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LIGHTING 101

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Title: LIGHTING 101


1
LIGHTING 101)
Willow Creek Arts Conference 11 June 2009
John Weygandt
2
GAME PLAN
  • Identify the basics
  • Assess your reality
  • Diagram price a simple lighting system
  • Design lighting positions into your reality
  • Lighting tips techniques

3
The 4 Objectives of Stage Lighting
  • Selective visibility
  • Revelation of form
  • Composition (including focus)
  • Mood
  • (Aim at 4 and youll probably miss 1-3.)

4
Assess Your Reality
  • Rate yourself
  • HI MEDIUM LOW
  • ?????????????????????????????
  • My services have good visibility.
  • ?????????????????????????????
  • 2. My visibility standard includes selectivity.

5
Assess Your Reality
Rate yourself HI MEDIUM LOW ??????????????
??????????????? 3. My lighting directs focus
appropriately. ????????????????????????????? 4.
My lighting directs focus intentionally.
6
Assess Your Reality
Rate yourself HI MEDIUM LOW ??????????????
??????????????? 5. My lighting supports the stage
action.
7
Assess Your Reality
Rate yourself HI MEDIUM LOW ??????????????
??????????????? 6. My lighting enhances
worship. ????????????????????????????? 7. Others
agree.
8
Assess Your Reality
  • Rate yourself
  • HI MEDIUM LOW
  • ?????????????????????????????
  • My lighting is distraction-free.
  • ?????????????????????????????
  • 9. My lighting is like a painted canvas.

9
Assess Your Reality
  • Rate yourself
  • HI MEDIUM LOW
  • ?????????????????????????????
  • My team understands the vision-
  • They get it and theyll work hard for it.
  • ?????????????????????????????
  • No one on my team feels alone.

10
Assess Your Reality
Rate yourself HI MEDIUM LOW ??????????????
??????????????? 12. My LDs are open to
constructive criticism. ?????????????????????????
???? 13. I am open to constructive criticism.
11
Assess Your Reality
Whose job is it to improve each of these
ratings? Whose job is it to carry the lighting
torch?
12
A Simplified Lighting System
Dimming
Distribution
Power Feed
Fixtures
Console
13
Where does it all go?
Dimming RACK large closet, cooled to
72ยบ Dimming PACK near Power Feed, usually
backstage
14
This is a Willow dimming rack
  • Conduits in/out
  • Stationary, permanent
  • 2 Dimmers in a pair module

15
  • This is a dimming pack
  • Portable, temporary
  • Multi-cables out to circuits

Power feed in through cam-loks
16
  • Distribution- to LTG Positions
  • Circuit box

17
  • Connector on fixture
  • Stage pin connector preferred

Hot Ground Neutral
18
Where do my lights go?
Side View
35- 40front
60- 70 back
NOTE These are angles to the POSITIONS.
19
Where do my lights go?
Plan View (top) 35-40 is to the Position, not
fixture.
B
This angle is 35-40 up.
NOT this angle
20
Where do my lights go?
Plan View (top) Only ONE light
B
Draw YOUR front of stage
B
21
Where do my lights go?
Plan View (top)
Background surface
B
A
C
B
A
C
A
C
B
B
A
C
Draw YOUR front of stage
22
Where do my lights go?
IDEAL
Background surface
B
A
C
B
A
C
A
C
B
B
A
C
23
Where do my lights go?
With less than ideal conditions?
24
Where do my lights go School cafeteria?
25
Where do my lights go?
Cafeteria
Option 1 Truss on hoists
Stage
26
Where do my lights go?
Cafeteria
Option 1 Genie Lift w/ hand crank
27
Where do my lights go?
Cafeteria
Option 2 Lighting Trees
Stage
28
Where do my lights go?
Cafeteria
Option 2 Lighting Trees
Stage
29
Where do my lights go in a school auditorium?
30
Where do my lights go in a school auditorium?
New question Not where do they go, but how do
we work with the school?
31
Where do my lights go in a hotel ballroom?
32
Where do my lights go in a hotel ballroom?
New question Not where do they go, but how do
they mount?
Google Airwall hanger
33
Airwall hanger kit
34
Where do my lights go in a church?
  • Apply the ideal to fit the architecture (note
    fixture color)

35
What kind of lights?
  • FRONT lights
  • Ellipsoidal shutters better optic control
  • BACK lights
  • Fresnel softer, w/ size control
  • PAR not as smooth, but less

36
Which ellipsoidal front light?
37
Which ellipsoidal front light?
Actual Beam Distance, fixture to
face 14-18 50 ellipsoidal 21-28 36
ellipsoidal 31-37 26 ellipsoidal 35-41 19
ellipsoidal 45-60 14 ellipsoidal 65-88 10
ellipsoidal
38
Which back light?
This is a fresnel.
39
Which back light?
This is an old-style PAR.
40
(PAR lamp)
41
Which back light?
This is an ETC Source Four PAR.
42
Accessories
This is a PAR with color scroller.
43
Accessories
PAR with tophat- reduces lens flare
44
Which back light?
Actual Beam Throw, fixture to face 10-15 6
fresnel or PAR wide lens 20 8 fresnel or PAR
medium lens 35 PAR narrow lens This assumes
bright stage light 7-10 acting zone area.
45
Basic System Prices (6 Lighting Zones- approx.
25w X 15d)
12 ellipsoidals 3600 6 fresnels 2400 4
PARs (backing color wash) 600 6 floor-PARs
(backing) 900 Dimming 4500 Control
3000 Install 6000 TOTAL /- 21,000
46
Lighting Design Tips
  • Hold your art loosely
  • Try the unexpected or unorthodox
  • Learn neighboring arts
  • Read trade magazines texts
  • Look the best books have tons o pics
  • See concerts plays
  • Attend lighting trade shows LDI
  • Study DVD concerts

47
Lighting Design DVDs to study
I asked 4 major concert LDs All of them
commented how different the video lighting was
from concert lighting. 4 videos showed up on more
than one list Pink Floyd- PULSE Peter Gabriel-
GROWING UP Shania Twain- LIVE IN CHICAGO Britney
Spears- LIVE FROM LAS VEGAS
48
Lighting Design Tips
  • Hold your art loosely
  • Try the unexpected or unorthodox
  • Learn neighboring arts
  • 4-6. Read/ Look/ See
  • 7. Attend lighting trade shows LDI
  • 8. Study DVD concerts
  • 9. For effective night blue, add a practical

49
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50
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51
Lighting Design Tips
  • Hold your art loosely
  • Try the unexpected or unorthodox
  • Learn neighboring arts
  • 4-6. Read/ Look/ See
  • 7. Attend lighting trade shows LDI
  • 8. Study DVD concerts
  • 9. For effective night blue, add a practical
  • 10. Aim lights at mannequin heads

52
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53
One Final Reminder
Whose job is it ?
54
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