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Essay on Dancing
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August 4, 2019
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Dancing or Dance , We all love to do and learn
new skills to get better which we can show off on
events in family gathering, party and weddings.
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topic of dancing. We will help students to get
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Table of Contents
Introduction On Dance Essay(50 words)
Every person on this planet earth possess a hobby
which they like to enjoy them and pass their free
time. My favorite hobby is dancing so I like to
dance whenever possible no matter what is the
time. I love to dance on different music but this
hobby is just I cannot get away from it
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Short Speech On Dance (500 words)
Since I started studying the English language in
my school, the culture of English speaking
countries it has fascinated me. Over the years
I have had the opportunity to travel to several
countries including Costa Rica, Peru, and
Bolivia. Besides, I know many people from the
USA, Germany, France and other countries. I
really like the cultures of these countries,
food, and language, but what I have discovered
that my passion is dancing. It is a common
theme among all countries. Even people who do
not like to dance know the steps and accept it as
a very important thing in their culture. It is
true that there is a difference in which dance is
most popular or which has the historical prestige
in each country or region but am very interested
in how the dance brings people together and is an
element of culture that has never missed.
I love dancing so a short speech on dance. When
I went to Bolivia my friends there knew me as
the dancer. Ive learned several Latin
American dances but I still missing some. I am
looking forward to continuing learning because
dancing is something that gives me great joy.
The truth is that neither can explain exactly why
Im so obsessed with dancing. What I know is
that theres nothing else that I enjoy as much
as dancing. Its something I can do with my
friends and its a way to meet new people.
Aside from enjoying a lot of music and dance
itself, I love how every dance has a history and
is an integral part of Hispanic cultures. I want
to learn more dance because I think it will help
me better understand the cultures and histories
of various countries.
In many countries, there are national dances but
I think that other non -native dances of the
country are gaining more popularity? Merengue,
cambia, salsa, Durango, northern, tango all are
dances from different places in the Latin world,
and many more. Each has its special music,
specific steps, and unique outfit. Although I
really like these aspects of the dances, some
perhaps most important things are the
stories, developments, and the ways in which the
dances have affected the cultures they come from.
During the semester Ill be analyzing both the
physical aspects I mentioned earlier as
the effects of the dances have had in different
parts of the world and also the stories of some
of the dances. I have some ideas for the
following tests. For the exhibition,
Im thinking about analyzing the phenomenon of
dance in a specific country perhaps the tango in
Argentina because it is a very important element
of the countrys culture. Free trial for my
idea is to tell the story of a / a dancer / a
famous / because Im curious if the dancers have
always received the respect of people or if there
was a time when it was not a respectable
profession.
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Essay No 1 Short Essay on Dance (500 words)
I try to explain a short essay on dance and use
the term and how it relates to others, such as
dance, shape, and structure. These elusive terms
are used by us as having a common meaning for
everyone. Here I would like to explore its
possible or probable meaning.
Our first task is to understand the meaning of
the dance. Lets start by imagining
an interaction between a non human character
with a human of this planet to illustrate that
these terms are not transparent to render the
uninitiated meanings. A very illustrative example
of the difficulty persists in an intercultural
environment was explored in an episode of Star
Trek (Star Trek, the Next Generation), where
the android (a machine with human likeness)
Commander Data will ask the chief medical officer
Beverly Crusher to teach you to dance. This
interaction takes place in the Helideck, a room
generated by a computer that has the ability to
play the type of room requested.
Dr. Crusher asks the replica of a study tap-dance
where he learned to dance as a child and was
given the task of teaching tap dance to Mr. Data.
To thank you, Commander Data says that now can
dance at a wedding at which he will attend
shortly. Puzzled, Dr. Crusher explains that this
type of dance can only run at certain events
one of the many inconsistencies of human
classification systems have little logic for Mr.
Data. Dr. Crusher fails to explain the
aforementioned inconsistency and proceeds to
teach Commander Data movement system a totally
different waltz assuring him that this time he
can use it at the wedding.
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Commander Data to the problem was to understand
the meaning of the dance. Even though Dr. Crusher
could easily teach the structure and content of
the two systems of movement, this was only the
beginning. Equally important was the knowledge
about the event itself, actors, observers and
socio-political discourse conducted by the event,
and they were difficult to explain. But if both
motion systems are called dance, how do
they differ? Could it be that each type of dance
differs in structure, or perhaps in style? Is
the tap and ballroom dancing are two different
styles of dance? I do not think so. But if
the difference is not in style, what is it? Do
these differences lie in the structure, style,
shape, or something else?
The example of Star Trek serves to illustrate
that even when Commander Data knew, intellectually
, that dance is based on a structured body
movement, he did not fully realize that these
structured body movements differ radically
depending on the occasion or event that gives
them life. Often, problems seem to involve
categorization and definition. In this case, two
very different systems and waltz movement -tap
were listed under the same term dance. What
also surprised Commander Data it appeared to
be the difference between Beverly Crusher waltz,
a couple dancing the waltz and generated virtually
bride. The difference is in style?
Essay No 2 Essay On Dancing(400 words)
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When I see someone dancing, I feel that this is
an expression of human nature so I started to
dance in my private room alone on different
music. I enjoy most of the music genre like rock,
metal, classic or western. My parents also
encourage me to dance as they know this is a part
of human nature and one can express him/herself
openly in this manner.
When first time I dance, I used to be shy as I
did not know many things related to dance that
what are the steps or what everything is called
related to dance. When the first time our dance
teacher called me to show him steps I was very
confused that how I can do it or what I should
show him?
I started to show some steps to my teacher so
everyone in the class laughs at me due to the
clumsy steps I took. Then our teacher encouraged
me to show him more and then the story begins. As
days passed, the teacher came to our class and
mostly called me to do the dance.
He started to teach me so many steps and gave me
encouragement about how I have to behave in front
of a large audience. He told me to read about
Charleston dance style as it was very popular in
the USA since the 1920s and it was a very
face-paced dance that is strongly syncopated
means it is much unstressed with musical beats,
movements, and steps. This name is taken or
derived from Charleston in South Carolina which
is danced by more than two people but it was a
solo African-American dance. This dance
was accepted in 1927 as a ballroom dance.
Our teacher told us that these movements of
Charleston came from Trinidad, Ghana or Nigeria.
He also told me that there are many experts that
believed that this dance first appears in 1903 in
different black communities and taken by Whitman
sisters stage act in 1911 at Harlem production in
1914. We also came to know that it became famous
in 1923 when the first debut in the musical as
Running Wild.
So we dance Charleston with a partner, with a
group and oneself and music we had was ragtime
jazz and it was also 4/4 quick time with few
syncopated rhythms.
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Essay No 3 My Passion Dancing(450 words)
Dancing is not my sports, its my passion that I
want to work hard for and in my spare time I put
more efforts into it and I never want to give it
up no matter what. When the day arrives for me to
compete in the dancing competition that I have to
put everything I have learned in years. I seldom
get exhausted on the floor on dancing even I am
dancing alone in my home and I never want to give
up because my urge is to be the best dancer in my
school.
I found that one must keep doing dance in the
spare time in order to become expert in this
sport. One must also make sure their customer
also matches the music they are dancing on. When
you perform in front of many people that is the
most exciting part. We make sure that our hair,
clothes, makeup are according to a situation
before we hit the floor. One must also make sure
to have a stretch before they start to dance in
their teams room.
When our team is next in the line, everyone in
the team feels excited to show their
latent talent on the stage. When we are on the
stage all dancers are hooking up and waiting
for their turn to show it to the audience. After
announcers announce our team name, we just dance
our head out in the middle of the floor with full
zeal.
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Now all pressure is on your team when the music
starts so its time to show the world your true
talent. We received a standing ovation when the
music ends and everyone in the hall stands up and
we walk back to our room filled with excitement
and anxiously waiting to receive the award in the
award ceremony. When every time is done from
their part, we were waiting to get awarded if our
name comes into the three best teams. Finally, we
heard that the school that took second place is
school name.
Suddenly, excited screams fill at the stage which
made every dancer of our team jumping, hugging
and screaming with joy with one another as a
second-place we took in our first competition of
year year.
We visited our family to cheer them too and our
friends too. When we bring gifts to our family
and friends like shirts, ice cream or flowers are
our exciting moment. We advise dancers not to eat
much before dancing so they can easily make
dancing moves. We often exchange hugs and give
best wishes to every dancer that they also take
any position in the competition.
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Essay No 4 History Of Dance(300 words)
With or without a partner, a series set of
movements of music is said to be a dance.
With this definition, we express our feelings and
get active after it. We know that dance is also a
part of our history that date back to cave
paintings found in Spain and France from 30,000
to 15,000 BC with drawings that are vivid of
figures dancing with ritual illustration in early
human history.
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Many people consider it as a life that came down
to earth from heavens. History of dance often
changes the way people see the world and
experience their life with it. We love to dance
when we are in our childhood. We love to make
moves without hesitation and love to enjoy them
anywhere even before going to bed.
Our history teacher told us that dance evolved
into praise songs and enacted by actors
th
or dancers and near the end of 5
century BC, we came to know that dance is the
part of entertainment and it offers political and
social commentary on that times. The teacher told
us that Romans dance waxed and waned in the
acceptance with the CEASERS they were ruled with
but till 200BC we came to know that dance brought
life to celebrations, processions and festivals
but again in 150BC all schools in Roman Empire
for dancing were closed because they felt to be
suspicious and dangerous.
Since ancient times we know there are many
similarities when people learned these dance to
express themselves with their problems, beliefs,
emotions, and actions. We also do the same things
in dance with our feelings and thoughts. We also
understand that in future we will be reflected
with our dance in our society with many times of
dances like line dancing, slow dancing, ballet,
and the list goes on and one. Every dance
presents the event, expression and time it is
developed. The dance will never die as it
expresses something different for everyone.
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Essay No 5 My Hobby Dance And Writing (650 words)
Dance and writing the observation above that
language are related to motion in conjunction,
and not only by means of a thicket of arrival and
meanings but by also capable of triggering a flow
of speech movement. And poetry, in turn, is
something dances Generic, in the sense of
poignant twist, turn, the feeling for the vague,
the balance (no, I do not want to speak of
lightness in this context). And is observable
as physical Learn shoots through the lines,
opening into metaphors I thought that
dance before the writing, the writing, perhaps
there was even before the announcements, as
a catalog of forms of movement or Formulas. As a
first language, externalization with the content
of meanings.
Martina Hefter, who also works as a performer,
considered writing and dancing as the same weight
for itself, although, as she confesses in her
essay, never wanted a desk job. Art activity, in
this writing and dancing, she understands the
process of approximation to ideas about the
choreography or to be written text. That makes
it exciting for me. I think at this moment
Hermann Burgers Frankfurt poetry lectures,
which he placed under the title The Gradual
Production of the idea when writing. The
whole thing is a process that is determined by
extensions, variations that it wishes to target
not met so as the person imagined.
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Even me as a reader only an approximation as
possible regarding my expectations of the present
text. First, I expected that would give me
something revealed about the secret connections
between writing and dance/movement, there also
writing not least is the mysterious links a kind
of movement, one is Provided with trails. This
expectation was disappointed but gifted with
something else. Because stapler exploration deals
with the question of what happens in the process
of writing, dancing, as it takes place,
what happens to oneself? Shes not so much about
theories, but rather doing yourself and
the reflection of this process.
What Martina stapler is able to give us, are new
ways of thinking and perception spaces, such as
when they are in relation to the seat ends (as
himself) formulated Many have a bad attitude
while sitting. They could expand to odd movement
patterns bring in choreographic arrangements. I
only see people in conversations. Spinal
semicircle pressed into the seat. Side bent
physical ways of thinking and there is inner
tension, what happens when you poke. The
observation of movements often leads to wonderful
lines After I fell, Im only really nice. As I
get up, I thrive.
The stapler is important to put himself in
writing to the role of the dancer to move
so thoroughly with the text. The mind, which she
developed in ballet dancing, it is a prerequisite
for poem writing. Shes also about to question
writing and the characters and steps of ballet
dance as a theoretical construct. As well as the
hierarchy of the spirit/word about the body and
its possibilities of communicating, speaking,
pointing, Its about a balance and exchange
between different forms of expression. Must any
theory about dancing, the stage practice,
performances always in words in a language
of words manufactured are, she asks.
They could also draw or offer as a performance
It reminds me of this approach to the encounter
with the book to another author whose writing is
also closely linked to the dance. In 1989 I met
Judith Kuckart know whose band A Tanzwut. The
dance theater Skoronel was just published by S.
Fischer. In it, the concept of free dance Company
is presented that the restoration of fragmented
unity of music, language, and movement of art and
lifetime, the editor in the epilogue. It also
includes dance pieces of the author, texts that
consist on the one hand very intense
choreographic descriptions, on the other
hand from verses spoken by the dancers. In the
lecture performances by Phillip Gehmacher to
which Martina Hefter (in addition to works of
William Forsythe) repeatedly refers in her essay,
poetological lectures in motion, perhaps the
artistic approaches of both authors touching as
the dance projects themselves.
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Essay No 6 Belly Dance (450 words)
The prejudice against belly dancing is indeed
become less, but the image of half-naked, provocat
ively dancing women wiggle a bit with your hips,
still haunts. Unfortunately, this is fueled by
the fact that occur here and their women
recklessly and under the label belly dance
capture the imagination of certain men use and
thus receive this prejudice alive. But there are
wonderful dancers worldwide known and unknown
who speak a different language and prove that
oriental dance technique, practice, creativity,
skill, and knowledge required. Not only the
professional dancers and the many women who
dedicate themselves to the oriental dance in her
spare time show that they do not get lost in
clichés and alienated from themselves, but on the
contrary, be discovered in oriental dance and
find and express,
There are many oriental dance styles and concepts
that vary from dancer to dancer, and thats
something very nice The dancers are very
individual and show dance in their personality. Th
ere is no standardization or standardization as
in other dance techniques, such as the classical
ballet, where a major adjustment to the standards
required by the structures. There is an
incredible wealth of movements in oriental dance,
not only hip, pelvis and abdominal movements,
but also movements of the chest, shoulders, arms,
head movements, combinations of steps, turns,
jumps.
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Hence the name belly dance this technique is
not fair and I prefer the term oriental dance
before.
The movement diversity holds endless
possibilities of expression and then there are
the props with which a woman can dance veil,
stick, saber, candlesticks, and cymbals,
with cymbals, are more of a musical instrument as
a prop.
As in all dance techniques that spring movements
from the midsection. But in oriental dance, we
dance not only for but with the midsection! The
movements of the oriental dance are circular,
wavy or curved And then there are the shimmies
vibration and oscillation.
All these movements we find in the universe the
macrocosm and in the subatomic microcosm. We
reflect the cosmic dance in oriental dance!
We integrate ourselves into the natural flow of
movement that produces well-being.
In addition, the oriental dance reflects
movements from the act of giving birth and making
love.
The roots of oriental dance are in ritual comes
from the days when dance and religion were one
unit and all existential processes were errant in
magical and ritual dances, such as hunting
dances, war dances, healing rituals, boys and
girls consecration, evocation, birth, and
fertility.
Recent research has brought to light that more
than five million years matriarchal cultures have
existed in which to give birth the women with
their gift of life, in the center was a divine
principle of life and fertility were worshiped as
the numerous statuettes of women-finds evidence
from this period. Men representations are rare.
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Essay No 7 Evaluation of Dance(450 words)
In Egypt, there are the Ghawazee women who
received across the dance through the ages alive.
During the French occupation of Egypt by Napoleon
in 1798 Ghawazee who were very poor, were
prostituted, exploited and banned, even killed.
Poor and desperate dancers danced in nightclubs
to the amusement of the occupiers and the
European tourists who were traveling at these
times to exotic Egypt and of which we have
travel reviews and information on dancers, such
as by the writer Flaubert.
The natural eroticism inherent in this dance has
made it women under the constraints
of patriarchal societies not easy not to alienate
themselves and to meet prevailing men wishes and
ideas and use.
For us women today means oriental dance, how to
manage them yourself to discover and express
ourselves. The circular arc-and undulations
reflect the macro and microcosmic dance resist
what integrates us into the cosmic flow of
movement. In
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addition, the movements are very organic, as all
have an outward and an inward component. The
result is a harmonious, soothing flow of open
and close, tension and relaxation. There are
soft, flowing, but also powerful, firm movements
We are so soft, delicate and solid, powerful and
strong!!
The effect is not only beneficial for the body
but for the mind, as developed by the
self- awareness awareness and self-confidence.
My many years of teaching experience has also
shown me that women by dancing together with
other women her explore female beauty. Discover
the beauty of other women, are reflected in the
other women discover their own beauty. The more
or less subtle pressure that is built up by the
image of women à la Top Models and does
not reflect reality is put into perspective,
since women can experience that the way they are,
possess while dancing radiance and beauty.
Many women have discovered how beautiful they
dance and ceased to fight against her body. Our
body is not standardized by training but shaped.
We mold and shape our bodies, by letting flow
through our bodies, the organic, natural
movements, as it is consistent for our body. This
is also the reason why 50-, 60-year-old and even
older women can dance oriental.
It is very important anatomical correct to dance,
with the right attitude and a conscious pelvic
floor, then dancing is healthy and we really feel
the movements.
The position is in the body as a musical
instrument, so that all voltage conditions
are correct. U and only then is the body,
especially the abdomen, a canvas that can arise
in which all movements. Not respect all exercise
leaders fact, though, these organic movements are
actually organic, healthy and aesthetically with
the right attitude.
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Essay No 8 Essay of Dancing(600 words)
Ahhhhhhh and here I must make a huge sacrifice if
not everything, absolutely everything about what
I think, and many, many others. To everything
already listed in the previous paragraph, we must
also add STEPS FAREWELL. So summarizing
technical part, part choreography children, part
choreographic other courses, all multiplied by
the various disciplines and in addition, to
lengthen the duration, THE STEPS OF ADDIO. Boys
who on this occasion must cover 80 of the time
archive roles that do not even know existed until
a few months before. Sorry eh, they are popular
because things do not I send you to say, but
explain to me why a student who has never studied
repertoire during the school year, must, for the
occasion, spend hours in front of a DVD with
your master to copy the choreography of the great
masters? I speak clearly of teachers who do not
know the repertoire, which they have never
studied and had never danced, so this
consideration does not apply to those who carry
out complete educational programs, and other than
that Im talking about. But then, I say, is a
brutal effort if you just want to think that in
front of the student and teacher videos are
mirrored with the TV, so that in the video is
right, live in the room it is to the left and
thats where they begin the contortions.
We illustrate them so that you can well imagine
the scene well we must put with the body shot of
the TV, go to frame and dissect each combination
and quibble with in my opinion makes this step
cooooooosììììì at 506 and not as you say in
backbeat and vice versa. That is, to do 32 times
I know of people who have spent 32 hours and go
suuuu why? Go to frame and dissect each
combination and quibble with in my opinion
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makes this step cooooooosììììì at 506 and not as
you say backbeat and vice versa. That is, to do
32 times I know of people who have spent 32 hours
and go suuuu why? Go to frame and dissect
each combination and quibble with in my opinion
makes this step cooooooosììììì at 506 and not as
you say backbeat and vice versa. That is, to do
32 times I know of people who have spent 32 hours
and go suuuu why? Why do I still wonder, in
the case of girls, we need a tutu hundred
thousand dollars and two hundred seventy-seven
thousand little hand-sewn Swarovski saint and
a professional dancer for a duet? I do not want
the real professionals I wrote it in quotes to
protect you that the profession you do it
seriously. Do you realize that these guys often
have to pull over Graduating who have not the
slightest idea of how to approach in the throws
to help the men in the sockets, with dangerous
consequences for the health of the same end of
the season? What they do not know what it means
to dance in pairs because, little poor, they
never did? Dalai and why? Why so everyone does
and why so want to practice? Who cares? Would not
it be better to stitching him something personal
that really belongs to the physical and technical
characteristics of diplomat on duty? In any case
in these essays add to this, also, the pas Deux,
variations, and tail. It is fine if the
dipsomania is one, but when its a full course I
cling supportive to the efforts of colleagues who
are forced to do most evenings and set up several
pas de Deux for each student because otherwise,
moms flay them alive. There are close in these
moments of intense emotional and physical effort
but not envy you at all.
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