Fast Drying Oil Medium | Rublev Colours Oil Painting Medium

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Rublev Colours Oil Painting Medium
Oil Painting Mediums alter the working properties
of paint. Although called mediums, mediums
typically are composed of a binder and sometimes
a solvent. Additives, on the other hand, consist
of solvents, oils, waxes, resins, extender
pigments and other substances that are used to
change the consistency of paint. Here you will
find oil panting additives (or as we prefer to
call them amendments) made by Natural Pigments. 
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Velazquez Medium
A paste medium of finely ground calcite in bodied
linseed oil. Use to extend paint and form
impastos while making paint longer. Makes colors
slightly transparent allowing greater control
over tints without whites. Softer than Impasto
Medium, makes colors slightly transparent
allowing greater control over tints without
whites. Thin with solvent or oil.
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Impasto Medium
Impasto Medium is an oil painting medium of
finely ground calcite, silica and bentonite in
pale linseed oil. Use it to extend paint without
altering the consistency, making oil colors
'short' and buttery for impastos. Stiffer than
Velázquez Medium, this putty-like medium makes
colors slightly transparent while allowing you to
build impasted, thick applications of paint. When
added to oil paint, Impasto Medium does not alter
its color temperature. It can be thinned with
solvent or oil. Depending upon the proportion
added to paint, Impasto Medium does not affect
the drying time significantly.
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Oleogel
Oleogel is a thixotropic painting medium made
with linseed oil and pyrogenic silica. Oleogel is
a clear pale amber gel that adds transparency and
thixotropic body to oil, resin-oil or alkyd
paint. Add directly to your paint to give it
transparency without thinning its consistency.
Add pigments or extenders to thicken it for
creating impasto effects that do not sink in.
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Wilson's Medium
Wilson's Medium is a clear, gel-like oil based on
the 18th century oil painting medium of thickened
linseed oil, turpentine and beeswax used by the
English landscape painter, Richard Wilson (1
August 171415 May 1782), who may fairly claim
the honor of being 'the father of British
landscape painting,' and, according to George
Field, also used by Joshua Reynolds. We've taken
the original formula and improved upon it by
using the palest bodied linseed oil, pure
distilled gum spirits of turpentine and
rheological castor wax instead of beeswax.
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291 Shell Lane, Willits CA 95490
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www.naturalpigments.com