Title: Digital Art: Some Reflections
1Digital Art Some Reflections
Frieder Nake University of Bremen University of
the Arts Bremen
21 introduction
digital art the human use of algorithmic beings
31 introduction
human values purposes the true, the good, the
beautiful
41 introduction
digital art computer art
algorithmic art interactive art software art
net art media art
51 introduction
computer art computer games irresponsible
applications of computer graphics roots of
digital media
61 introduction
conceptual art video art computer art
71 introduction
how to draw when your machine is a computer?
82 early times at U of T
Leslie Mezei
92 early times at U of T
leslie mezei, beaver transformed. 1967
102 early times at U of T
frieder nake, generative aesthetics I, experiment
4a-1. 1969
112 early times at U of T
frieder nake, napoleon. 1969
123 first exhibitions 1965
5-19 feb 1965 georg nees studien-galerie
university of stuttgart 6-24 april 1965 a.
michael noll bela julesz howard wise gallery
new york 5-26 nov 1965 frieder nake georg
nees galerie wendelin niedlich stuttgart
133 first exhibitions 1965
georg nees 1965
143 first exhibitions 1965
a. michael noll 1965
153 first exhibitions 1965
frieder nake 1965
163 first exhibitions 1965
randomness intuition
173 first exhibitions 1965
individual work class of works
183 first exhibitions 1965
frieder nake, matrix multiplication 1967/68
194 two cornerstones
Cybernetic Serendipity. The Computer and the
Arts London 2 August 1968
Tendencies 4. Computers Visual Research Zagreb
3 August 1968
204 two cornerstones
spectacle
research
214 two cornerstones
225 the algorithmic revolution
the algorithmic revolution on the history of
interactive art
an exhibition at zkm karlsruhe 30 oct 04 to 31
jan 08
235 the algorithmic revolution
machine automaton partner tool medium
245 the algorithmic revolution
machinization of mental labor instrumental
medium semiotic machine algorithmic sign
255 the algorithmic revolution
the computer appears in three modes
automaton tool medium
computability interactivity performativity
266 interdisciplinarity
Charles Percy Snow The two cultures and the
scientific revolution Cambridge 1959
I permanently felt present in two groups whose
members had hardly anything left to tell the
others.
276 interdisciplinarity
E.A.T. Experiments in Art and
Technology1966 Robert Rauschenberg, Billy Klüver
286 interdisciplinarity
it is only in parts that we can have the whole
296 interdisciplinarity
be consistent and true to yourself. be proficient
in your discpline. be radical and restrict. be
radical and deviate.
306 interdisciplinarity
love your discipline for you know you will leave
it
317 trends activities
the tradition constructive art concrete art
the break conceptual art computer art
327 trends activities
marcel duchamp. nude descending a staircase. 1914
337 trends activities
jackson pollock, full fathom no. 5. 1949
347 trends activities
josef albers, hommage to the square. 1964
357 trends activities
vera molnar a line. meander after an earthquake.
1996/2004
367 trends activities
manfred mohr, space.color. P-702-F. 2000
377 trends activities
harold cohen at computer museum 1995
387 trends activities
the machinic
.
the
semiotic
398 compArt project
compArt center of excellence (early) digital art
408 compArt project
virtual space actual space
418 compArt project