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5 minutes ago - COPY LINK TO DOWNLOAD = flip.ebookmarket.pro/psjul24/0810857065 | [PDF READ ONLINE] Huston, We Have a Problem: A Kaleidoscope of Filmmaking Memories (Volume 124) (The Scarecrow Filmmakers Series, 124) | In this captivating memoir, Oscar®-winning cinematographer Oswald ("Ossie") Morris looks back over his 58-film career as Director of Photography for such front rank directors as John Huston, Carol Reed, Joseph L. Mankiewicz, Stanley Kubrick, Ronald Neame, Vittorio De Sica, Franco Zeffirelli, Norman Jewison and Sidney Lumet. Though he eschews "kiss-and-tell," Ossie provides many personal and amusing insights into the making of many films, including Moulin Rouge, Moby Dick, The Guns of Navarone, Lolita, The Hill, Fiddler on the Roof, The Man Who Would be King and Oliver!Morris photographed many of t – PowerPoint PPT presentation

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Title: READ/DOWNLOAD Huston, We Have a Problem: A Kaleidoscope of Filmmaking


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BESTSELLER
3
Huston, We Have a Problem A Kaleidoscope of
Filmmaking Memories (Volume 124) (The Scarecrow
Filmmakers Series, 124)
4
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Huston, We Have a Problem A Kaleidoscope of
Filmmaking Memories (Volume 124) (The Scarecrow
Filmmakers Series, 124)
6
Description
In this captivating memoir, Oscar174winning
cinematographer Oswald (quotOssequot Morris
looks back over his 58-film career as Director of
Photography for such front rank directors as John
Huston, Carol Reed, Joseph L. Mankiewicz, Stanley
Kubrick, Ronald Neame, Vittorio De Sica, Franco
Zeffirelli, Norman Jewison and Sidney Lumet.
Though he eschews quotkis-and-tell,quotOssie
provides many personal and amusing insights
into the making of many films, including Moulin
Rouge, Moby Dick, The Guns of Navarone, Lolita,
The Hill, Fiddler on the Roof, The Man Who Would
be King and Oliver!Morris photographed many of
the top stars8213Elzabeth Taylor, Richard
Burton, Sophia Loren, Marlon Brando, Humphrey
Bogart, Gregory Peck, Robert Mitchum, James
Mason, Paul Newman, Michael Caine, and Sean
Connery, among others8213an relates a fund
of intimate anecdotes about them. He also
recounts his run-ins with legendary producer,
David O. Selznick, who battered him with his
infamous memos throughout the making of
Stazione Termini, Beat The Devil and A Farewell
to Arms. Morris also offers many
technical revelations about making films in the
pre-digital era, including groundbreaking
innovations and camera tricks. For all those
interested in the history of film, both at a
personal and technical level, this is a rich and
rewarding look into the world of cinema.
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