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Audio Tips and Techniques for the Smaller Church

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Audio Tips and Techniques for the Smaller Church (ATTSC) WHAT ARE WE GONNA DO? Chris Blanton ... CD, Tape, Karaoke. Telephone. ATTSC Audio Made Simple. PROCESS: ... – PowerPoint PPT presentation

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Title: Audio Tips and Techniques for the Smaller Church


1
Audio Tips and Techniquesfor theSmaller Church
blantonschool.com
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(No Transcript)
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(No Transcript)
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Audio Tips and Techniques for the Smaller Church
(ATTSC)WHAT ARE WE GONNA DO?
Chris Blanton
5
ATTSC AUDIO ISSUES OF SMALLER CONGREGATIONS
Chris Blanton
6
ATTSC Audio Issues
  • CD EARS
  • Since 1982
  • Everybody has audio system.
  • Worldwide - 30 billion in 2004.
  • MP3 Players.
  • Audio Expectations.
  • Typical Church Sound hmm.

Chris Blanton
7
ATTSC Audio Issues
  • LIMITED BUDGET
  • Experiment with your gear.
  • Download/read manuals.
  • Ask questions.
  • Research compare data.
  • Communicate confidently.
  • Local relationship is worth an extra 15.

Chris Blanton
8
ATTSC Audio Issues
  • VOLUNTEERS
  • Personality quirks.
  • Hang out, meals, special events.
  • Host a guest audio trainer, and involve the
    musicians.
  • Read the manuals.
  • Learn the gear.
  • Knobs and dials during Check!

Chris Blanton
9
ATTSC AUDIO MADE SIMPLE
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ATTSC Audio Made Simple
Look for those bare necessitiesThe simple bare
necessitiesTo let go of your worries and your
strife Its just a bare necessity --to set
your board up properlyya gotta get yourGAIN
STRUCTURE just right.
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ATTSC Audio Made Simple
  • Cathedrals, Caves, Tile Rooms.
  • Natural Acoustic Purity.
  • Luke 51-3
  • Dale at Armuchee Baptist.
  • In Process Out

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ATTSC Audio Made Simple
  • INPUT
  • Microphone.
  • Direct Injection.
  • Audio from Video.
  • CD, Tape, Karaoke.
  • Telephone.

13
ATTSC Audio Made Simple
  • PROCESS
  • Anything that changes, adjusts, enhances,
    destroys, minimizes, maximizes, transforms,
    directs, combines, splits, or duplicates the
    incoming signals.

14
ATTSC Audio Made Simple
  • OUTPUT
  • Amplifier Speaker.
  • Headphones.
  • Recording Device.
  • Listening System.
  • Broadcast.
  • Audio for Video.
  • Telephone.

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ATTSC ROOM REINFORCEMENT VS.TOTAL AUDIO
MIXING
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ATTSC RR vs. TAM
  • Sound Reinforcement vs.Total Audio Mixing
  • musicians, monitor mixes, house mix
  • Music Styles
  • Establishing Trust

17
ATTSC RR vs. TAM
  • FACTS WE ASSUME
  • Musicians need to hear themselves to play well.
  • Musicians have monitor needs.
  • Musicians are familiar with their equipment.

18
ATTSC RR vs. TAM
  • SOUND REINFORCEMENT
  • Musicians can hear themselves without the help of
    sound tech.
  • Band can be tighter.
  • Eliminates monitor-feed needs.
  • Live feel with the room.
  • Mixing considers stage sound.
  • After thorough check, FOH less hectic, trusting
    the musicians.

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ATTSC RR vs. TAM
  • SOUND REINFORCEMENT
  • Monitors need Voices Keyboards Leaders
    Instrument Acoustic instruments
  • House Mix used make up the difference in whats
    coming from the stage.
  • Orientation shape of room?

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ATTSC RR vs. TAM
  • TOTAL AUDIO MIXING
  • Stage volume is either much lower or
    non-existent.
  • FOH has all the volume control, and the full
    weight of audio responsibility.
  • Reverb unit is an absolute must for a sense of
    space.
  • Complicated monitor mixes.
  • Carpet helps for a clean canvas.

21
ATTSC RR vs. TAM
  • MUSIC STYLES
  • Style affects a lot of things.
  • There are no cookie cutter settings, even
    week-to-week.
  • Temperature.
  • Humidity.
  • Number of people.
  • Quantity of In Process Out.

22
ATTSC RR vs. TAM
  • MUSIC STYLES
  • Whats Driving? Piano/Organ Guitar Drums/Bass
    Input (CD, Tape, MP3)
  • Supporting Roles.
  • Soloing.
  • Musicians Preferences.

23
ATTSC RR vs. TAM
  • ESTABLISHING TRUST
  • Explain/Demonstrate as simply as possible
    pastors lapel, singers mic-to-monitor position,
    choir mic.
  • Be willing to learn.
  • Admit that youre no expert.
  • Everybody wants to do good.

24
ATTSC RR vs. TAM
  • ESTABLISHING TRUST
  • Instead of commanding and demanding, ask
    questions.
  • What if we try
  • What do you think about
  • Would it be okay if we
  • Your building needs something different than the
    other guys.

25
ATTSC RR vs. TAM
  • ESTABLISHING TRUST
  • Talk collectively about your rooms positive
    traits and its challenges.
  • Hang out together. Eat. Dialog. Go to a concert.
  • Learn from your mistakes dont ignore them.

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ATTSC CUTTING THROUGH
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ATTSC Cutting Through
  • EQ cannot change pitch.
  • EQ cannot correct tempo.
  • EQ cannot fix poor gain structure.
  • EQ cannot fully compensate for comb filtering,
    due to poor speaker placement.

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ATTSC Cutting Through
  • EQ can increase GBF (gain-before-feedback) Graphi
    c (1/3-octave). Parametric. Ferret, Detective,
    etc.

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ATTSC Cutting Through
  • EQ can sculpt a sonic space for each
    instrument. Mid-range sharing. Piano and
    Bass? Multiple Guitars. Experiment by
    permission.

30
ATTSC Cutting Through
  • Remove harshness.
  • Add warmth.
  • Minimize handling noise.
  • In-/decrease perceived volume.
  • Tune the room (5,7,11,15,31).
  • In-/decrease the presence of foundational tones
    and harmonics.

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ATTSC EQ Foundational Tones Harmonic Partials
http//www.soundinstitute.com/images/tt58f2.gif
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ATTSC TIPS AND TECHNIQUES
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ATTSC Tips and Techs
  • Its all connected.
  • Everything colors the sound.
  • GAIN (Trim, Level, Volume).
  • A Hot Signal, plus lower Gain at the board,
    equals cleaner tone.
  • Effects routing options Aux Send/Return. Own
    Channel.

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ATTSC Tips and Techs
  • AUX possibilities Monitors. Effects. Assisted
    hearing. Overflow / Nursery feed. Recording. Ph
    one Out.
  • Route Guest Musicians to unused channels for a
    fresh start, and House Band consistency.

35
ATTSC Tips and Techs
  • Lapel Receiver ¼ output instead of XLR.
  • Lapel Dedicated 31-band, plus original signal
    for beefier tones.
  • Sweep it till ya find it.
  • Male singer boost at 1.6 kHz.
  • Trust good musicians.

36
ATTSC Tips and Techs
  • MAINS Compressor (gentle).Ratio 21 41,Long
    Attack, Long Release,
  • Adjust Threshold in order to achieve minimal
    effect, without pumping or distorting (15).
  • Limiter (brick wall).
  • ALTO ACL2-Pro pdf manual.

37
ATTSC Some Resources
  • Internet Sound Institute (give zip-3) soundinstit
    ute.com
  • Technologies For Worship Mag.Past Articles -
    tfwm.com
  • Study Hall - ProSoundWeb.com
  • Search Engines brand model product
    user manual
  • ChurchSoundcheck.com

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Audio Tips and Techniques for the Smaller Church
(ATTSC)
  • Q A.
  • Survey.
  • Thanks.

Chris Blanton
39
Audio Tips and Techniquesfor theSmaller Church
blantonschool.com
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