The Light of Christmas 23

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Maria
The light of Christmas
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Carlo Crivelli (Italian, c.1435 - c. 1495)
Madonna della Candeletta Pinacoteca di Brera,
Milan
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Carlo Crivelli - Madonna della Candeletta
Pinacoteca di Brera, Milan
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Carlo Crivelli (Italian, c.1435 - c. 1495)
Montefiore Madonna and Child St Francis of
Assisi 1471-72 Musées Royaux des Beaux-Arts,
Brussels
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Carlo Crivelli - Madonna Cook 1470 Pannello
centrale Polittico di Porto San Giorgio National
Gallery of Art, Washington, D. C
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Carlo Crivelli (Italian, c.1435- c.1495) Madonna
and Child, circa 1470 Pinacoteca de Macerata,
Italy
Carlo Crivelli Madonna and Child - Walters Art
Museum
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Carlo Crivelli (Italian, c.1435- c.1495) Madonna
and Child, circa 1470 Pinacoteca de Macerata,
Italy
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Carlo Crivelli - The Madonna and Child at a
Marble Parapet
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Carlo Crivelli - The Madonna and Child at a
Marble Parapet
The apple is symbol of sin and is opposed to the
cucumber symbol of redemption 
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Carlo Crivelli Madonna and Child 1480-1486
Pinacoteca Civica, Ancona
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Carlo Crivelli - The Jones Madonna - Victoria and
Albert Museum London
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Carlo Crivelli - The Jones Madonna, ca. 1480
(details)
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Carlo Crivelli - The Jones Madonna, ca. 1480 -
Victoria and Albert Museum London
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Carlo Crivelli - Madona Child 1490 National
Gallery of Art - Washington DC
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Carlo Crivelli Madona di Ascoli
Piceno Cattedrale di Sant' Emidio, Cappella del
Sacramento Polittico di Sant'Emidio
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Carlo Crivelli - Madona di Ascoli Piceno
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Carlo Crivelli Madona di Ascoli Piceno (detail)
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Carlo Crivelli (Italian, c.1435- c.1495) Madona
di Ascoli Piceno (detail) Cattedrale di Sant'
Emidio - Cappella del Sacramento - Polittico di
Sant'Emidio
Carlo Crivelli - Madona di Ascoli Piceno (detail)
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Carlo Crivelli (Italian, c.1435- c.1495) Madona
di Ascoli Piceno (detail) Cattedrale di Sant'
Emidio - Cappella del Sacramento - Polittico di
Sant'Emidio
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Carlo Crivelli (Italian, c.1435 - c. 1495)
Virgin and Child Enthroned c. 1476
Museum of Fine Arts, Budapest
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Carlo Crivelli - Virgin and Child Enthroned with
Saints Gemäldegalerie der Staatlichen Museen zu
Berlin
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Carlo Crivelli - Virgin and Child Enthroned with
Saints - Gemäldegalerie der Staatlichen Museen zu
Berlin
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Carlo Crivelli - Virgin and Child Enthroned
(Madonna Linsky) Chiesa di San Domenico a Fermo)
1472 Metropolitan Museum of Art
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Carlo Crivelli - Madonna Linsky 1472 (details)
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Carlo Crivelli - Virgin and Child Enthroned
(detail) (Madonna Linsky) Chiesa di San Domenico
a Fermo) 1472 Metropolitan Museum of Art
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Carlo Crivelli (Italian, c.1435 - c. 1495)
Vittore Crivelli Polittico di Monte San Martino
1480
Santa Caterina d Alessandria
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Carlo (c.1435 - c. 1495) Vittore (c.1430-1502)
Crivelli Polittico di Monte San Martino 1480
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Carlo Vittore Crivelli - Polittico di Monte San
Martino San Martino, Santa Caterina
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Text and pictures Internet All copyrights belong
to their respective owners Presentation Sanda
Foisoreanu
2019
Sound Corelli Christmas Concerto
Op.68 - I. Vivace Grace II.Allegro
III.Adagio - Allegro - Adagio
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Carlo Crivelli (Venice c. 1430 Ascoli Piceno
1495) was an Italian Renaissance painter of
conservative Late Gothic decorative sensibility,
who spent his early years in the Veneto, where he
absorbed influences from the Vivarini, Squarcione
and Mantegna. Crivelli was born around 143035 in
Venice to a family of painters and received his
artistic formation there and in Padua. He was
master of his own shop when sent to prison for
adultery in 1457. He left the Veneto by 1458 and
spent most of the remainder of his career in the
March of Ancona, where he developed a distinctive
personal style that contrasts with that of his
Venetian contemporary Giovanni Bellini. His works
can be identified by his characteristic use of
fruits and flowers as decorative motifs, often
depicted in pendant festoons, which are also a
hallmark of the Paduan studio of Francesco
Squarcione, where Crivelli may have worked.
Commissioned by the Franciscans and Dominicans of
Ascoli, Crivelli's work is exclusively religious
in nature. His paintings consist largely of
Madonna and Child images, Pietà, and the
altarpieces known as polyptychs that were
increasingly unfashionable. His work fell out of
favor following his death and Vasari's Lives of
the Most Excellent Painters, Sculptors, and
Architects, which is notably Florentine in its
outlook, does not mention him. He had something
of a revival, especially in the UK, during the
time of the pre-Raphaelite painters, several of
whom, including Edward Burne-Jones, admired his
work
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Carlo Crivelli
The Light of Christmas (series)
Carlo Crivelli