[PDF] The Cinema of Stephanie Rothman: Radical Acts in Filmmaking Ipad

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Description
The rare woman director working in secondwave
exploitation, Stephanie Rothman (b 1936) directed
seven successful feature films, served as the
vice president of an independent film company,
and was the first woman to win the Directors
Guild of America8217s student filmmaking prize
Despite these career accomplishments, Rothman
retired into relative obscurity In The Cinema of
Stephanie Rothman Radical Acts in Filmmaking,
author Alicia Kozma uses Rothman8217s career as
an indepth case study, intertwining historical,
archival, industrial, and filmic analysis to
grapple with the past, present, and future of
women8217s filmmaking labor in Hollywood Understan
ding secondwave exploitation filmmaking as a
transitory space for the industrial development
of contemporary Hollywood that also opened
up opportunities for women practitioners, Kozma
argues that understudied film production cycles
provide untapped spaces for discovering
women8217s directorial work The professional
career and filmography of Rothman exemplify this
claim Rothman also serves as an apt example for
connecting the structure of film histories to the
persistent strictures of rhetorical language used
to mark women filmmakers and their labor Kozma
traces these imbrications across historical
archives Adopting a diverse methodological
approach, The Cinema of Stephanie Rothman shines
a needed spotlight on the problems and successes
of the memorialization of women8217s directorial
labor, connecting historical and contemporary
patterns of gendered labor disparity in the
film industry This book is simultaneously the
first indepth scholarly consideration of Rothman,
the debut of the most substantive archival
materials collected on Rothman, and a feminist
political intervention into the construction of
film histories
3
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Description
The rare woman director working in secondwave
exploitation, Stephanie Rothman (b 1936)
directed seven successful feature films, served
as the vice president of an independent film
company, and was the first woman to win the
Directors Guild of America8217s student
filmmaking prize Despite these career
accomplishments, Rothman retired into relative
obscurity In The Cinema of Stephanie
Rothman Radical Acts in Filmmaking, author
Alicia Kozma uses Rothman8217s career as an
indepth case study, intertwining historical,
archival, industrial, and filmic analysis to
grapple with the past, present, and future of
women8217s filmmaking labor in Hollywood
Understanding secondwave exploitation filmmaking
as a transitory space for the industrial
development of contemporary Hollywood that also
opened up opportunities for women practitioners,
Kozma argues that understudied film production
cycles provide untapped spaces for discovering
women8217s directorial work The professional
career and filmography of Rothman exemplify this
claim Rothman also serves as an apt example for
connecting the structure of film histories to the
persistent strictures of rhetorical language used
to mark women filmmakers and their labor Kozma
traces these imbrications across historical
archives Adopting a diverse methodological approac
h, The Cinema of Stephanie Rothman shines a
needed spotlight on the problems and successes of
the memorialization of women8217s directorial
labor, connecting historical and contemporary
patterns of gendered labor disparity in the film
industry This book is simultaneously the first
indepth scholarly consideration of Rothman, the
debut of the most substantive archival materials
collected on Rothman, and a feminist political
intervention into the construction of film
histories
6
PDF The Cinema of Stephanie Rothman Radical
Acts in Filmmaking Ipad