Gender, Power and the Film Noir - PowerPoint PPT Presentation

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Gender, Power and the Film Noir

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Andreia Thaxton Jeneen Surrency. Aaron Simmons Greg Thompson ... I Love You Too': Sexual Warfare and Homoeroticism in Billy Wilder's Double Indemnity' ... – PowerPoint PPT presentation

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Title: Gender, Power and the Film Noir


1
Gender, Power and the Film NoirIIStudent
Edition
  • Based on Works by
  • Andreia Thaxton Jeneen Surrency
  • Aaron Simmons Greg Thompson

Created and Edited by Dr. Kay Picart_at_ 2002
2
Film Noir--Lecture Outline
  • This PowerPoint is broken into two sections.
  • This division should correspond to two fifty
    minute class sessions.

3
Film Noir--Lecture Outline (2)
  • Section One covers John Beltons article Film
    Noir Somewhere in the Night, and L.A.
    Confidential as an example of Film Noir
  • Section Two covers the Brian Gallagher text and
    its relationship to the film
  • Each section will contain discussion questions
    relative to the information.

4
Film Noir Time, Section Two
  • Homoeroticism (25 minutes)
  • Sexual Warfare (25 minutes)

5
Session Two
  • Applying Brian Gallaghers
  • I Love You Too Sexual Warfare and
    Homoeroticism in Billy Wilders Double Indemnity
  • to L.A. Confidential

6
LAC - The Threesome
  • What is the threesome, according to Gallagher?

Continued on Next Slide
7
LAC - The Threesome (2)
  • Apply the notion of the triangle in L.A.
    Confidential.

8
LAC - Antagonism/ Banter
  • Show that Double Indemnity and L.A. Confidential
    contain sexual warfare and bantering. Cite
    specific scenes and use film form language to
    analyze these.

Continued on Next Slide
9
LAC - Antagonism/ Banter (2)
  • Compare and contrast the verbal battles in LAC
    and DI.

Continued on Next Slide
10
LAC - Antagonism/ Banter (3)
  • Compare Phyllis and Lynn in their verbal sparring
    abilities and their use of their sexual powers.
    Cite specific scenes.

11
LAC - Homoeroticism
  • Compare LAC and DIs hints of homoerotic
    relationships. Cite specific examples, and pay
    attention to film form.

Continued on Next Slide
12
LAC - Phyllis vs. Lynn
  • Gallagher notes that in Double Indemnity Phyllis
    is depicted in a common Film Noir as
    _____________? (How is her beauty depicted?)

Continued on Next Slide
13
LAC - Phyllis vs. Lynn (2)
  • How are Phyllis and Lynn depicted? Pay attention
    to the mechanics of how they are shot.

Continued on Next Slide
14
LAC - Phyllis vs. Lynn (3)
  • Discuss the cameras voyeurism as it depicts
    Phyllis walking down the steps, and how Lynn is
    first revealed underneath her dark hood.

15
LAC - Redemption of Woman
  • According to Gallagher, Double Indemnity suggests
    that heterosexual relationships are ___________.
  • In contrast, L.A. Confidential, however, shows
    that heterosexual relationships are
    ________________.
  • Compare and contrast the endings of both films.

Continued on Next Slide
16
LAC - Redemption of Woman (2)
  • Describe how Lynn looks at the end of L.A.
    Confidential. What does that imply?

17
LAC - What do you think?
  • How does the love between Lynn and Bud
    complicate the homoerotic reading between Bud and
    Ed?
  • Does the final scene between Bud and Ed really
    suggest a tender moment that should be read as
    homoerotic, or is it simply a farewell between
    partners and sex is irrelevant and
    circumstantial?
  • How could you make a claim one way or another?
  • Does Bud redeem Lynn or does she save him?

18
Double Indemnity - Novella vs. Film
  • Film
  • Key characteristics?
  • Novella
  • Key characteristics?

19
Double Indemnity - The Final Product
  • What was essentially a murderous story with
    strong sexual overtones becomes a sexual story
    with strong murderous overtones.
  • From Brian Gallahger I Love You Too Sexual
    Warfare Homoeroticism in Billy Wilders Double
    Indemnity.
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