(PDF) Satyajit Ray on Cinema Ipad

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Description
Satyajit Ray, one of the greatest auteurs of
twentieth century cinema, was a Bengali
motionpicture director, writer, and illustrator
who set a new standard for Indian cinema with his
Apu Trilogy Pather Panchali (Song of the
Little Road) (1955), Aparajito (The Unvanquished)
(1956), and Apur Sansar (The World of Apu) (1959)
His work was admired for its humanism,
versatility, attention to detail, and skilled use
of music He was also widely praised for
his critical and intellectual writings, which
mirror his filmmaking in their precision and
wideranging grasp of history, culture, and
aesthetics Spanning forty years of Rays career,
these essays, for the first time collected in one
volume, present the filmmakers reflections on the
art and craft of the cinematic medium and include
his thoughts on sentimentalism, mass culture,
silent films, the influence of the French New
Wave, and the experience of being a
successful director Ray speaks on the difficulty
of adapting literary works to screen, the nature
of the modern film festival, and the phenomenal
contributions of JeanLuc Godard and the Indian
actor, director, producer, and singer Uttam Kumar
The collection also features an excerpt from Rays
diaries and reproduces his sketches of famous
film personalities, such as Sergei Eisenstein,
Charlie Chaplin, and Akira Kurosawa, in addition
to film posters, photographs by and of the
artist, film stills, and a filmography
Altogether, the volume relays the full extent of
Rays engagement with film and offers extensive
access to the thought of one of the
twentiethcenturys leading Indian intellectuals
3
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Description
Satyajit Ray, one of the greatest auteurs of
twentieth century cinema, was a Bengali
motionpicture director, writer, and illustrator
who set a new standard for Indian cinema with his
Apu Trilogy Pather Panchali (Song of the Little
Road) (1955), Aparajito (The Unvanquished)
(1956), and Apur Sansar (The World of Apu) (1959)
His work was admired for its humanism,
versatility, attention to detail, and skilled use
of music He was also widely praised for his
critical and intellectual writings, which mirror
his filmmaking in their precision and wideranging
grasp of history, culture, and aesthetics
Spanning forty years of Rays career, these
essays, for the first time collected in one
volume, present the filmmakers reflections on the
art and craft of the cinematic medium and include
his thoughts on sentimentalism, mass culture,
silent films, the influence of the French New
Wave, and the experience of being a successful
director Ray speaks on the difficulty of adapting
literary works to screen, the nature of
the modern film festival, and the phenomenal
contributions of JeanLuc Godard and the Indian
actor, director, producer, and singer Uttam Kumar
The collection also features an excerpt from Rays
diaries and reproduces his sketches of famous
film personalities, such as Sergei Eisenstein,
Charlie Chaplin, and Akira Kurosawa, in addition
to film posters, photographs by and of the
artist, film stills, and a filmography Altogether,
the volume relays the full extent of Rays
engagement with film and offers extensive access
to the thought of one of the twentiethcenturys
leading Indian intellectuals
6
(PDF) Satyajit Ray on Cinema Ipad