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DRAMA

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Drama can be read, somewhat like a poem or novel. ... Much of what modern commentators say about drama goes back to theories Aristotle ... – PowerPoint PPT presentation

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Title: DRAMA


1
DRAMA
  • INTRODUCTION TO HUMANITIES

2
DRAMA
  • Drama is a species of literature whose basic
    medium is spoken language.
  • Drama can be read, somewhat like a poem or novel.
  • But the word drama comes from the Greek word
    meaning act.

3
Drama
  • Drama is spoken language acted, to be produced
    for public exhibition, usually upon a stage.
  • Drama as a complete work of art exists in the
    presentation.

4
Aristotle and the Elements of Drama
  • Much of what modern commentators say about drama
    goes back to theories Aristotle put forth in his
    Poetics.
  • His ideas were interpreted as rules.
  • They interpreted tragedy as a serious action
    whose consequences reached sometimes as far as
    the gods.

5
  • The rules devised in the eighteenth century (and
    earlier) insisted on the unities that there be
    only one plot in a tragedy,
  • That the action should take place in one locale,
    that it should be completed in one day, and that
    the main character should display a unity of
    behavior.

6
  • Aristotle felt that tragedy evoke or ought to
    evoke two emotions from the audience
  • Pity and fear
  • Pity was sympathy for the tragic hero
  • Fear was the awareness that such a fate could be
    fall anyone.

7
THE IMITATION OF LIFE
  • No other art comes closer to life and hence
    drama, more than any other art.
  • This led Aristotle to his theory of art as the
    imitation of nature nature being life in
    general not just outdoors.

8
ELEMENTS OF DRAMA
  • Drama uses the resources of the theater to show
    human action in such a way that we gain deeper
    understanding of human experience.
  • The basic elements of drama are action,
    character, setting, and ideas.
  • Action is the plot or ongoing business of the
    characters what they strive for, what they
    expect to see happen.

9
  • Character is either developed or flat,
  • Either individuated or typed, either
    psychological or symbolic.
  • Setting is either established explicitly and
    reproduced on stage with realistic or
    expressionist sets,
  • Or it is hinted at and suggested.

10
  • Archetypal drama aims at symbolic or mythic
    interpretations of experience.
  • For instance, ones search for personal identity,
    since it seems to be a pattern repeated in all
    ages, can serve as a primary archetypal structure
    for drama.

11
GENRES OF DRAMA TRAGEDY
  • Carefully structured plots were favored by
    Aristotle, and are usually essential in
    tragedies.
  • But for the best tragedies, according to
    Aristotle, the action must also arise from the
    searchings of a noble character.
  • The strengths and flaws of the protagonist
  • Must be factors contributing to the dramatic
    outcome.

12
  • But when we turn to the great tragedies that most
    define the genre, we think immediately of great
    characters Oedipus Agamemnon Prometheus
    Hamlet Macbeth
  • In most modern tragedies, such as ONeils Desire
    Under the Elms and Millers Death of a Salesman,
    the characters still remain at the center of the
    drama.

13
COMEDY OLD AND NEW
  • Old Comedy is associated with our modern farce,
    burlesque, and the broad humor and make-believe
    violence of slapstick.
  • New Comedy is suave and subtle.
  • New Comedy developed type characters, such as the
    gruff and difficult man who turns out to have a
    hear of gold, the good cop, the bad cop

14
TRAGICOMEDY THE MIXED GENRE
  • The tragic mask with a downturned mouth, and the
    comic mask with an upturned mouth hang on the
    wall of many stages.
  • If there were a third mask, it would probably
    have an expression of bewilderment as is someone
    had just asked a totally unanswerable question.
  • Mixing the genres of tragedy and comedy in a
    drama may give such a feeling.

15
EXPERIMENTAL DRAMA
  • The last forty years have seen exceptional
    experimentation in drama in the Western world.
  • Another important thrust of experimental drama
    has been to assault the audience.

16
SUMMARY
  • The subject matter of drama is the human
    condition as represented by action.
  • By emphasizing plot and character as the most
    important elements of drama, Aristotle helps us
    understand the priorities of all drama.
  • Some archetypes seem related to the natural
    rhythms of the seasons and focus,

17
Summarycontd
  • Comedy has several distinct genres.
  • Old Comedy often abuses individual characters and
    revels in broad humor.
  • New Comedy emphasizes the comedy of manners, a
    social commentary that often depends on type
    characters.
  • Tragicomedy combines both genres to create a
    third genre.
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