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Additive vs' Subtractive

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use color rs to adjust R,G,B values. Color Mixing ... use color rs to adjust C, M, Y values. Everything you've learned so far is wrong. ... – PowerPoint PPT presentation

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Title: Additive vs' Subtractive


1
Color Mixing
  • Additive vs. Subtractive

There are two different ways to mix colors.
2
Color Mixing
  • Additive vs. Subtractive

What do you get if you use a prism to combine all
wavelengths of light?
3
Color Mixing
  • Additive vs. Subtractive

What do you get if you use a prism to combine all
wavelengths of light?
White
4
Color Mixing
  • Additive vs. Subtractive

What do you get if you mix a bunch of paint?
5
Color Mixing
  • Additive vs. Subtractive

What do you get if you mix a bunch of paint?
Black
6
Color Mixing
  • Additive vs. Subtractive

WHY?
7
Color Mixing
  • Additive mixing is most intuitive

ADD wavelengths redgreen yellow redblue
magenta bluegreen cyan redgreenbluewhite
8
Exploring Additive Mixing
  • use color sliders to adjust R,G,B values

9
Color Mixing
  • What color can only exist as a metamer (an
    additive mixture of wavelengths)? In other
    words, what color cannot be made with a single
    wavelength?

10
Color Mixing
  • What color can only exist as a metamer (an
    additive mixture of wavelengths)? In other
    words, what color cannot be made with a single
    wavelength?

Magenta
Think about why!
11
Color Mixing
  • Subtractive mixing is much less intuitive (but
    much more common)
  • Subtractive mixing happens when we mix pigments
    (paint) together
  • Different pigments subtract different
    wavelengths
  • red subtracts all but red, blue all but blue,
    green subtracts blue and red, etc

12
Color Mixing
  • Example blue yellow green

Technically its called cyan
13
Color Mixing
  • The result of a mixture depends on what
    wavelengths dont get absorbed by the two pigments

Amount of filtering
green
yellow
red
blue
wavelength
14
Color Mixing
  • Both yellow and blue pigments reflect a bit of
    green

Amount of filtering
green
yellow
red
blue
wavelength
15
Color Mixing
  • Subtractive mixing is commonly used in color
    printers

16
Exploring Subtractive Mixing
  • use color sliders to adjust C, M, Y values

17
Color is an illusion
  • Everything youve learned so far is wrong.

18
Color is an illusion
  • Everything youve learned so far is wrong.
  • Well, not really wrong, just far from complete.

19
L A N D
Everthing you thought you knew about color is
wrong...
20
L A N D
Everthing you thought you knew about color is
wrong...
21
What is color for?
  • What is color vision used for?

22
What is color for?
  • What is color vision used for?
  • Identification - what is this thing?
  • Discrimination - what other things is this like?
  • Communication - indicates this thing to others

23
What is color for?
  • What is color vision used for?
  • Identification - what is this thing?
  • Discrimination - what other things is this like?
  • Communication - indicates this thing to others
  • But in each case color refers not to the
    illuminating light, but to the surface of the
    object itself

24
What is color for?
  • What is color vision used for?
  • Identification - what is this thing?
  • Discrimination - what other things is this like?
  • Communication - indicates this thing to others
  • But in each case color refers not to the
    illuminating light, but to the surface of the
    object itself

Does the color of an object remain constant under
different lighting conditions?
25
What Newton Found (and everyone believed)
  • White light can be split into all wavelengths by
    a prism

26
What Newton Found (and everyone believed)
  • White light can be split into all wavelengths by
    a prism
  • According to previous theories two wavelengths
    combine to yield intermediate color and no others

Red Light
Green Light
Red Green YELLOW
27
What twist did Land do to this paradigm that
confounds the conventional understanding of color
mixing?
28
What Land found
  • Two bands (colors) of the spectrum recombine to
    produce all the possible colors
  • provided the appropriate relative amount of each
    wavelength is projected

Red Light
Green Light
transparency slides
29
How did Land project the appropriate ratio of
wavelengths?
30
Short- and Long- record
Camera
  • Capture two grey-scale images of the scene using
    filters that allow only the wavelengths you will
    project

Long filter
Object
short filter
film
Projector
Image
Long filter
short filter
31
What is Lands interpretation? How do we
perceive color?
32
Lands interpretation
  • perception of color is a weighing of the ratio of
    shorter and longer wavelengths

33
Lands interpretation
  • perception of color is a weighing of the ratio of
    shorter and longer wavelengths

34
Why would the visual system have this design?
35
Why would the visual system have this design?
  • Hint Within broad limits, the actual values of
    the wavelengths make no difference, nor does the
    over-all available brightness of each

36
Color Constancy
  • The color of objects is independent of the
    ambient light
  • yellow bananas and green leaves look yellow and
    green regardless of whether they are viewed in
    direct sunlight or by the light of a fire

37
Color Constancy
  • Land Mondrian
  • demonstration of color constancy all the
    wavelengths of the colored squares are shifted by
    the same amount into the blue end of the spectrum
    - your brain ignores the shift

38
Color Constancy
  • Tricky question
  • why does a window look blue from the outside when
    theres a TV going inside?

39
Color Constancy
  • Tricky question
  • why does a window look blue from the outside when
    theres a TV going inside?
  • The wavelengths emitted by a TV are mostly in the
    blue end of the spectrum

40
Color Constancy
  • Really Tricky question
  • why doesnt a TV look blue?
  • Color Constancy causes you to perceive the areas
    of the screen with the greatest proportion of
    long wavelengths as red, the greatest
    proportion of short wavelengths as blue and
    everything else in between.

41
Next Time
  • ATTENTION!
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