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10 minutes ago - COPY LINK TO DOWNLOAD = pasirbintang3.blogspot.com/?klik=0819501034 | PDF/READ Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria (Music / Culture) | A vivid and intricate study of dance music traditions that reveals the many contradictions of being Syrian in the 21st centuryDabke, one of Syria's most beloved dance music traditions, is at the center of the country's war and the social tensions that preceded conflict. Drawing on almost two decades of ethnographic, archival, and digital research, Shayna M. Silverstein shows how dabke dance music embodies the fraught dynamics of gender, class, ethnicity, and nationhood in an authoritarian state. The book situates dabke politically, economically, and historically in a broader account of expressive culture in Syria's recent (and ongoing) turmoil. Silverstei – PowerPoint PPT presentation

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Title: EPUB DOWNLOAD Fraught Balance: The Embodied Politics of Dabk


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Fraught Balance The Embodied Politics of Dabke
Dance Music in Syria (Music / Culture)
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Fraught Balance The Embodied Politics of Dabke
Dance Music in Syria (Music / Culture)
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Description
A vivid and intricate study of dance music
traditions that reveals the many contradictions
of being Syrian in the 21st centuryDabke, one of
Syria's most beloved dance music traditions, is
at the center of the country's war and the social
tensions that preceded conflict. Drawing on
almost two decades of ethnographic, archival, and
digital research, Shayna M. Silverstein shows how
dabke dance music embodies the fraught dynamics
of gender, class, ethnicity, and nationhood in an
authoritarian state. The book situates dabke
politically, economically, and historically in a
broader account of expressive culture in Syria's
recent (and ongoing) turmoil. Silverstein shows
how people imagine the Syrian nation through
dabke, how the state has coopted it, how
performances of masculinity reveal8213an play
with8213th tensions and complexities of the
broader social imaginary, how forces opposed to
the state have used it resistively, and how
migrants and refugees have reimagined it in their
new homes in Europe and the United States. She
offers deeply thoughtful reflections on
the ethnographer's ethical and political dilemmas
on fieldwork in an authoritarian
state. Silverstein's study ultimately questions
the limits of authoritarian power, considering
the pleasure and play intrinsic to dabke circles
as evidence for how performance cultures sustain
social life and solidify group bonds while
reproducing the societal divides endemic
to Syrian authoritarianism.
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