Title: Audio Tips and Techniques for the Smaller Church
1Audio Tips and Techniquesfor theSmaller Church
blantonschool.com
2(No Transcript)
3(No Transcript)
4Audio Tips and Techniques for the Smaller Church
(ATTSC)WHAT ARE WE GONNA DO?
Chris Blanton
5ATTSC AUDIO ISSUES OF SMALLER CONGREGATIONS
Chris Blanton
6ATTSC Audio Issues
- CD EARS
- Since 1982
- Everybody has audio system.
- Worldwide - 30 billion in 2004.
- MP3 Players.
- Audio Expectations.
- Typical Church Sound hmm.
Chris Blanton
7ATTSC Audio Issues
- LIMITED BUDGET
- Experiment with your gear.
- Download/read manuals.
- Ask questions.
- Research compare data.
- Communicate confidently.
- Local relationship is worth an extra 15.
Chris Blanton
8ATTSC Audio Issues
- VOLUNTEERS
- Personality quirks.
- Hang out, meals, special events.
- Host a guest audio trainer, and involve the
musicians. - Read the manuals.
- Learn the gear.
- Knobs and dials during Check!
Chris Blanton
9ATTSC AUDIO MADE SIMPLE
10ATTSC Audio Made Simple
Look for those bare necessitiesThe simple bare
necessitiesTo let go of your worries and your
strife Its just a bare necessity --to set
your board up properlyya gotta get yourGAIN
STRUCTURE just right.
11ATTSC Audio Made Simple
- Cathedrals, Caves, Tile Rooms.
- Natural Acoustic Purity.
- Luke 51-3
- Dale at Armuchee Baptist.
- In Process Out
12ATTSC Audio Made Simple
- INPUT
- Microphone.
- Direct Injection.
- Audio from Video.
- CD, Tape, Karaoke.
- Telephone.
13ATTSC Audio Made Simple
- PROCESS
- Anything that changes, adjusts, enhances,
destroys, minimizes, maximizes, transforms,
directs, combines, splits, or duplicates the
incoming signals.
14ATTSC Audio Made Simple
- OUTPUT
- Amplifier Speaker.
- Headphones.
- Recording Device.
- Listening System.
- Broadcast.
- Audio for Video.
- Telephone.
15ATTSC ROOM REINFORCEMENT VS.TOTAL AUDIO
MIXING
16ATTSC RR vs. TAM
- Sound Reinforcement vs.Total Audio Mixing
- musicians, monitor mixes, house mix
- Music Styles
- Establishing Trust
17ATTSC RR vs. TAM
- FACTS WE ASSUME
- Musicians need to hear themselves to play well.
- Musicians have monitor needs.
- Musicians are familiar with their equipment.
18ATTSC RR vs. TAM
- SOUND REINFORCEMENT
- Musicians can hear themselves without the help of
sound tech. - Band can be tighter.
- Eliminates monitor-feed needs.
- Live feel with the room.
- Mixing considers stage sound.
- After thorough check, FOH less hectic, trusting
the musicians.
19ATTSC RR vs. TAM
- SOUND REINFORCEMENT
- Monitors need Voices Keyboards Leaders
Instrument Acoustic instruments - House Mix used make up the difference in whats
coming from the stage. - Orientation shape of room?
20ATTSC RR vs. TAM
- TOTAL AUDIO MIXING
- Stage volume is either much lower or
non-existent. - FOH has all the volume control, and the full
weight of audio responsibility. - Reverb unit is an absolute must for a sense of
space. - Complicated monitor mixes.
- Carpet helps for a clean canvas.
21ATTSC RR vs. TAM
- MUSIC STYLES
- Style affects a lot of things.
- There are no cookie cutter settings, even
week-to-week. - Temperature.
- Humidity.
- Number of people.
- Quantity of In Process Out.
22ATTSC RR vs. TAM
- MUSIC STYLES
- Whats Driving? Piano/Organ Guitar Drums/Bass
Input (CD, Tape, MP3) - Supporting Roles.
- Soloing.
- Musicians Preferences.
23ATTSC RR vs. TAM
- ESTABLISHING TRUST
- Explain/Demonstrate as simply as possible
pastors lapel, singers mic-to-monitor position,
choir mic. - Be willing to learn.
- Admit that youre no expert.
- Everybody wants to do good.
24ATTSC RR vs. TAM
- ESTABLISHING TRUST
- Instead of commanding and demanding, ask
questions. - What if we try
- What do you think about
- Would it be okay if we
- Your building needs something different than the
other guys.
25ATTSC RR vs. TAM
- ESTABLISHING TRUST
- Talk collectively about your rooms positive
traits and its challenges. - Hang out together. Eat. Dialog. Go to a concert.
- Learn from your mistakes dont ignore them.
26ATTSC CUTTING THROUGH
27ATTSC Cutting Through
- EQ cannot change pitch.
- EQ cannot correct tempo.
- EQ cannot fix poor gain structure.
- EQ cannot fully compensate for comb filtering,
due to poor speaker placement.
28ATTSC Cutting Through
- EQ can increase GBF (gain-before-feedback) Graphi
c (1/3-octave). Parametric. Ferret, Detective,
etc.
29ATTSC Cutting Through
- EQ can sculpt a sonic space for each
instrument. Mid-range sharing. Piano and
Bass? Multiple Guitars. Experiment by
permission.
30ATTSC Cutting Through
- Remove harshness.
- Add warmth.
- Minimize handling noise.
- In-/decrease perceived volume.
- Tune the room (5,7,11,15,31).
- In-/decrease the presence of foundational tones
and harmonics.
31ATTSC EQ Foundational Tones Harmonic Partials
http//www.soundinstitute.com/images/tt58f2.gif
32ATTSC TIPS AND TECHNIQUES
33ATTSC Tips and Techs
- Its all connected.
- Everything colors the sound.
- GAIN (Trim, Level, Volume).
- A Hot Signal, plus lower Gain at the board,
equals cleaner tone. - Effects routing options Aux Send/Return. Own
Channel.
34ATTSC Tips and Techs
- AUX possibilities Monitors. Effects. Assisted
hearing. Overflow / Nursery feed. Recording. Ph
one Out. - Route Guest Musicians to unused channels for a
fresh start, and House Band consistency.
35ATTSC Tips and Techs
- Lapel Receiver ¼ output instead of XLR.
- Lapel Dedicated 31-band, plus original signal
for beefier tones. - Sweep it till ya find it.
- Male singer boost at 1.6 kHz.
- Trust good musicians.
36ATTSC Tips and Techs
- MAINS Compressor (gentle).Ratio 21 41,Long
Attack, Long Release, - Adjust Threshold in order to achieve minimal
effect, without pumping or distorting (15). - Limiter (brick wall).
- ALTO ACL2-Pro pdf manual.
37ATTSC Some Resources
- Internet Sound Institute (give zip-3) soundinstit
ute.com - Technologies For Worship Mag.Past Articles -
tfwm.com - Study Hall - ProSoundWeb.com
- Search Engines brand model product
user manual - ChurchSoundcheck.com
38Audio Tips and Techniques for the Smaller Church
(ATTSC)
Chris Blanton
39Audio Tips and Techniquesfor theSmaller Church
blantonschool.com