John Constable

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John Constable Romantic naturalism in Landscape
"I should paint my own laces best"
Stour Valley (East Anglia) sometimes referred to
as "Constable country"
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John Constable
Wivenhoe Park, Essex 1816 o/c 56,1 101,2 cm
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John Constable
The White Horse1819Oil on canvas 51 3/4 x 74
1/8 in. (131.4 x 188.3 cm)
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John Constable
John Constable
Dedham Mill 1820
o/c 53,7 76,2 cm
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John Constable
John Constable
The Haywain 1821Oil on canvas, 51 1/4 x 73
in.(130.2 x 185.4 cm)
Gold medal Paris Salon of 1824
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John Constable
John Constable
Study of the trunk of an elm treeabout 1821Oil
on canvas 30.6 x 24.8 cm
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John Constable
John Constable
Salisbury Cathedral from the Bishop's Grounds ca.
1825Oil on canvas 34 5/8 x 44 in. (87.9 x 111.8
cm)
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John Constable
John Constable
The Cornfield 1826 o/c 143 122 cm
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John Constable
John Constable
Landscape with a double rainbow28 July 1812Oil
on paper laid on canvas45 x 50 cm
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John Constable
John Constable
Study of clouds5 September 1822Oil on paper
29.8 x 48.3 cm
on the reverse 'looking S.E. noon. Wind very
brisk. effect bright fresh. Clouds. moving
very fast. With occasional very bright openings
to the blue'.
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John Constable
John Constable
Study of clouds1822Oil on paper 37 x 49 cm
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John Constable
John Constable
Study of Cirrus CloudsAbout 1822Oil on paper
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Constables mezzotint series (made after his
paintings) engraved by David LucasVarious
Subjects of Landscape, Characteristic of English
Scenery Principally Intended to Mark the
Phenomena of the Chiar'Oscuro of Nature 1855
(first edition 1830 to 1833)
Summer Morning, ca. 1830
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John Constable/David Lucas mezzotints Various
Subjects of Landscape, Characteristic of English
Scenery
Hadleigh Castle, Near the Nore. Plate 8
Mezzotint on steel. 7 x 10 inches
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View on the River Stour. Plate 12 Mezzotint on
steel. 7 x 8-3/4 inches
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Summer Afternoon - After a Shower. Plate 19
Mezzotint on steel. 7 x 8-3/4 inches
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A Summerland. Plate 26 Mezzotint on steel 7-1/2
x 9-1/2 inches