Hamlet

1
Hamlet

• Act I

2
Act I Scene i

• Setting
• Supernatural
• Horatio says tis but our fantasy
• And will not let belief take hold of him
• Touching this dreaded sight twice seen us.
• Therefore I have entreated him along
• With us to watch the minutes of this night,
• That, if again this apparition come
• He may approve our eyes and speak to it
  (I.i.28-34).

3
Act I Scene i

• Setting
• our last king,
• Whose image even but now appeared to us,
• Was, as you know, by Fortinbras of Norway,
• Thereto pricked on by a most emulate pride,
• Dared to the combat in which our valiant Hamlet
• Did slay this Fortinbras, who by a sealed
  compact,
• Well ratified by law and heraldry,
• Did forfeit, with his life, all those his lands
• Which he stood seized of, to the conqueror
  (I.i.92-101).
• Warfare
• Theme of revenge, vengeance
• Lost what he should have inherited

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Act I Scene i

• Setting
• Supernatural
• In the most high and palmy state of Rome,
• A little ere the mighiest Julius fell,
• The graves stood tenantless, and the sheeted
  dead
• Did squeak and gibber in the Roman streets
• As stars with trains of fire and dews of blood,
• Disasters in the sun and the moist star
  (I.i.125-130).
• Foreshadowing
• Bad omens
• Theme of disorder at beginning

5
Act I Scene ii

• Tone and Diction
• Claudius at castle
• Though yet of Hamlet our dear brothers death
• The memory be green, and that it us befitted
• To bear our hearts in grief, and our whole
  kingdom
• To be contracted in one brow of woe,
• Yet so far hath discretion fought with nature
• That we with wisest sorrow think on him
• Together with remembrance of ourselves
  (I.ii.1-7).

6
Act I Scene ii

• Tone and Diction
• Therefore our sometime sister, now our queen,
• With mirth in funeral and with dirge in marriage,
• In equal scale weighing delight and dole
• Taken to wife (I.ii.8-14).
• Thanks his people
• Qualities of a good king
• Appropriate?
• Irony

7
Act I Scene ii

• Tone and Diction
• Hamlet
• A little more than kin and less than kind (67)
• Not so, my lord I am too much in the sun (69)
• Queen
• cast they nighted color off,
• And let thine eye look like a friend on Denmark.
• Do not forever with thy vailed lids
• Seek for thy noble father in the dust.
• Thou knowst tis common all that lives must
  die (I.ii.70-74)
• Dont be sad
• Generally concerned with his well being

8
Act I Scene ii

• Tone and Diction
• Tis not alone my inky cloak, (good) mother,
• Nor customary suits of solemn black,
• Nor windy suspiration of forced breath,
• No, nor the fruitful river in the eye,
• Nor the dejected havior of the visage,
• Together with all forms, moods, (shapes) of
  grief,
• That can (denote) me truly. These indeed
  seem,
• For they are actions that a man might play
• But I have that within which passes show,
• These but he trappings and the suits of woe
  (I.ii.80-89).

9
Act I Scene ii

• Characterization of Hamlet
• Indicates his sorrow is true and heartfelt
• Love he felt for his father
• Scornful of his mother

10
Act I Scene ii

• Tone and Diction
• Claudius makes light of the situation
• But you must know your father lost a father
  (I.ii.92)
• In obstinate condolement is a course/ Of impious
  stubbornness. Tis unmanly grief
  (I.ii.97-98).
• Insensitive
• Be a man
• Heir to the throne
• Talks down to Hamlet
• Degrades him

11
Act I Scene ii

• Hamlet and Horatio
• I pray you all,
• If you have hitherto concealed this sight,
• Let it be tenable in your silence still
• And whatsomever else shall hap tonight,
• Give it an understanding but no tongue
  (I.ii.267-271).
• Wants to see for himself
• Trusts and respects Horatio

12
Act I Scene iii

• Ophelias love
• For Hamlet, and the trifling of his favor,
• Hold it a fashion and a toy in blood,
• A violet in the youth of primy nature,
• Forward not permanent, sweet, not lasting,
• The perfume and suppliance of a minute,
• No more (I.iii.6-10).
• Good relationship with her brother
• Ophelia does have feelings for Hamlet
• Hamlets love is fleeting
• Strictly infatuation

13
Act I Scene iii

• Ophelias love
• Perhaps he loves you now,
• And now no soil or cautel doth besmirch
• The virtue of his will but you must fear,
• His greatness weighed, his will is not his own,
• (For he himself is subject to his birth)
  (I.iii.17-21).
• Cares a great deal for her
• He may love you but cannot choose his wife
• His marriage is in the interest of Denmark

14
Act I Scene iii

• Ophelias love
• Then weigh what loss your honor may sustain
• If with too credent ear you list his songs
• Or lose your heart or your chaste treasure open
• To his unmastered importunity
• And keep you in the rear of your affection,
• Out of the shot and danger of desire.
• The chariest maid is prodigal enough
• If she unmask her beauty to the moon
  (I.iii.32-41).
• References her virginity
• Dont give it up to Hamlet

15
Act I Scene iii

• Polonius advice
• Good advice
• Caring father
• Give thy thoughts no tongue,
• Nor any unproportioned thought his act
• Be thou familiar, but by no means vulgar (65-67)
• Those friends thou hast, and their adoption
  tried,
• Grapple them unto they soul with hoops of
  steal (68-69)
• Beware of entrance to a quarrel, but, being in,
• Beart that th opposed may beware of the
  (71-72)
• Costly thy habit as they purse can buy,
• But not expressed in fancy
• For the apparel oft proclaims the man (76-78)
• Neither a borrower nor a lender (be),

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Act I Scene iii

• Polonius advice
• When the blood burns, how prodigal the soul
• Lends the tongue vows
• Be something scanter of your maiden presence
• Do not believe his vows, for they are brokers
• from this time forth
• Have you so slander any moment leisure
• As to give words or talk with the Lord Hamlet
  (I.iii.125-144)
• Hamlet is only after one thing
• He will say whatever you want to hear
• Do not give up your virginity
• Do not see him
• Ophelia agrees
• Obedient
• Drives action

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Act I Scene iv

• Characterization of Claudius
• The King doth wake tonight and takes his rouse,
• Keeps wassail, and the swaggring upspring
  reels
• And, as he drains his draughts of Rhenish down,
• The kettledrum and trumpet thus bray out
• The triumph of his pledge (I.iv.9-13).
• King is partying and being loud
• Sets a bad example
• Makes us look like fools to others
• Negative attributes
• Opposite of Old Hamlet respected

18
Act I Scene iv

• Hamlet and Horatio
• Horatio warns Hamlet that the ghost may cause him
  harm or be evil
• Good friend, trustworthy
• What if it tempt you toward the flood, my lord?
• Or to the dreadful summit of the cliff
• That beetles oer his base into the sea,
• And there assume some other horrible form
• Which might deprive your sovereignty of reason
• And draw you into madness? (I.iv.77-82).

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Act I Scene v

• Revenge
• I am thy fathers spirit,
• Doomed for a certain term to walk the night
• And for the day confined in fast fires
• Till the foul crimes done in my days of nature
• Are burnt and purged away. But that I am forbid
• To tell the secrets of my prison house,
• I could a tale unfold whose lightest word
• Would harrow up thy soul and freeze they young
• blood (I.v.14-21).
• Reference to purgatory
• Cannot tell Hamlet what it is like- too horrible
  to imagine

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Act I Scene v

• Revenge
• Revenge his foul and most unnatural murder (31)
• The serpent that did sting thy fathers life
• Now wears his crown (I.v.46-47)
• Indicates he was murdered
• Claudius did it
• Sleeping in orchard and poisoned in his ear
• Dies without confessing

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Act I Scene v

• Revenge
• Taint not thy mind, nor let thy soul contrive
• Against thy mother aught. Leave her to heaven
• And to those thorns that in her bosom lodge
• To prick and sting her (I.v.92-95).
• Do not seek revenge against Gertrude
• Heaven will punish her
• Her guilt will punish her
• Loved her greatly

22
Act I Scene v

• Revenge
• How strange or odd someer I bear myself
• (As I perchance hereafter shall think to meet
• To put an antic disposition on)
• That you, at such times seeing me, never shall,
• With arms encumbered thus, or this headshake,
• Or pronouncing of some doubtful phrase,
• That you know aught of me- this do swear,
  (I.v.190-202).
• If I begin to act odd, do not acknowledge any of
  this
• Is he going crazy? Acting?

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Parallel Characters

• Royal Family of Denmark and the Royal Family of
  Norway
• Both kings are dead
• Both have sons who did not inherit the throne
• Both uncles are kings of the country
• Both uncles are unaware of the actions by their
  nephews

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Recurring/Significant Images

• Disjoint
• Our state to be disjoint and out of frame
  (I.ii.20)
• The time is out of joint. (I.v.210)
• Something is rotten in the state of Denmark.
  (I.iv.100)
• Possible Significance?
• Foreshadowing
• Why is Denmark out of joint?
• What is rotten?
• What caused things to go rotten?