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Local Acts Community-Based Performance in the
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Local Acts Community-Based Performance in the
United States (Rutgers Series The Public Life of
the Arts)
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Description
An eclectic mix of art, theatre, dance, politics,
experimentation, and ritual,community-based perfor
mance has become an increasingly popular art
movement in the United States. Forged by the
collaborative efforts of professional artists and
local residents, this unique field
brings performance together with a range of
political, cultural, and social projects, such
as community-organizing, cultural
self-representation, and education.nbspLocl Acts
presents a long-overdue survey of community-based
performance from its early roots, through
its flourishing during the politically-turbulent
1960s, to present-day popular culture. Drawing
on nine case studies, including groups such as
the African American Junebug Productions,
the Appalachian Roadside Theater, and the Puerto
Rican Teatro Pregones, Jan Cohen-Cruz provides
detailed descriptions of performances and
processes, first-person stories, and analysis.
She shows how the ritual side of these endeavors
reinforces a sense of community identification
while the aesthetic side enables local residents
to transgress cultural norms, to question group
habits, and to incorporate a level of craft that
makes the work accessible to individuals beyond
any one community. The book concludes by
exploring how community- based performance
transcends even national boundaries, connecting
the local United States with international
theater and cultural movements.