Title: [PDF] Abraham Polonsky: Interviews (Conversations with Filmmakers Series) Kindle
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2Description
Abraham Polonsky (191082111999), screenwriter and
filmmaker of the midtwentiethcentury Left,
recognized his writerly mission to reveal
the aspirations of his characters in a material
society structured to undermine their hopes In
the process, he ennobled their struggle His
auspicious beginning in Hollywood reached a
zenith with his Oscarnominated screenplay for
Robert Rossens boxing noir film, Body and Soul
(1947), and his inaugural film as writer and
director, Force of Evil (1948), before he was
blacklisted during the McCarthy witch hunt
Polonsky envisioned cinema as a modern artist
His aesthetic appreciation for each technical
component of the screen aroused him to create
voiceovers of urban cadences8212poetic monologues
spoken by the citys everyman, embodied by the
actor who played his heroes best, John Garfield
His use of David Raksins score in Force of Evil,
against the backdrop of the grandeur of New York
Citys landscape and the conflict between
the brothers Joe and Leo Morse, elevated film
noir into classical family tragedy Like Garfield,
Polonsky faced persecution and an aborted career
during the blacklist But unlike Garfield,
Polonsky survived to resume his career
in Hollywood during the ferment of the late
sixties Then his vision of a changing society
found allegorical expression in Tell Them Willie
Boy Is Here, his impressive antiWestern showing
the destruction of the Paiute rebel
outsider, Willie Boy, and cementing Polonsky as a
moral voice in cinema
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5Description
Abraham Polonsky (191082111999), screenwriter and
filmmaker of the midtwentiethcentury
Left, recognized his writerly mission to reveal
the aspirations of his characters in a material
society structured to undermine their hopes In
the process, he ennobled their struggle His
auspicious beginning in Hollywood reached a
zenith with his Oscarnominated screenplay for
Robert Rossens boxing noir film, Body and Soul
(1947), and his inaugural film as writer and
director, Force of Evil (1948), before he
was blacklisted during the McCarthy witch hunt
Polonsky envisioned cinema as a modern artist His
aesthetic appreciation for each technical
component of the screen aroused him to create
voiceovers of urban cadences8212poetic monologues
spoken by the citys everyman, embodied by the
actor who played his heroes best, John Garfield
His use of David Raksins score in Force of Evil,
against the backdrop of the grandeur of New York
Citys landscape and the conflict between the
brothers Joe and Leo Morse, elevated film noir
into classical family tragedy Like Garfield,
Polonsky faced persecution and an aborted career
during the blacklist But unlike Garfield,
Polonsky survived to resume his career in
Hollywood during the ferment of the late sixties
Then his vision of a changing society found
allegorical expression in Tell Them Willie Boy Is
Here, his impressive antiWestern showing the
destruction of the Paiute rebel outsider, Willie
Boy, and cementing Polonsky as a moral voice in
cinema
6PDF Abraham Polonsky Interviews (Conversations
with Filmmakers Series) Kindle