, you would need to
  • Show how the first step is taken e.g. Laura
    starts to acquire some skills to survive
  • Make Jim less impulsive
  • Shift the context maybe to todays world of
    Internet. ?

18
Final Exam
  • Altogether you should answer 5 questions.
  • Close Analysis-- Choose 2 (40 )
  • Essay Questions I Choose 2 (40 , 20 each)
  • Essay Question II (20)no choice
  • How does Tom in The Glass Menagerie narrate the
    story? What is the function(s) of his narrative
    frame? Please compare it with the narrative
    frame (of Waltons letters) in Frankenstein.
  • Things to consider
  • Toms ways of setting the context Tom the
    narrator vs. Tom the character (Note Tom
    ?Tennessee Williams.)
  • The functions of beginning and ending
    introduction resolution of the conflicts and
    distancing the extraordinary/traumatic.
  • Enjoy learning and good luck!
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