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Emptiness as a Visual Strategy: An exploration of visual absence in contemporary art practice

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Tranquil moment of harmony. Artist unknown. Lotus. Song Dynasty. Painted on silk. 238 x 251mm. ... Image, music, text: The death of the author. New York: ... – PowerPoint PPT presentation

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Title: Emptiness as a Visual Strategy: An exploration of visual absence in contemporary art practice


1
Emptiness as a Visual Strategy -An exploration
of visual absence in contemporary art practice
Zhao, Yue Qu Master of Art Design Auckland
University of Technology
2
Abstract
  • Visual absence
  • Emptiness and fullness
  • Methods reduction, incompleteness and metaphor
  • Complementing visual clarity and obscurity

3
Contents
  • Emptiness and visual absence
  • Artists works
  • Between Gong Bi and Xie Yi
  • Practice and reflections

4
Emptiness and visual absence
  • Leading to unknown
  • The absent presence
  • Between likeness and unlikeness
  • Internal pursuit and external rationale

5
Artists works
  • Gong Bi ?? the fine details and meticulous
    drawing skills
  • Tranquil moment of harmony

Artist unknown. Lotus. Song Dynasty. Painted on
silk. 238 x 251mm. The Palace Museum, Beijing.
6
Artists works
  • Xie Yi ?? Emphasis on simplicity, metaphor and
    spontaneity with a strong subjective expression
  • An absent presence

Xu Wei (1521 - 1593) Ink Grapes. 1657 x 645 mm
7
Artists works
  • Blending the East West

Zhao Wou-ki. 20-4-74. Oil on canvas100cm
Sin-May Zao Collection Paris
8
Between Gong Bi and Xie Yi
  • Infinite possibilities of blending
  • The extended aesthetics
  • Perceptible feelings that unfold intellectual
    enlightenment

9
Reduction forCapacityMetaphor behind the
workTranquilityMystery
Methods
  • Zhao, Yue Qu. Limpid. 2006 Water colour, rice
    paper 332 x 332 mm

10
Incompleteness forVast likenessMetaphor
behind the workDesolationMystery
Methods
Zhao, Yue Qu. Fuzzy Land. 2008. Water colour,
rice paper 332 x 332 mm
11
Methods
Reduction forSimplicityIncompleteness
forInfinite extensionMetaphor behind the
workSentimentEmotional space
Zhao, Yue Qu. Rain. 2008. Water colour, rice
paper 332 x 332 mm
12
Methods
Incompleteness forInfinite extensionOnenessMe
taphor behind the workSelf-derivationVitalityH
armony
Zhao, Yue Qu. Cool breeze. 2008. Water colour,
rice paper 332 x 332 mm
13
Methods
Reduction forFading outIncompleteness
forEmptinessMetaphor behind the
workEmptiness
  • Zhao, Yue Qu. Iris. 2008. Water colour, rice
    paper 332 x 332 mm

14
Summary
  • Visual absence doesnt work on its own
  • Emptiness frees artists mind
  • Discover an immanent world of oneself
  • Every moment is temporal
  • Meditative space both for artist and viewer

15
References
  • Ames, R. T. Hall, D. L. (2003). A philosophical
    translation Dao De Jing "Making this Life
    Significant". New York The Ballantine Publishing
    Group.
  • Benabid, N. (Translated). Gao, X. J. (2002).
    Return to Painting Uniform Title Pour une
    autre esthétique. New York Perennial, cop.
  • Gray, C. Malins, J. (2004). Visualizing
    research A guide to the research process in Art
    and Design. England Ashgate Publishing Limited.
  • Heath, S. (Translated). Barthes, R. (1977).
    Image, music, text The death of the author. New
    York Noonday Press.
  • Henricks, R. G. (Translated). (1993). Dao De
    Jing A new translation based on the recently
    discovered Ma-Wang-Tui text, with an introduction
    and commentary. New York Modern Library.
  • Inada, K. K. (1997). A theory of Oriental
    Aesthetics A prolegomenon. Philosophy East
    West, 47(2), 117. Retrieved on 1st May 2005 from
    AUT search engine on the Academic Search Premier
    http//search.epnet.com.ezproxy.aut.ac.nz/login.as
    px?directtruedbaphan9705044600
  • Kohn, M. H. (Translated). (1994). Cheng, F.
    (1991). Empty and Full The language of Chinese
    Painting. Boston Shambhala Publications, Inc.
  • Martin, P. D. Long, F. Hammond, P.
    (Translated). Tapies, A. (1977). Painting and the
    void. In Borja-Villel, M. J. Davila, M. (Eds).
    (2004). Tapies in perspective (pp. 324-334).
    Barcelona Actar Museu d'Art Contemporani de
    Barcelona and Actar.
  • Oxford Reference Online. (2006). Retrieved on 1st
    May 2006 from AUT search engine on the World Wide
    Web http//www.oxfordreference.com.ezproxy.aut.ac
    .nz/views/GLOBAL.html
  • Ree, R. L. (Translated). Abadie, D. Contenson,
    M. (1989). Zao Wou-Ki. Barcelona Ediciones
    Poligrafa, S.A.
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