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Transducers for Music Dr Ian Drumm

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Increases with surface area S of speaker cone. Decreases with volume V of box. c..speed of sound. ... To give sound pressure level ... – PowerPoint PPT presentation

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Title: Transducers for Music Dr Ian Drumm


1
Transducers for MusicDr Ian Drumm
  • Aims
  • Discuss Enclosures and Directivity
  • Learning Outcomes
  • Stiffness of Enclosure
  • Directivity and Directivity Index
  • Practical Implications

2
Why Loudspeaker Enclosures?
  • No acoustic considerations
  • Fashion
  • Packaging
  • Convenience
  • Ruggedisation
  • Transport
  • Mounting
  • Stacking

3
  • Un-enclosed loudspeaker
  • Acoustic "dipole
  • Phase cancellation
  • (especially low frequencies)
  • Highly directional
  • Enclosed
  • Effectively an infinite baffle
  • (sort of)
  • Becomes monopole source

4
What about air in box?
  • Stiffness
  • Increases with surface area S of speaker cone
  • Decreases with volume V of box

c..speed of sound
..density of air
5
Example
Radius a0.06m
Surface area S0.0113m2
In addition to suspension stiffness
6
Increases Resonant Frequencyreduces bass response
Pressure Response
  • Options to compensate
  • Increase cabinet size
  • Increase moving mass
  • Add absorbent material

Frequency
7
Consider Omni directional Source
Intensity I of a loudspeaker radiating omni
directionally
W is power R distance from source
Hence
To give sound pressure level .
8
plots shows different frequencies ka 2pfa where
a is speaker radius
9
Directivity
Directivity Q(intensity) / (intensity of omni
directional source)
Directivity Index
Acoustic Power Level
DI
LW
10
Directivity Index
A loudspeaker with directivity index of DI
generates a sound pressure level which is DI dB
greater than an omni-directional source radiating
the same power.
  • The directivity (and so directivity index)
    influenced by
  • frequency
  • angle (of elevation and azimuth)
  • environment (example - operating a loudspeaker
    next to a wall immediately doubles its low
    frequency directivity)

11
In a studio
  • Beware
  • reflection of low frequencies (room gain)
  • phase cancellation
  • high frequency splash giving phantom stereo
    images
  • Recommendations
  • Head height
  • On axis
  • Away from boundaries
  • Equilateral triangle
  • Not too loud or for too long
  • Comfortable quite environment

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