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Unofficial and Unauthorised
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Quentin Tarantino The
iconic
filmmaker
and
his
work
(Iconic
Filmmakers
Series)
I DIDNT GO TO FILM SCHOOL,
I WENT TO FILMS. Why is Quentin Quentin? The
answer
is both simple and telling. Late in her
pregnancy, Connie Tarantino henceforth
the redoubtable Connie became hooked on the
Western serial Gunsmoke, featuring a young
Burt Reynolds as Quint Asper, the half-Comanche
blacksmith who appeared for three seasons.
Connie is half Cherokee, a fact which would
contribute an aura of mystery to her
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extraordinary son. Something she dismissed as
sensationalism'. Reservoir Dogs Its a
low budget movie, he promised, because it all
takes place in one garage where all these guys
who pull a heist come back to, and you know
something has gone badly wrong. But you never
see the heist.' That was key the whole film was
all about the aftermath. Pulp Fiction Everything
I have written, he confessed, has at least
twenty pages that are taken from other things
Ive done. The plan was an anthology movie like
Mario Bavas 1963 horror triptych Black Sabbath,
but inspired by Tarantinos love of old crime
magazines like Black Mask. The legendary
periodical was home to Raymond Chandler and
Dashiell Hammett and more modern, hardboiled
writers like Elmore Leonard and Jim Thompson
who once qualified as pulp but had crashed the
literary party, just as he had duped the bouncers
of the arthouse scene. Jackie Brown He would
re-embrace the milieu of Pulp Fiction, but make a
film in striking contrast to its cool
playfulness. His adaptation, now retitled Jackie
Brown, would run chronologically, A to B to C.
To Tarantinos zigzagging sensibility this was
a radical subversion of the norm. I wasnt
trying to top Pulp Fiction with Jackie Brown, I
wanted to go underneath it and make a more
modest character study movie.' If his previous
film had been an opera, this was a chamber
piece. He already had a readymade subgenre for
what he had in mind this was a hang out movie.
I made Jackie Brown like the way I always felt
about Howard Hawks Rio Bravo, which is a movie
I can watch every couple of years. Once you get
the storyline out of the way, you simply enjoy
hanging out with the characters. Kill Bill
Volumes 1 and 2 For his comeback, he planned to
make the loudest, craziest, most reverential and
least realistic film possible. The Fourth Film by
Quentin Tarantino, as it was flamboyantly
billed, would double down on what we had come to
know as Tarantinoesque. In short, he was about
to try his hand at an action movie. Not in any
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mainstream Hollywood sense, but as a tribute to
the myriad of martial arts films that sprang out
of Hong Kong, Japan, Korea and China. Films like
the Sonny Chiba double-bill that Clarence
savours in a rundown cinema at the beginning of
True Romance. It would be blood-soaked like
never before and bound around the globe.
Inglourious Basterds Back in the Video Archives
days, whenever the gang got talking about their
favourite World War II men-on-a mission movies
a classic subgenre including such luminaries as
The Dirty Dozen and The Guns of Navarone, but,
as Quentin Tarantino would keenly point out, also
including an entire regiment of neglected gems
they would refer to them under the catch- all
term of Inglorious Bastards movies. Django
Unchained Spaghettis, with their co-option of
samurai mythology, are big in Japan. Tarantino
spent his day off listening to the scores, and
an opening scene took shape in his imagination.
In a rare instance caught without his notebooks,
he began scribbling it down on hotel stationery
before it got away. The Hateful Eight As modern
audiences happily streamed movies, his movies, on
their laptops and phones, The Hateful Eight was
an emphatic reassertion of the cinematic. The
idea of films being shrunk onto screens the size
of a cigarette packet depressed him. It is no
surprise to hear that he is a zealot for vinyl.
He still writes his scripts by hand. You dont
need technology for poetry, he sneered. With a
touch of poetic contrariness, with the exception
of the breathtaking vistas of the opening
chapter, his great 70mm extravaganza was set in a
single, ramshackle room. And this was another
Western. ONCE UPON A TIME IN HOLLYWOOD Where
would his muse venture next? The answer was
literally to Hollywood. But this was a Hollywood
born in the mind of Quentin Tarantino, a vivid
and brilliant fusion of life and art, and his
most personal film.
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Quentin Tarantino The iconic filmmaker and his
work (Iconic Filmmakers Series)
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