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Description
Weaving together critical analysis and a filmic
conversation, this book journeys through
the multiple layers of Cameroonian filmmaker
Jean-Marie Teno's thematically and
aesthetically challenging body of work, framed
here as a form of decolonial cinematic
resistance.Co- winner African Literature
Association Book of the Year - ScholarshipBoth a
monograph and a critical dialogue between
academic Melissa Thackway, author of Africa
Shoots Back, and the Cameroonian filmmaker
Jean-Marie Teno, this collaborative work takes
the reader on a journey through Teno's
multifaceted on-going filmic reflection on
Cameroon and the wider African continent, its
socio-political systems, history, memory and
cultures. Presenting and contextualizing Teno's
cinema, it addresses the notion of political
commitment in art and of cinema as a form of
resistance. It also considers Teno's filmmaking
both in relation to the theoretical and aesthetic
debates to have animated West and Central African
filmmakers since the 1960s and 1970s, and n
relation to documentary filmmaking practices on
the continent and beyond. In so doing, the book
offers an analysis of the predominant
stylistic and thematic traits of Teno's work,
examines the individual films and the collective
oeuvre, and highlights the evolutions of his film
language and concerns. It identifies and explores
the committed socio-political and historical
themes at play, such as violence, power,
history, memory, gender, trauma and exile. It
also considers Teno's unwavering focus,
both thematically and in his filmmaking choices,
on forms and instances of resistance, framing
his cinema as a form of decolonial aesthetics.