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Writing and Scoring Writing

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Title: Writing and Scoring Writing


1
Writing and Scoring Writing
  • ?
  • Using the Jane Schaeffer Method of writing and
    the six- trait rubric for scoring.

2
Overview
  • The Jane Schaeffer Writing Formula allows us
    to communicate our ideas clearly and completely.
  • The six-trait rubric allows us to evaluate
    written communication.

3
Long-term goals
  • Each of us will become a more clear communicator
    with words, sentences, paragraphs, essays, and
    letters.
  • We will each learn to recognize flawed written
    communication and improve it for more clarity.
  • We will be able to pass the WASL writing section
    with ease.
  • No one will ever be able to discriminate against
    you for jobs, college admissions, scholarships,
    etc. because your writing isn't clear.
  • ?

4
The Current Situation
  • Each of us enters this program with different
    skill levels in the area of written
    communication.
  • True?
  • However, we all need to get to the same finish
    line.
  • Also true?

5
Never fear We've actually been getting ready for
this!
  • So far we have been doing fluency journals
  • We have been studying nouns and pronouns
  • We wrote the District Writing Assessment which
    was a persuasive letter

6
Definitions Common Terms for Success!
  • We need to have some common terms in order to
    move forward with the instruction. Everyone
    needs to be able to communicate clearly in the
    process. So...get ready to copy some terms for
    your own personal glossary of writing terms.
  • ?

7
Essay
  • ?
  • An essay is a piece of writing that gives your
    thoughts on a subject.

8
Letter
  • ??
  • A way of sharing your ideas and thoughts with a
    particular individual.

9
Fully Formed Essays and Letters...
  • Usually have AT LEAST four paragraphs
  • An Introduction
  • Two body paragraphs
  • A conclusion.
  • So...what are those things?

10
Introduction
  • Introductions are sometimes called introductory
    paragraphs.
  • They are the first thing your audience will read.
    They should include an attention grabber and a
    thesis statement (usually the last sentence).
    Wondering what a thesis statement is?
  • The answer in a moment.
  • Ironically, I usually write the introduction
    last. Why? Because by the time I've written my
    essay or letter, I'm more qualified to introduce
    it to my audience.

11
Thesis Statement
  • Your thesis is your audience's key to
    understanding what it is you want them to
    understand. It is a road map of sorts.
  • It always contains a subject and an opinion about
    that subject (from now on we will call opinions
    CMs or commentaries), and usually gives the
    audience a heads-up about the way in which you
    will prove your point.
  • Here comes an example...

12
Thesis Statement, cont.
  • Example The Sumner School Board should not
    require daily homework for high school students
    because it is unnecessary, it will stress kids
    out, and kids won't be able to participate in
    after-school sports.
  • Question How many paragraphs will this letter
    have? How do you know?

13
Body Paragraphs
  • Body paragraphs come after your introduction and
    each one will support a different idea from your
    thesis.
  • Example follows...

14
Body Paragraphs, cont.
  • Example
  • The first reason the school board shouldn't
    require homework is that it isn't necessary.
    Kids in high school don't need to practice
    everything they learn in class. Many students
    can learn well enough in class to master the
    skills. And giving homework just for the sake of
    giving it wouldn't make them learn the skill
    better. Teachers already assign homework when it
    will help. They know their lessons and how much
    practice is required to help their students
    learn. Teachers should be trusted to judge when
    and how much homework their students need. Surely
    the board doesn't want to require teachers to
    create and give assignments for students that
    would essentially be busy work with no benefit to
    student learning.

15
What goes into a Body Paragraph?
  • One thing each body paragraph should have is a
    TS Topic Sentence.
  • Topic sentences are the first ones in each body
    paragraph.
  • They are like mini-thesis sentences in that they
    let your audience know what your paragraph will
    be trying to prove.
  • The TS should support the thesis statement in
    your introduction.
  • Want an example?

16
TS More on Topic Sentences
  • Remember this sample thesis?
  • The Sumner School Board should not require daily
    homework for high school students because it is
    unnecessary, it will stress kids out, and kids
    won't be able to participate in after school
    sports.
  • We learn the writer's opinion about required
    daily homework. We also learn that there are
    three reasons why the writer believes the way
    he/she does.

17
Finally the TS!
  • So that was the thesis.
  • Now, the topic sentence for the first
    paragraph...
  • The first reason the school board shouldn't
    require homework is that it isn't necessary.
  • Now... your turn!

18
TS, con't.
  • Again, the sample thesis was
  • The Sumner School Board should not require daily
    homework for high school students because it is
    unnecessary, it will stress kids out, and kids
    won't be able to participate in after school
    sports.
  • I wrote the first TS. Now you try to construct a
    TS for the second body paragraph.
  • Tip Include a transition like In addition to,
    Also, Similarly, or More importantly, etc.

19
Concrete Details
  • Concrete Details are facts and details that
    support opinions that we communicated in our
    thesis statements and TSs.
  • We will call them CDs.
  • Synonyms for CDs include facts, details,
    examples, illustrations, descriptions, etc.
  • For each body paragraph, we should include at
    least two CDs per paragraph.
  • What does that look like?

20
Concrete Details, cont.
  • In my sample paragraph, I provided two CDs to
    support the idea that daily homework wasn't
    necessary. Reread them to determine whether or
    not they support my TS
  • CD Kids in high school don't need to practice
    everything they learn in class.
  • CD Teachers already assign homework when it will
    help.

21
Concrete Details, cont.
  • So, now your turn! You wrote the second
    paragraph's TS from my thesis. Take that TS and
    write two sentences of CD on your own.
  • P.S. A fact is not necessarily true, it just has
    the ability to be tested and either proved true,
    or not true.

22
Commentary
  • Commentary, or CMs, are statements of opinion
    that support, analyze, describe, explain, comment
    or expound on your CDs.
  • There should be TWO sentences of CMs, for EACH CD
    in a sentence.
  • So, if there are two CDs in each body paragraph,
    how many sentences of CM will there be?

23
CMs, cont.
  • Look back at my first CD
  • Kids in high school don't need to practice
    everything they learn in class.
  • Now check out the 2 CMs that support my CD!
  • CM 1Many students can learn well enough in class
    to master the skills without any homework.
  • CM 2 And giving homework just for the sake of
    giving it wouldn't make them learn the skill
    better.

24
CMs, cont.
  • Let's try again!
  • My second CD was Teachers already assign
    homework when it will help.
  • CM 1 They know their lessons and how much
    practice is required to help their students
    learn.
  • CM 2 Teachers should be trusted to judge when
    and how much homework their students need.

25
CMs, cont.
  • You guessed it! Your turn now.
  • Take one of your CDs from your previous practice
    and write two CMs.
  • Hey, make sure they are opinions, descriptions,
    clarifications, analysis, insight,
    interpretation, etc., and NOT more facts or CDs!
  • Otherwise your essay/letter just sounds like a
    bulleted list. ?

26
Concluding Sentences
  • Every body paragraph also has to have a
    Concluding Sentence, or CS at the end.
  • Like a concluding paragraph, it shouldn't repeat
    points you have made, instead it should move the
    issue forward, and leave your reader with a sense
    that your point has been made completely.
  • Check out my example
  • Surely the board doesn't want to require
    teachers to create and give assignments for
    students that would essentially be busy work with
    no benefit to student learning.

27
CSs, cont.
  • Don't make me say it...okay,
  • it's your turn.
  • Try your hand at CS for your CD and 2 CMs.

28
Conclusions
  • Every essay should have a satisfactory
    conclusion, or concluding paragraph. This
    paragraph should strive to give the writing a
    sense of closure and leave the audience with a
    clear picture of what has been communicated.
  • Some believe that your conclusion should be a
    five to eight sentence paragraph.
  • I respectfully disagree. A well thought out,
  • two-to-three sentence conclusion can be
    satisfying, assuming you remember one thing...

29
Conclusions, cont.
  • The most satisfying way to end an essay and some
    letters is to leave your audience with a sense
    that what you have communicated is bigger than
    just that one issue. The way to do this is to
    leave them with some U.M.
  • What?

30
???U.M. ?
  • That's right. U.M. Universal Meaning.
  • For instance, if I want the board to care about
    unnecessary homework assignments, it's a good
    idea to help them see this issue as it fits into
    the bigger picture.
  • Ex Finally, though these issues may only seem
    important to Sumner High School students, a
    closer look shows that people everywhere want to
    spend their time being productive instead of just
    going through the motions.

31
Six Traits
  • Critics and writers agree that there are at least
    six traits that good written communication share.
    So now that we have some common language about
    writing, and we know what it takes to build a
    great essay or letter, let's talk about how we
    assess the observable skills at work in its
    creation.

32
Trait One Ideas and Content
  • This is the most important and heavily weighted
    trait. If you don't have good ideas and
    arguments, nothing else matters.
  • This is where what you are trying to communicate
    is judged for quality.
  • For our rubric, this category is weighted seven
    times its raw score.

33
Goal for Ideas and Content
  • To earn a four your message should be very clear
    and should be supported by multiple layers of
    interesting and important ideas and details
  • Broken down
  • Clear, focused persuasive thesis
  • Content (the message) is logical, varied,
    effective, and supports the thesis
  • Concrete details (CDs) are relevant, accurate,
    and support the topic sentence (TS)?
  • BUT THAT'S NOT ALL!

34
Goal for Ideas and Content, cont.
  • Commentary (CMs) effectively explains concrete
    details' (CDs) relevance to the thesis
  • Commentary draws from knowledge and/or experience
    and shows insight
  • Includes quotes and parenthetical citations from
    a variety of sources (when applicable)?
  • Text notes and citations properly used (when
    applicable)?

35
Ideas and Content
  • If all the aforementioned goals are met in an
    essay or letter, then the writer has clearly
    communicated his/her well-thought-out ideas, and
    has made his/her point. When that happens the
    writer has earned full credit in this category in
    the rubric.

36
Ideas and Content on the Rubric
  • Look at the rubric with me now. Find the Ideas
    and Content column. Read all of the bullet
    points in the first box representing a 4.
  • Do you agree that if an essay or letter
    accomplishes those things, the ideas and content
    goals have been met and the piece will be
    effective at communicating with its audience?
    Why? Why not?

37
Ideas and Content on the Rubric, cont.
  • Now look at the description of the 3 under
    Ideas and Content.
  • What is different about the descriptions?
  • Do you agree that if an essay is only adequate,
    or mostly does its job of communicating ideas
    that it should receive ¾ of the credit for that
    category?

38
Ideas and Content on the Rubric, con't
  • Guess what's next?
  • That's right! Check out the 2 category.
  • Make a mental note about how the description has
    changed even more.
  • Look back at the 4 and the 3. Comparatively,
    do you agree that an essay or letter that is
    described with words like inadequate, not
    relevant, not logical, ineffective, etc.,
    deserves only ½ the credit possible?

39
Finally, the end of Ideas and Content in the
Rubric!
  • Eyeball the 1 description. Observe the word
    choice in that block.
  • Finally, can you think of three suggestions for a
    person who has written a 1 essay in this
    category? Take a minute to write them down.
  • We'll share when everyone has thought up his/her
    suggestions.

40
Organization
  • Organization is the second most heavily weighted
    category on the six-trait rubric. It is weighted
    six times its raw score.
  • Why is organization so important?
  • Have you ever tried to follow the thoughts of
    someone who is half-asleep, or loopy from
    medications? That's what it's like to try to
    read a disorganized essay or letterall over the
    place, leaving you saying, Huh?

41
Organization and the rubric
  • To earn a 4 in organization the following
    description should be true
  • The writing is well organized and easy to follow.
  • The introduction is clever or unusual and pulls
    the reader in
  • Concrete details and commentary are sequenced in
    an intentional way that makes sense
  • Transitions are interesting and sound natural.
  • Paragraphing is equally proportioned
  • The conclusion wraps up the writing in a unique
    and compelling way.

42
Organization and the rubric, cont.
  • One criteria of a well-organized essay is that it
    grabs your attention. What are some of the best
    first lines you've ever read? What about first
    scenes in movies? What makes them good?
  • AND...what about the bad ones? What is the
    effect of a bad beginning?
  • Do you think about this as you write?
  • What about now?

43
Organization and the rubric, cont.
  • And what about the conclusion?
  • Can you remember a time that you were really
    enjoying a song, film, book, or class, and then
    all of the sudden...
  • IT'S OVER!
  • No warning. Just over. It's aggravating, right?
  • So your essay or letter MUST leave your readers
    with that sense of completion. It's the LAST
    chance you have to communicate with your
    audience. If you don't do it well, your audience
    won't forgive you.

44
Organization and the rubric, cont.
  • Additionally, I have to mention what I think are
    the BIGGEST mistakes people make in the area of
    organization...
  • Repeating themselves
  • Body paragraphs that don't seem to fit together
    to fulfil the promise of the thesis
  • My tip reread your thesis between each of your
    paragraphs to make sure you are either focusing
    on your original thesis, or reshaping the thesis
    to match the new direction of your essay.

45
Organization and the rubric, cont.
  • Finally, please look at the 3, 2, and 1
    descriptions under Organization.
  • Do the descriptions match what you think would
    compromise clear communication in an essay or
    letter?
  • What are some suggestions you would offer someone
    who is struggling with clear organization? Write
    three of them down.

46
Voice The Personality Behind the Essay and Letter
  • Voice is the third column in the six-trait
    rubric. This category is weighted three times
    its raw score.
  • Voice is judged based on how much of your
    personality and energy comes through as you try
    to communicate your ideas through the essay or
    letter.
  • I always say, The voice is effective if I can
    tell it was you who wrote it without seeing your
    name on it.

47
Voice, cont.
  • In order to score a 4 in voice, the reader must
    be able to clearly see the writer.
  • Look at the checklist of criteria for the 4.
  • Underline or highlight the words and phrases that
    you think are most important.

48
Voice, cont.
  • Now check out the 3.
  • What's different about the checklist?

49
Voice, cont.
  • Finally, read the checklist for the 2 and the
    1 in the voice column.
  • Do you have questions about this category?

50
Word Choice
  • The next category on the six trait rubric is Word
    Choice, sometimes called Diction. Scoring high
    in this column requires that the writer uses a
    variety of appropriate and colorful words
    correctly.
  • Take a moment to read and notice the different
    descriptions of writing that scores 4, 3,
    2, and 1.

51
Word Choice, cont.
  • After reading the descriptions of the variety of
    scores for Word Choice, what two pieces of advice
    would you give someone who is struggling in this
    category?

52
Sentence Fluency
  • Take a moment to read the bullet lists under the
    umbrella of Sentence Fluency.
  • What skills have you practiced that could help
    you score a 4 in this category?

53
Sentence Fluency, cont.
  • Let's take a moment to think about the bullet
    point dealing with how sentences begin. Why do
    you think a reader would benefit from writing in
    which there is variety in the way sentences
    begins?
  • How would a conversation sound if you started
    every sentence with, And then...

54
Sentence Fluency, cont.
  • What advice would you give a reader who is
    struggling with this writing trait?

55
FINALLY, Conventions!
  • The final writing trait that is scored on this
    rubric is Conventions.
  • Please read through the bullet lists to determine
    which skills are being scored in this category.

56
Conventions, cont.
  • What are the skills being scored here?
  • What practice have you had that might prepare you
    to score a 4 in Conventions?
  • What advice would you give someone who is scoring
    a 2 in conventions?

57
The Scoring...
  • So, we've learned what good writing looks like,
    how to talk about it, and how to score it.
  • So let's score some!

58
Scoring Directions
  • I will be breaking you out into six groups.
  • Each group will get
  • A set of essays in a binder
  • A scoring sheet for each member of the group.
  • A set of score justification sheets for the
    group.

59
Scoring Directions, cont.
  • Each group should
  • Circle up together
  • Elect a group leader to speak for the group
  • Elect a group scribe to write for the group
  • Pass out essay packets so that everyone has
    his/her own packet
  • Individually and silently read the first essay in
    the packet
  • Individually score the essay using the score
    sheet and the rubric

60
Scoring Directions, cont.
  • Then once the first essay has been read and
    silently scored by each member of the group
  • The group should compare scores and should
    discuss any difference of opinions using the
    language from the rubric.
  • Once enough discussion has taken place to make a
    judgement call, the group scribe should record
    the consensus and rubric language justification
    on the group sheet.
  • If there is no consensus, the group leader makes
    the call on the score.

61
Scoring Directions, cont.
  • The group will repeat the process with all of the
    essays in the packet.
  • When a group finishes its task, notify me and I
    will get you a new set of essays to score.
  • At the end of each class period, I will let each
    group know what the WASL scoring board scored
    each essay so that you will know how you're doing.

62
Final Slide, I promise. )?
  • Depending upon the results of the first two sets
    of essays each group scores, we may read more, or
    we may move straight to peer evaluation of the
    District Writing Assessment.
  • Congratulations, you made it through the Writing
    Seminar!
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