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Psychology of Music MUSED 681

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The process of learning involves both perception and cognition. ... Ear buds significantly exacerbate the problem. TTS (Temporary Threshold Shift) ... – PowerPoint PPT presentation

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Title: Psychology of Music MUSED 681


1
Psychology of Music MUSED 681
  • PERCEPTION COGNITION

2
  • Collect Research Project Initial Prospectus
  • Open Discussion of assigned article
  • Cook, N. (1997). Music and psychology A mutual
    regard?
  • In J. Sloboda R. Aiello (Eds.), Musical
    Perceptions
  • (pp. 66-95). New York Oxford University Press.

3
Perception Cognition
  • The process of learning involves both perception
    and cognition.
  • Perception the process of sensing the
    environment
  • Cognition the internal processes of
    assimilating, organizing, remembering, and
    recalling information
  • (Radocy Boyle, 2003, pp. 4-5)

4
Perception Cognition
  • Dimensions of Auditory Perception
  • Describe basics of hearing process
  • Bone/Air Conduction
  • Critical Band
  • Chroma
  • Doppler Effect

5
Perception Cognition
  • Dimensions of Auditory Perception
  • Humans perceive all things relatively not
    absolutely
  • How long is a quarter note?
  • How loud is forte?
  • What constitutes a bright tone?
  • Sing a C

6
Perception Cognition
  • Dimensions of Auditory Perception
  • Dynamics frequency and loudness do interact,
    but we hear relatively louder/softer sounds at
    any given pitch level.

7
Perception Cognition

8
Perception Cognition
  • Hearing Impairment
  • Presbycousis
  • Noise-induced
  • 28m Americans have hearing loss 10m is
    noise-induced
  • OSHA Standards
  • lt 5 of 6th graders have hearing loss gt60 of
    college frosh
  • Ear buds significantly exacerbate the problem
  • TTS (Temporary Threshold Shift)

9
Perception Cognition
  • Melody Apraxia (Tune deafness)
  • Ear (middle and/or inner)
  • Brain processing
  • Poor short-term memory for tones
  • Vocal motor impairment

10
Perception Cognition
  • Music Performance Applications (Parncutt
    McPherson)
  • No significant correlation between pitch
    discrimination skill, pitch matching (vocal or
    instr) skill, and performance intonation
  • Trained string players tend toward sharping
    tones of ascending tetrachord flatting
    descending tones
  • Opposite for inexperience
  • Listeners and performers prefer a stretched
    octave
  • Performance Intonation
  • Improves with experience?
  • Is there improvement in pitch matching and
    discrimination, or do those who are weak at this
    quit (thereby raising the mean scores)?

11
Perception Cognition
  • Music Performance Applications (Parncutt
    McPherson)
  • Best model for young singers to match unison
    (male falsetto), limited vibrato
  • Best model for young instrumentalists to match
    same instrument
  • Provide in-tune examples
  • (keep piano in tune! use this to get budget for
    semi-annual tuning)
  • No difference in performance intonation as a
    result of tuning to a target pitch ahead of time
    (individual wind player performing with recorded
    ensemble)
  • Implications of Fletcher-Munson curves for
    performer

12
The Physics of Music
  • Room Acoustics
  • Resonance reinforcement or interference/dampening
    of vibrations
  • Resonator anything that can vibrate

13
The Physics of Music
  • Room Acoustics
  • Reverberation Time time for sound to decay to
    one millionth (.000001) of original intensity
  • Labels
  • Live longer wet Dead short dry
  • Function of room volume and construction
  • Larger longer
  • More absorbent shorter
  • Ideal varies depending on musical medium
  • Generally between 1.0 and 1.7 sec

14
The Physics of Music
  • Room Acoustics
  • Interference/cancellation (mentioned earlier)
  • Reflection/Absorption
  • Soft vs. Hard surfaces
  • Refraction (bending) hearing a band from a long
    distance while others closer (but different
    location/direction) hear nothing
  • Diffraction passing through small openings or
    around corners
  • Some waves will be changed, depending on size,
    etc.

15
The Physics of Music
  • Room Acoustics
  • Sound distribution even is preferable
  • No live and dead spots
  • Even is encouraged by rough, irregular surfaces
    NON-symmetrical

16
The Physics of Music
  • Room Acoustics
  • Precedence (Directional) Effect

17
Perception Cognition
  • COGNITION
  • The internal processes of assimilating,
    organizing, remembering, and recalling
    information.

18
Perception Cognition
  • Learning Theory
  • Behaviorism
  • Founded in the empirically established processes
    of classical conditioning (Pavlov, 1927) and
    operant conditioning (Skinner, 1938).
  • Association learning, a more general term,
    results as a person learns to associate a
    pleasing or displeasing result with a specific
    behavior immediate and consistent reinforcement
    progressively shapes a desired response.

19
Perception Cognition
  • Learning Theory
  • Cognitivism
  • A response to behaviorism people are not
    programmed animals that merely respond to
    environmental stimuli people are rational beings
    that require active participation in order to
    learn, and whose actions are a consequence of
    thinking.
  • The mind is analogous to a computer
  • Evolved out of the Gestalt psychology of the
    1930s, which postulated that learners engage in
    proactive problem solving and do not simply react
    to new experiences.

20
Perception Cognition
  • Learning Theory
  • Cognitivism
  • Learners actively construct knowledge on the
    basis of their reactions to sensory stimuli
    (Taetle Cutietta, 2002, p. 282) this proactive
    processing of information is unique for each
    individual.
  • Personal perception becomes profoundly
    significant, particularly in a content area such
    as music, due to the potential that individual
    learners will perceive the same musical input
    quite differently.

21
Perception Cognition
  • Learning Theory
  • Gagnés integration of behaviorism and
    cognitivism
  • Chaining (Gagné, 1985) results when very simple
    stimulus-response connections are linked together
    in sequence, thereby creating more complex and
    higher-order associations.
  • Pivot point of Encoding
  • The process of encoding, and the subsequent
    entry of the encoded information into long-term
    memory, may be considered the central and
    critical event in an act of learning. This
    pivotal process of encoding may obviously be
    affected by events in the learners environment
    or events planned as part of instruction. A
    particular scheme for encoding may be directly
    communicated to the learner. As a second
    possibility, learners may be encouraged to
    provide their own individual encoding schemes.
    (p. 82).

22
Perception Cognition
  • Learning Theory
  • Cognitive theory highlights the importance of
    considering all perceptual differences, including
    those related to maturation.
  • Developmental Theory
  • Piaget
  • Sensorimotor, Pre-Operational, Concrete
    Operations,
  • Formal Operations
  • Bruner
  • Enactive, Iconic, and Symbolic

23
Next Week
  • UPDATE
  • No class next Thursday
  • No eJournal due on Wednesday, Oct. ???
  • Revised eJournal dates
  • Sept. 19, 26 (full)
  • October 3, 10, 17, 24, 31 (full)
  • November 7 (full)
  • Nov. 14 (response to Nov. 8 lecture only)
  • Dec. 5 (summary of Nov. 29 presentations)
  • Dec. 12 (summary of Dec. 6 presentations)
  • Project Draft 1

24
Next Week
  • Reading assignments
  • Chs. 7 9
  • Sound Connections Chs. 2 3 (Course Packet)
  • eJournal due Wednesday 8 AM
  • Continue work on Research Project Draft 1

25
  • SAFE TRAVELS
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