Title: Chapter 8: Perceiving Depth and Size
1Chapter 8 Perceiving Depth and Size
2- Figure 8.1 (a) The house is farther away than the
tree, but (b) the images of points F on the house
and N on the tree both fall on the
two-dimensional surface of the retina, so (c)
these two points, considered by themselves, do
not tell us the distances of the house and the
tree.
3Cue Approach to Depth Perception
- Oculomotor - cues based on sensing the position
of the eyes and muscle tension - Convergence - inward movement of the eyes when we
focus on nearby objects - Accommodation - change in the shape of the lens
when we focus on objects at different distances
4- Figure 8.2 (a) Convergence of the eyes occurs
when a person looks at something that is very
close. (b) The eyes look straight ahead when the
person observes something that is far away.
5Cue Approach to Depth Perception - continued
- Monocular - cues that come from one eye
- Pictorial cues - sources of depth information
that come from 2-D images, such as pictures - Occlusion - when one object partially covers
another - Relative height - objects that are higher in the
field of vision are more distant
6Pictorial Cues
- Relative size - when objects are equal size, the
closer one will take up more of your visual field - Perspective convergence - parallel lines appear
to come together in the distance - Familiar size - distance information based on our
knowledge of object size
7- Figure 8.3 A scene in Tucson, Arizona containing
a number of depth cues occlusion (the cactus
occludes the hill, which occludes the mountain)
perspective convergence (the sides of the road
converge in the distance) relative size (the far
motorcycle is smaller than the near one) and
relative height (the far motorcycle is higher in
the field of view the far cloud is lower).
8Pictorial Cues - continued
- Atmospheric perspective - distance objects are
fuzzy and have a blue tint - Texture gradient - equally spaced elements are
more closely packed as distance increases - Shadows - indicate where objects are located
9- Figure 8.5 A scene along the coast of California
that illustrates atmospheric perspective.
10- Figure 8.6 A texture gradient in Death Valley,
California.
11- Figure 8.7 (a) Occlusion indicates that the
tapered glass is in front of the round glass and
vase. (b) Overlap now indicates that the vase is
in front of the tapered glass, but there is
something strange about this picture. (c) The
cast shadow under the vase provides additional
information about its position in space, which
helps clear up the confusion.
12Motion-Produced Cues
- Motion parallax - close objects in direction of
movement glide rapidly past but objects in the
distance appear to move slowly - Deletion and accretion - objects are covered or
uncovered as we move relative to them - Also called occlusion-in-motion
13- Figure 8.8 One eye, moving from left to right,
showing how the images of a nearby tree and a
faraway house change their position on the retina
because of this movement. The image of the tree
moves farther on the retina than the image of the
house.
14- Figure 8.9 Starting with the view in the center
(a), moving to the left causes deletion
(covering) of the rear object (b). Moving to the
right causes accretion (uncovering) of the rear
object (c).
15- Table 8.1 Range of effectiveness of different
depth cues
16Binocular Depth Information
- Binocular disparity - difference in images
between the two eyes - Difference can be described by examining
corresponding points on the retina that connect
to same places in the cortex
17- Figure 8.16 The two images of a stereoscopic
photograph. The difference between the two
images, such as the distances between the front
cactus and the window in the two views, creates
retinal disparity. This creates a perception of
depth when (a) the left image is viewed by the
left eye and (b) the right image is viewed by the
right eye.
18Binocular Depth Information - continued
- Stereopsis - depth information provided by
binocular disparity - Stereoscope uses two pictures from slightly
different viewpoints - 3-D movies use the same principle and viewers
wear glasses to see the effect - Random-dot stereogram has two identical patterns
with one shifted to the right
19- Figure 8.19 Top a random-dot stereogram.
Bottom the principle for constructing the
stereogram. See text for an explanation.
20Physiology of Depth Perception
- Experiment by Tsutsui et al.
- Monkeys matched texture gradients that were 2-D
pictures and 3-D stereograms - Recordings from a neuron in the parietal lobe
showed - Cell responded to pictorial cues
- Cell also responded to binocular disparity
21- Figure 8.20 Top gradient stimuli. Bottom
response of neurons in the parietal cortex to
each gradient. This neuron fires to the pattern
in (c), which the monkey perceives as slanting to
the left. (From Tsutsui et al., 2002, 2005.)
22Physiology of Depth Perception - continued
- Neurons have been found that respond best to
binocular disparity - Called binocular depth cells or disparity
selective cells - These cells respond best to a specific degree of
disparity between images on the right and left
retinas
23- Figure 8.21 Disparity tuning curve for a
disparity-sensitive neuron. This curve indicates
the neural response that occurs when stimuli
presented the left and right eyes create
different amounts of disparity. (From Uka
DeAngelis, 2003.)
24- Figure 8.22 Where images of Frieda and Lee fall
on the retina. See text for explanation.
25Connecting Binocular Disparity and Depth
Perception
- Experiment by Blake and Hirsch
- Cats were reared by alternating vision between
two eyes - Results showed that they
- Had few binocular neurons
- Were unable to use binocular disparity to
perceive depth
26Connecting Binocular Disparity and Depth
Perception - continued
- Experiment by DeAngelis et al.
- Monkey trained to indicate depth from disparate
images - Disparity-selective neurons were activated by
this process - Experimenter used microstimulation to activate
different disparity-selective neurons - Monkey shifted judgment to the artificially
stimulated disparity
27Size Perception
- Distance and size perception are interrelated
- Experiment by Holway and Boring
- Observer was at the intersection of two hallways
- A luminous test circle was in the right hallway
placed from 10 to 120 feet away - A luminous comparison circle was in the left
hallway at 10 feet away
28- Figure 8.24 Setup of Holway and Borings (1941)
experiment. The observer changes the diameter of
the comparison circle to match his or her
perception of the size of the text circle. Each
of the test circles has a visual angle of 1
degree. This diagram is not drawn to scale. The
actual distance of the test circle was 100 feet.
29Experiment by Holway and Boring
- On each trial the observer was to adjust the
diameter of the test circle to match the
comparison - Test stimuli all had same visual angle (angle of
object relative to observers eye) - Visual angle depends on both the size of the
object and the distance from the observer
30- Figure 8.25 (a) The visual angle depends on the
size of the stimulus (the woman in this example)
and its distance from the observer. (b) When the
woman moves closer to the observer, the visual
angle and the size of the image on the retina
increases. This example shows how halving the
distance between the stimulus and observer
doubles the size of the image on the retina.
31- Figure 8.26 The thumb method of determining the
visual angle of an object. When the thumb is at
arms length, whatever it covers has a visual
angle of about 2 degrees. The womans thumb
covers half the width of her iPod, so we can
determine that the visual angle of the iPods
total width is about 4 degrees.
32Experiment by Holway and Boring - continued
- Part 1 of the experiment provided observers with
depth cues - Judgments of size were based on physical size
- Part 2 of the experiment provided no depth
information - Judgments of size were based on size of the
retinal images
33- Figure 8.28 Results of Holway and Borings
experiment. The dashed line marked physical size
is the result that would be expected if the
observers adjusted the diameter of the comparison
circle to match the actual diameter of each test
circle. The line marked visual angle is the
result that would be expected if the observers
adjusted the diameter of the comparison circle to
match the visual angle of each test circle.
(From Determinants of Apparent Visual Size with
Distance Variant, by A. H. Holway and E. G.
Boring, 1941, American Journal of Psychology, 54,
21-34, figure 2. University of Illinois Press.)
34- Figure 8.29 The moons disk almost exactly covers
the sun during an eclipse because the sun and the
moon have the same visual angles.
35Size Constancy
- Perception of an objects size remains relatively
constant - This effect remains even if the size of the
object on the retina changes - Size-distance scaling equation
- S K (R X D)
- Changes in distance and retinal size balance each
other
36Size-Distance Scaling
- Emmerts law
- Retinal size of an afterimage remains constant
- Perceived size will change depending on distance
of projection - This follows the size-distance scaling equation
37- Figure 8.31 The principle behind the observation
that the size of an afterimage increases as the
afterimage is viewed against more distant
surfaces.
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40- Figure 8.33 Two cylinders resting on a texture
gradient. The fact that the bases of both
cylinders cover the same number of units on the
gradient indicates that the bases of the two
cylinders are the same size.
41Visual Illusions
- Nonveridical perception occurs during visual
illusions - Müller-Lyer illusion
- Straight lines with inward fins appear shorter
than straight lines with outward fins - Lines are actually the same length
42- Figure 8.34 The Müller-Lyer illusion. Both lines
are actually the same length.
43Müller-Lyer Illusion
- Why does this illusion occur?
- Misapplied size-constancy scaling
- Size constancy scaling that works in 3-D is
misapplied for 2-D objects - Observers unconsciously perceive the fins as
belonging to outside and inside corners - Outside corners would be closer and inside would
be further away
44Müller-Lyer Illusion - continued
- Since the retinal images are the same, the lines
must be different sizes - Problems with this explanation
- The dumbbell version shows the same perception
even though there are no corners - The illusion also occurs for some 3-D displays
45- Figure 8.35 According to Gregory (1973), the
Müller-Lyer line on the left corresponds to an
outside corner, and the line on the right to an
inside corner. Note that the two vertical lines
are the same length (measure them!).
46- Figure 8.36 The dumbbell version of the
Müller-Lyer illusion. As in the original
Müller-Lyer illusion, the two lines are actually
the same length.
47- Figure 8.37 A three-dimensional Müller-Lyer
illusion. Although the distances x and y are the
same, distance y appears larger, just as in the
two-dimensional Müller-Lyer illusion.
48Müller-Lyer Illusion - continued
- Another possible explanation
- Conflicting cues theory - our perception of line
length depends on - The actual length of the vertical lines
- The overall length of the figure
- The conflicting cues are integrated into a
compromise perception of length
49- Figure 8.38 An alternate version of the
Müller-Lyer illusion. We perceive that the
distance between the dots in (a) is less than the
distance in (b), even though the distances are
the same. (From Day, 1989.)
50Ponzo Illusion
- Horizontal rectangular objects are placed over
railroad tracks in a picture - Far rectangle appears larger than closer
rectangle but both are the same size - One possible explanation is misapplied
size-constancy scaling
51- Figure 8.39 The Ponzo (or railroad track)
illusion. The two horizontal rectangles are the
same length on the page (measure them), but the
far one appears larger.
52The Ames Room
- Two people of equal size appear very different in
size in this room - The room is constructed so that
- Shape looks like normal room when viewed with one
eye - Actual shape has left corner twice as far away as
right corner
53The Ames Room
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54- Figure 8.41 The Ames room, showing its true
shape. The woman on the left is actually almost
twice as far away from the observer as the woman
on the right however, when the room is viewed
through the peephole, this difference in distance
is not seen. In order for the room to look
normal when viewed through the peephole, it is
necessary to enlarge the left side of the room.
55The Ames Room - continued
- Why does the illusion occur?
- One possible explanation
- Observer thinks the room is normal
- Women would be at same distance
- One has smaller visual angle (R)
- Due to the perceived distance (D) being the same
- Her perceived size (S) is smaller
56The Ames Room - continued
- Another possible explanation
- Perception of size depends on relative size
- One woman fills the distance between the top and
bottom of the room - Other woman only fills part of the distance
- Thus, first woman appears taller
57Moon Illusion
- Moon appears larger on horizon than when it is
higher in the sky - One possible explanation
- Apparent-distance theory - horizon moon is
surrounded by depth cues while moon higher in the
sky has none - Horizon is perceived as further away than the sky
- called flattened heavens
58Moon Illusion - continued
- Since the moon in both cases has the same visual
angle, it must appear larger at the horizon - Another possible explanation
- Angular size-contrast theory - moon appears
smaller when surrounded by larger objects - Thus, the large expanse of the sky makes it
appear smaller - Actual explanation may be a combination of a
number of cues
59- Figure 8.42 An artists conception of the moon
illusion showing the moon on the horizon and high
in the sky simultaneously.
60- Figure 8.43 When observers are asked to consider
that the sky is a surface and are asked to
compare the distance to the horizon (H) and the
distance to the top of the sky on a clear
moonless night, they usually say that the horizon
appears farther away. This results in the
flattened heavens shown above.