Title: Imaging From Our Pristine Boston Skies Not
1Imaging From Our Pristine Boston Skies
(Not!) Thursday, September 13, 2007 Neil
Fleming (www.flemingastrophotography.com)
2Why Even Try from Boston!?
3What Types of Imaging Can We Do?
- Planetary and lunar imaging with webcams
- Narrowband Imaging
- Traditional RGB imaging of Deep Sky Objects
4Planetary and Lunar Imaging
- Done with a simple, inexpensive, webcam
- ToUcam Pro II
- 100
- Instead of long-term exposure of a few dozen
shots, maximum, you take hundreds or thousands of
frames from your AVI file - Each shot is no more than 1/10th to 1/33rd of a
second in duration - The image stacking software will choose the
best frames, from moments of better seeing, and
give you quite a reasonable result
5Sample Results
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7What is RGB?
- RGB stands for Red, Green, and Blue
- This mix of primary colors is what our eyes use
to interpret color - All imaging starts with a black and white CCD or
CMOS sensor - Your DSLR cameras utilize tiny red/green/blue
(RGB) filters over the individual pixels, placed
in a Bayer matrix pattern - One-shot color CCD cameras utilize that same
Bayer matrix
8What is RGB? (continued)
- Most CCD imaging is done with a black and white
camera, and you use color filters to emulate the
RGB results so you can obtain a color image - This takes longer than one-shot color, but gives
you more resolution in the final result
9What Does RGB From Boston Look Like?
- Light pollution typically causes horrible
gradients from our stacks of 3-8 minute
exposures
- A little processing in Photoshop helps, but still
not great results - Bright objects are better
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13But Narrowband is Even Better!
- RGB takes in the full spectrum, with each filter
letting in about 200 nm of frequencies - Narrowband filters let through only the tiniest
wavelength of light, typically 3 to 13 nm - These filters are manufactured to let in only the
light associated with emission wavelengths Ha,
OIII, and SII - Other wavelengths are blocked, and this includes
the vast majority of light pollution - Typically I use 30-minute exposures
- Result clearer and deeper images!
14Typical Narrowband Pass-through
- Doubly oxidized oxygen (OIII) has its main
emission at 500.7 nm - Hydrogen-alpha (Ha) emission wavelength is 656.3
nm - Sulfur (SII) emits at 672 nm
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17What Equipment do you Need for Planetary Work?
- Telescope
- Almost any scope will do
- Mount
- Can be very basic
- Excellent, long-term tracking, is not required
- However, stability is a definite plus
- Webcam, like a ToUcam 80
- An IR cut filter is very beneficial
- Barlows / PowerMates
- Software
- Registax (free)
- Adobe Photoshop (not cheap)
18How About for Deep Sky Imaging?
- Telescope
- Almost any scope will do
- 200
- Sometimes a flattener or reducer is needed
- Mount
- Stability is critical
- Low periodic error is a plus
- Ability to accept autoguiding commands is
required for best results - Cost 1,500 and up
- DSLR or CCD Camera
- DSLR
- Canon, Nikon, etc.
- Can be aftermarket-modified for better red and Ha
response (Hutech) - 400 and up
19How About for Deep Sky Imaging?
- CCD Camera
- Simple, like the Meade DSI or Orion Starshoot
series, 129 to 599 - One-shot color or monochrome
- Wide range of other manufactures
- Starlight Express
- SBIG
- FLI
- Apogee
- QSI
- Costs range from less than 1,000 to 13,000
- Additional guide scope guide camera / head
- SBIG is self-guiding, but that has limitations
- An advantage for narrowband work
20How About for Deep Sky Imaging?
- Filter Wheel
- Come in 1.25, 2, and 2 square formats
- Some are closely coupled to the camera itself,
while others are standalone and can operate
independently - Filters
- For RGB imaging L, C, R, G, B, and sometimes a
LPR or light pollution reduction filter (Hutech
IDAS) - For narrowband imaging Ha, OIII, SII are the
most common - Astrodon, Baader, Optec, Custom Scientific,
Astronomik, Barr, etc.
21How About for Deep Sky Imaging?
- Image capture software
- CCDSoft
- MaxIM
- CCDOps
- Astro image processing software
- CCDStack
- MaxIM
- PixInsightLE
- Downstream image processing software
- Photoshop
- Many different plug-ins
22My Equipment Progression
- Started with
- A refractor (Televue NP-127)
- TAK NJP mount, but with no autoguiding
- Meade DSI-C
23My Equipment Progression
24My Equipment Progression
- Added a Meade DSI-Pro (monochrome)
25More Meade DSI-Pro Shots
26Added an SBIG ST-2000XM (Mono)
27Then a TAK FSQ-106NSV
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29Started Playing with Narrowband/Ha
30Full Narrowband Ha/OIII/SII with STL-6303
31Added Paramount, TOA-150, then TMB 203 F/7
32OK, So How Do You Do This?
- Get set up for some quality imaging time!
- start with an interminable wait for clear skies
- Drag your mount and scope out
- Set up your gear, and do your polar alignment
(for a GEM) - Field rotation effects in non-polar aligned
Alt/Az - Use MaxIM / CCDSoft to take your images
- RGB/LRGB can be done in a couple of hours
- Narrowband takes at least one night, if not
longer - Dont forget your darks and flats
33Huh? What are Darks!?
- CCD chips are neither perfect nor uniform
- Individual pixels can be hot
- Clusters of minor defects
- Potential column defects
- There is dark current (thermal) noise in your
chip - Thermal noise is associated with the build up of
signal on the CCD chip, even when no light is
present, due to heat - The amount of thermal noise drops off quickly
with lower temperatures - By cooling a CCD chip, the dark current can be
reduced to an acceptable level - Good astronomical CCDs have cooling systems that
can lower chip temperatures by 35 degrees C or
more - To mitigate this thermal noise, we take darks
at the same CCD temperature and duration that we
used for our light frames
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35What on Earth are Flats!?
- We need to deal with dust on our filters, CCD
chip, and telescope optics - Also, optic systems are hotter in the middle of
the frame than they are at the edges - This is particularly apparent for fast, short
focal length scopes like the FSQ - You take images of a uniform surface/sky, so as
to capture these flaws - Flat lightbox
- Dusk or dawn flats
- These are divided into the lights during
calibration
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40Processing Combine in CCDStack
- Load the individual subexposures (subs)
- Calibrate them (apply your darks and flats)
- Do some bloom rejection, if necessary
- Register or align the individual images
- Apply normalization to appropriately weight the
contribution of the individual subs - Perform advanced noise rejection for outliers and
cosmic ray hits, airplane trails, etc.
41Processing Combine in CCDStack
- Stack or combine the subs into a channel master
- Repeat for each filter or color
- Further noise reduction
- Deconvolution, if desired
- Save as a scaled TIF (mono/narrowband)
- For RGB, you probably want to do the color
combine in CCDStack it has nice color
adjustment tools
42Processing Adobe Photoshop
- For RGB, the color combine was already done in
CCDStack - For narrowband, I recommend processing individual
channels for maximum quality before the color
combine. The OIII/SII is weak relative to the
Ha. For each channel - Noise reduction (Either with PS tools, or
NeatImage) - Contrast adjustments via adjustment layers like
levels or curves - Do a channel merge to make your color image
43Narrowband Palettes
Red (Ha) / Green (OIII) / Blue (SII) is
Canada-France-Hawaii Telescope (CFHT) palette
Red (SII) / Green (Ha) / Blue (OIII) is the
famous Hubble palette
Red (Ha) / Green (sG) / Blue (OIII) is the
Synthetic Green palette
44Processing Adobe Photoshop
- Color balancing
- RGB is usually good to go
- Narrowband
- The Ha often overpowers the OIII and SII, so some
balancing is required - Channel Mixer
- Selective Color adjustments
- Levels (use lightly)
- Curves
- Gradient removal
- Russ Cromans Gradient XTerminator
- Noise reduction, if not already done
45Processing Adobe Photoshop
- Contrast enhancements
- Curves
- Noel Carbonis Local Contrast Enhancement
Photoshop Action - Shadow/Highlight adjustment
- Sharpening
- Convert to jpg and upload to web site
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49Time for a Demo?