PDF KINDLE DOWNLOAD Funny Dostoevsky: New Perspectives on the Dostoevskian L

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y N e w P e r s p e c t iv e s o n t h e D o s
t o e v s k ia n L ig h t S id e d o w n lo a d ,
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v s k ia n L ig h t S id e , o n lin e F u n n y
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w P e r s p e c t iv e s o n t h e D o s t o e v
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r s p e c t iv e s o n t h e D o s t o e v s k ia
n L ig h t S id e , D O C F u n n y D o s t o e v
s k y N e w P e r s p e c t iv e s o n t h e D
o s t o e v s k ia n L ig h t S id e
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Funny Dostoevsky New Perspectives on the
Dostoevskian Light Side
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Funny Dostoevsky New Perspectives on the
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Description
Tapping into the emergence of scholarly comedy
studies since the 2000s, this collection brings
new perspectives to bear on the Dostoevskian
light side. Funny Dostoevksy demonstrates how and
why Dostoevsky is one of the most humorous
19th-century authors, even as he plumbs the
depths of the human psyche and the darkest facets
of European modernity. The authors go beyond the
more traditional categories of humor, such as
satire, parody, and the carnivalesque, to apply
unique lenses to their readings of
Dostoevsky. These include cinematic slapstick and
the body in Crime and Punishment, the affective
turn and hilarious (and deadly) impatience in
Demons, and ontological jokes in Notes
from Underground and The Idiot. The authors
8211(coincidentally?) all women, including
some of the most established scholars in the
field alongside up-and-comers 8211address gender
and the marginalization of comedy, culminating
in a chapter on Dostoevsky's quotfuny and
furiousquotwomen, and explore the intersections
of gender and humor in literary and culture
studies. Funny Dostoevksy applies some of the
latest findings on humor and laughter to his
writing, while comparative chapters bring
Dostoevsky's humor into conjunction with other
popular works, such as Chaplin's Modern Times and
Lin-Manuel Miranda's Hamilton. Written with a
verve and wit that Dostoevsky would appreciate,
this boldly original volume illuminates how humor
and comedy in his works operate as vehicles of
deconstruction, pleasure, play, and transcendence.