Ramon Casas 3 (Spanish artist, 1866-1932)

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Ramon Casas
3
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Portrait of María Luisa Caze Mir, Joaquim Cabot's
wife, 1900 MNAC
Retrato de Dolors Vidal, 1911 (195 x 100 cm) MNAC
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Dama leyendo Fundación Cultural Privada Manuel
Rocamora, Barcelona
Joven, 1902
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Señora con vestido rojo Fundación Cultural
Privada Manuel Rocamora, Barcelona
Figura femenina, 1900 (13 x 10.5 cm) Fundación
cultural privada Manuel Rocamora
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Female figure (40 x 33,5 cm) Art Collection of
the Government of Catalonia
Figura femenina en rojo, 1900 (15.2 x 11.3 cm)
Museu Nacional d'Art de Catalunya - MNAC,
Barcelona
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En la verbena
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Female bust, 1900 Museu Nacional d'Art de
Catalunya - MNAC, Barcelona
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Caramelles
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Young girl from Paris (37x30cm) 1890 Museu
Nacional d'Art de Catalunya - MNAC, Barcelona
Asidua al Moulin de la Galette, 1891(35 x 27
cm) Colección particular
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Asidua al Moulin de la Galette, 1891(35 x 27
cm) Colección particular
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Ramon Casas i Carbó (18661932) was a Catalan
Spanish artist. In 1877 he abandoned the regular
course of schooling to study art in the studio of
Joan Vicens. In 1881, still in his teens, he was
a co-founder of the magazine L'Avenç the 9
October 1881 issue included his sketch of the
cloister of Sant Benet in Bages. That same month,
accompanied by his cousin Miquel Carbó i Carbó, a
medical student, he began his first stay in
Paris, where he studied that winter at the
Carolus Duran Academy and later at the Gervex
Academy, and functioned as a Paris correspondent
for L'Avenç. The next year he had a piece
exhibited in Barcelona at the Sala Parés, and in
1883 in Paris the Salon des Champs Elysées
exhibited his portrait of himself dressed as a
flamenco dancer the piece won him an invitation
as a member of the salon of the Societé
d'artistes françaises. The next few years he
continued to paint and travel, spending most
autumns and winters in Paris and the rest of the
year in Spain, mostly in Barcelona but also in
Madrid and Granada his 1886 painting of the
crowd at the Madrid bullfighting ring was to be
the first of many highly detailed paintings of
crowds. That year he survived tuberculosis, and
convalesced for the winter in Barcelona. Among
the artists he met in this period of his life,
and who influenced him, were Laureà Barrau,
Santiago Rusiñol, Eugène Carrière, Pierre Puvis
de Chavannes, and Ignacio Zuloaga.
Self-portrait
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A woman driver, 1900 Museu Nacional d'Art de
Catalunya - MNAC, Barcelona
Aux aguets, 1891 (58 x 47.5 cm) Institut
Amatller d'Art Hispànic, Barcelona
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Headpiece for the magazine 'Pèl Ploma 1901
Museu Nacional d'Art de Catalunya - MNAC,
Barcelona
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José Ribas mobiliario Barcelona Museu Nacional
d'Art de Catalunya - MNAC, Barcelona
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El pañuelo amarillo, 1899 (50 x 61 cm)
Julia
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Estudio, 1889 (91 x 110 cm) Colección particular
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Entre dos luces, 1894 (73.5 x 60.6 cm) Colección
particular
Figura femenina, 1893 (44 x 35 cm) Colección
particular
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Untitled (Pèl Ploma) Museu Nacional d'Art de
Catalunya - MNAC, Barcelona
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Trini 1916 (92,5x73,5) Museu Nacional d'Art de
Catalunya - MNAC, Barcelona
Portrait of Gabrielle Réjane 1899 Museu Nacional
d'Art de Catalunya - MNAC, Barcelona
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Trini 1916 (Detail) Museu Nacional d'Art de
Catalunya - MNAC, Barcelona
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Teresa Mariani Museu Nacional d'Art de Catalunya
- MNAC, Barcelona
Retrato de Julia Peraire, 1920
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Study 42.5x40.5cm Museu Nacional d'Art de
Catalunya - MNAC, Barcelona
Retrato de Mujer
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Socorro
Mujer con mantilla
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Retrato de Julia (93 x 73 cm) Fons d'Art de Cèdit
Andorrà
Julia, 1915 Carmen Thyssen-Bornemisza Collection
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Pepita Teixidor Museu Nacional d'Art de Catalunya
- MNAC, Barcelona
Pauleta Pàmies Museu Nacional d'Art de Catalunya
- MNAC, Barcelona
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Ribera de rio con figura, 1912 (42 x 50
cm) Museo de Pintura Sant Pol de Mar
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Reposo, 1899/1900 (60 x 45 cm) Colección Oriol
Galería d'Art
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Sin título Fundación Cultural Privada Manuel
Rocamora, Barcelona
La del manton rojo
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Figura femenina, 1900-1903 Museu Nacional d'Art
de Catalunya - MNAC, Barcelona
L'Acenç, 1901 (63 x 48 cm) Museu Nacional d'Art
de Catalunya - MNAC, Barcelona
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During a 1904 sojourn in Madrid, he produced a
series of sketches of the Madrid intelligentsia,
and befriended painters Eliseo Meifrén and
Joaquín Sorolla, as well as Agustí Querol
Subirats, official sculptor to the Spanish
government. In Querol's studio, he executed an
equestrian portrait of the king, Alfonso XIII,
which was soon purchased by the American
collector Charles Deering, who, over the next few
years would commission or purchase several of
Casas paintings. Increasingly in demand as a
portraitist, he settled again for a while in
Barcelona. Shortly thereafter he made the
acquaintance of a young artist's model named
Júlia Peraire, 22 years his junior. He first
painted her in 1906 when she was 18. She soon
became his favorite model and his lover. His
family did not approve of her they eventually
married, but not until 1922.
La Sargantaine, c. 1907, portrait of Júlia
Peraire (91 x 63 cm) Colección Círculo del
Liceo, Barcelona
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Busto de dama, 1900 (15 x 10 cm) Fundación
cultural privada Manuel Rocamora. Barcelona
Figura de mujer
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Joven decadente, 1899 (46.5 x 56 cm) Museu de
Montserrat
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La parisiense, 1900 (65 x 54 cm) Colección
particular
La Parisién, 1900 (55 x 46 cm) Abadía de
Montserrat
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Manola (26 x 22,5 cm) Museu Comarcal de la
Garrotxa
Nota ciclista Museu Nacional d'Art de Catalunya -
MNAC, Barcelona
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La viuda, 1889/1890 (186 x 113 cm) Biblioteca
Museu Víctor Balaguer, Vilanova i la Geltrú
La madre (90 x 75 cm) Colección particular
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Marieta 1905-8 Museu Nacional d'Art de Catalunya
- MNAC, Barcelona
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Carmencita, verano (Retrato de Julia)
Julia (46 x 39 cm) Colección particular
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Portrait of Júlia Peraire 1920 Museu Nacional
d'Art de Catalunya - MNAC, Barcelona
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Invierno, 1893 (55 x 46 cm) Colección particular
Soledad, carboncillo (coloreado al pastel) sobre
papel, 32x22 cm
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Julia con pañuelo azul, (50 x 36 cm) Colección
particular
Julia sentada
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Preparando el baño, 1895 (56 x 41 cm) Colección
particular
Interior 102 x 82 cm Museu Nacional d'Art de
Catalunya - MNAC, Barcelona
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Figure with hat, 1907 (60 x 51 cm) Banco
Sabadell Gallery
Chula con mantón amarillo (Girl in a Yellow Shawl
) sold, Sothebys London, 16 November 2004
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A Girl in Yellow (81 x 65 cm) Colección Banco
Sabadell
Chula, 1897/1898 (67.2 x 55 cm) Colección
Masaveu
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Mujer sentada (28 x 21 cm) Colección Federico
Torelló
Figura de mujer
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Julia Pastel 33 x 22 cm
Mujer
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Mujer descansando, 1899 (81 x 117 cm) Colección
familia Codina
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Julia vestida de cordobesa, 1912 (180 x 79 cm)
Abadía de Montserrat
Interior (40,5 x 32,5 cm) Colección particular
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Plein air, 1890/1891 (51 x 66 cm) Museu Nacional
d'Art de Catalunya - MNAC, Barcelona
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Portrait of Isabel Llorach, 1901 193x83cm Museu
Nacional d'Art de Catalunya - MNAC, Barcelona
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Retrato de Elisa Casas, 1889 (200 x 100 cm)
Colección particular
Gigantes 15 x 24 cm
Retrato de la señora viuda de Codina, 1903 (186
x 85 cm) Colección Art Hispania S.A
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Retrato de señora
Retrato de Elisa Casas, 1888 (45 x 38 cm)
Colección particula
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L'auca (a Catalan style of story in pictures) del
senyor Esteve is a novel by Santiago Rusiñol
published in 1907. It has 27 chapters about
scenes and moments in the Ribera neighborhood in
Barcelona, which are interpreted by the 27
illustrations by Ramon Casas and the 27 rhymes by
Gabriel Alomar
Estudio para un cartel de propaganda Fundación
Cultural Privada Manuel Rocamora
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An auca representing the novel's plot on a wall
in Petritxol street in Barcelona
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belong to their  respective owners
Presentation Sanda Foisoreanu
2014
Sound Pasión Vega - Soñando contigo
(Duo con Antonio Banderas)