Title: GONE WITH THE WINDOW Great Visual Merchandising Ideas
1 GONE WITH THE WINDOWGreat Visual Merchandising
Ideas!
Presented byTony DeMasiDeMasi Marketing112
Adrossan CourtDeptford NJ 08096Ph
856/227-6802E-mail tonydem_at_juno.com
2VISUAL MERCHANDISING What is it?
- Promoting the sale of products by producing
mental images that urge potential customers to
make purchases. - "Show and Sell"
- "Silent Selling"
- Provides support for the rest of the stores
selling effort.
3VISUAL MERCHANDISINGPart of the selling message
- Message -- the store, its interior design and
selling floor layout, atmospherics, merchandising
presentation, stores selling services. - Every see-able, hear-able, smell-able, touch-able
aspect of a store sends a message .
4VISUAL MERCHANDISINGSupports Selling Efforts
- With fewer sales personnel now available to wait
on customers . . . - The attract attention to merchandise
- They hold the customers attention until a sales
associate is available - Educates customers about merchandise
- Builds add-on sales by suggesting coordinating
items -
5VISUAL MERCHANDISING WORKING WINDOWS
- Promotional windows feature products that are
part of an advertising strategy promoting an
entire line of goods, a single item, or a special
storewide event - Sale windows announce the stores major sale
events and may not feature any merchandise at all - Drive-by windows exterior store windows viewed
by people driving on city streets or passing
through shopping mall parking lots these window
treatments must be larger in scale to be seen and
understood from a distance
6VISUAL MERCHANDISING WORKING WINDOWS
-
- Step One The windows larger-than-life version
of life-- merchandise that is propped or posed to
amaze, amuse, and enthuse -- draws window
shoppers into the store This is the fantasy stage - Step Two The window merchandise is also inside
the store that echo the theme of the window
display, but are now presented in the store - Step Three In the selling department the window
merchandise is ready for purchase shoppers can
finally actually handle the items theyve admired
7VISUAL MERCHANDISING STARTING POINT
- Select the merchandise category
- Select the color story
- Select theme
- Select props
- Select mannequins
- Select accessories
- Sketch proposed window presentation
-
8VISUAL MERCHANDISING A- ATTRACTIVE
- Does the setting attract attention? What
catches the eye first? - If the center of attention is a prop make
adjustments until the eye focuses on the
merchandise.
9VISUAL MERCHANDISING A- ATTRACTIVE
Visual merchandising starts outside. How inviting
is your stores exterior?
10VISUAL MERCHANDISING A- ATTRACTIVE
What catches the eye first? It should be
merchandise.
11VISUAL MERCHANDISING A- ATTRACTIVE
What catches the eye first? It should be
merchandise.
12VISUAL MERCHANDISING A- ATTRACTIVE
Limit the window to one idea or one holiday.
13VISUAL MERCHANDISING A- ATTRACTIVE
Good use of color and textures gets attention.
14VISUAL MERCHANDISING B- BUY IT NOW!
- Does the setting encourage the viewer to buy the
merchandise, or to just look and walk away? Signs
will encourage instant responses. -
15VISUAL MERCHANDISINGC- COLOR
- Its the easiest yet most complicated part of the
setting. Does the color of the background help
bring attention to the merchandise? Do the
colors of the merchandise work well together? Is
there a seasonal or fashion color statement to be
made?
16VISUAL MERCHANDISINGC- COLOR
Lime green a hot fashion color, but difficult
display color.
17VISUAL MERCHANDISINGC- COLOR
Blue is the most popular color, Blue and white is
a favorite combination But could be boring.
18VISUAL MERCHANDISINGC- COLOR
Jewel colors give a rich, successful aura. They
work well with jewelry, crystal and metals.
19VISUAL MERCHANDISINGC- COLOR
Yellow is the strongest color and best used as an
accent color. It does not blend in with any
color.
20VISUAL MERCHANDISINGC- COLOR
Soft pink is the most calming color. Can have
boring results.
21VISUAL MERCHANDISINGC- COLOR
Monochromatic displays can be difficult to
notice. White needs a dark color contrast to make
it stand out.
22VISUAL MERCHANDISINGC- COLOR
Seasonal colors are perfect for displays.
23VISUAL MERCHANDISINGC- COLOR
Contrast is necessary to have customers look at
merchandise.
24C- COLOR
25VISUAL MERCHANDISINGC- COLOR
Variations of red, white and blue is always a
winning combination.
26VISUAL MERCHANDISINGC-CLEVER
Being too clever can destroy the display. If you
like displays dramatic, do it at home- Not in the
store!
27VISUAL MERCHANDISINGC-CLEVER
Being too clever can destroy the display. If you
like displays dramatic, do it at home- Not in the
store!
28C-CLEVER
29VISUAL MERCHANDISINGD- DIAGRAMS
- Before all else, work out a diagram of what you
have in mind for the final display. Work on
balance and combination of forms.
30VISUAL MERCHANDISINGD- DRAMA
One-item windows can be effective IF the item is
not a one-of-a-kind piece. Otherwise you will
sell nothing.
31VISUAL MERCHANDISINGE- EMPTINESS
- Not every inch of the window or display
surface has to be loaded with merchandise. Leave
space between products. Crowding the display with
merchandise makes nothing stand out.
32VISUAL MERCHANDISINGE- EMPTINESS
33VISUAL MERCHANDISINGE- EMPTINESS
34E- EMPTINESS
35VISUAL MERCHANDISINGF- FOCAL POINT
- The setting must have a focal point, or
points. This can be done with risers, lights,
colors, or even a mix of product sizes.
36VISUAL MERCHANDISINGF- FOCAL POINT
If the focal point isnt product, you have a
problem.
37VISUAL MERCHANDISINGF- FOCAL POINT
Focal points should not be far from each other.
38VISUAL MERCHANDISINGF- FOCAL POINT
Signs and contrast creates good focal points.
39VISUAL MERCHANDISINGG- GO AWAY!
- Too often a setting is overdone. There is
usually too much merchandise, too many props,
etc. When you think the setting is complete, go
away for a 10 minutes, then look at it again. Be
critical. Make adjustments.
40VISUAL MERCHANDISINGH- HOT SPOTS
- HOT SPOTS. Use lights, props, signs, or other
forms to create hot spots in the display. These
are areas that immediately attract attention.
There should be one major and two minor areas in
a setting.
41VISUAL MERCHANDISINGH- HOT SPOTS
42VISUAL MERCHANDISINGH- HOT SPOTS
43VISUAL MERCHANDISINGH- HOT SPOTS
44VISUAL MERCHANDISINGI- IMAGINATION
- IMAGINATION. You have it, its free use it!
Going with the usual ideas wont set you apart
from the competition.
45VISUAL MERCHANDISINGI- IMAGINATION
- Theme inspiration can come from
- Products end use
- Popular color palettes -- seasonal traditions,
designer, or market-driven color choices - Recent, current, or upcoming events -- fads,
merchandising and lifestyle trends, new books,
magazines, recent films, plays, art,
architecture, entertainment - Historical perspectives -- well-known symbols,
recurring or retrospective fashion designs,
significant anniversaries of events - Holidays
- Nostalgia -- 1950s, 1960s, 1970s
46VISUAL MERCHANDISINGI- IMAGINATION
Add extra dimension by going outside the usual
47VISUAL MERCHANDISINGI- IMAGINATION
Score with a great display for men's gifts
48VISUAL MERCHANDISINGI- IMAGINATION
Use an unusual twist to get attention.
49I- IMAGINATION
50VISUAL MERCHANDISINGJ- JUNK
- When it comes to visual merchandising, nothing
is junk. That old chair, paint can, broken flower
pot, etc., can be used as props. Save them!
51VISUAL MERCHANDISINGJ- JUNK
Old furniture and crates can work wonders.
52VISUAL MERCHANDISINGJ- JUNK
Mailboxes are great props for stationery displays
53VISUAL MERCHANDISINGJ- JUNK
Use your stores bag in the window
54VISUAL MERCHANDISINGJ- JUNK
Paint can turn and old flower pot and tray into
great props.
55VISUAL MERCHANDISINGK-KNOWLEDGE
- Look at other peoples displays. Theyre in
showrooms, in magazines, in trade show booths.
Jot down, or photograph, what ideas might work
for you. Ask how the displays were done. Keep a
file of this data.
56VISUAL MERCHANDISINGL- LIGHTING
- Its a very important part of every display.
Experiment with different types of lights from
different angles, and different colors and
strengths of bulbs. Ask a representative from
the electric company to make recommendations on
lighting components.
57VISUAL MERCHANDISINGL- LIGHTING
Mixing lights can create dramatic results.
58VISUAL MERCHANDISINGL- LIGHTING
Great lighting, great use of space.
59L- LIGHTING
60L- LIGHTING
61VISUAL MERCHANDISINGM- MONEY
- It does not take a lot of money to make a
wonderful display. But, a budget does help. Set
a budget before you start the diagram, and stick
to that amount. -
62VISUAL MERCHANDISINGN-NATURE
- NATURE. Nature is a wonderful source of ideas
and props. Each month has a special natural
quality. Use them for inspiration.
63VISUAL MERCHANDISINGN-NATURE
Seasonal colors and flora create comfortable
looks.
64VISUAL MERCHANDISINGN-NATURE
Real flowers and grass require a lot of
attention. Use artificial instead.
65VISUAL MERCHANDISINGN-NATURE
Rocks add texture and interest to almost any
setting
66VISUAL MERCHANDISINGN-NAME
67VISUAL MERCHANDISINGO- OVER AND UNDER
- Shoppers come in all heights. The display has to
be attractive from all eye levels, that is over
and under your own. Check the display from all
angles, too. As you build your display, look at
it from all angles, not just the front.
68VISUAL MERCHANDISINGO- OVER AND UNDER
- The average female is just 5 2 tall
- She should see the display with ease
69VISUAL MERCHANDISINGO- OVER AND UNDER
Pyramid displays have things at every eye level
70VISUAL MERCHANDISINGP- PROPS
- PROPS. Use them sparingly. They should help sell
the merchandise, not take attention away from it.
Nothing is ever just a prop. Put a price on
it. Someone might want to buy it.
71VISUAL MERCHANDISINGP- PROPS
Props must bring attention to the merchandise,
not away from it.
72VISUAL MERCHANDISINGP- PROPS
Props should work in telling the displays story.
Put prices on props that can be easily replaced.
73VISUAL MERCHANDISINGP- PROPS
Props help tell the displays story.
74VISUAL MERCHANDISINGP- PROPS
This red bath tub is probably the worst prop ever!
75VISUAL MERCHANDISINGP- POSTERS
Posters are great display!
Poster make great backdrops. They take up space
and help tell the story of whats in the
window. From a distance, they are the display.
76VISUAL MERCHANDISINGQ- QUESTIONS
- Question yourself throughout the creative
process. Is that really the message you want to
convey? Does that item, or prop, really help
tell the story? Is that sign really easy to read?
It is better to make changes along the way than
have regrets later.
?
?
77VISUAL MERCHANDISINGR- REPEAT
- If an idea worked especially well, repeat it in
another section of the store, or in a few months.
There is no reason to keep reinventing the
wheel, but dont keep using the good idea so
often that it becomes boring.
78VISUAL MERCHANDISINGS- SIGNS
- SIGNS. Signs are very important. Use them
sparingly to tell the customer something about
the merchandise. Signs must be easy to read,
clean and used to help sell the product. Use
positive language!
79VISUAL MERCHANDISINGS- SIGNS
- Attracts attention
- Subtle details such as type font, case, and copy
style make a dramatic difference in communicating - Upper case "shouts"
- Lower case "friendly"
80VISUAL MERCHANDISINGS- SIGNS
Professional signs can be made on any computer,
then enlarged to any size needed.
81VISUAL MERCHANDISINGS- SIGNS
Use brand names official logos in signs.
82VISUAL MERCHANDISINGS- SIGNS
A welcome sign immediately inside the doorway is
a nice touch.
83VISUAL MERCHANDISINGS- SIGNS
Signs can be reminders to customers about
gift-giving occasions.
84VISUAL MERCHANDISINGS- SIGNS
Vertical signs add interestbut must be large and
easy to read.
85VISUAL MERCHANDISINGS- SIGNS
Signs should be easy to read, easy to change.
86VISUAL MERCHANDISINGS- SIGNS
Blackboard signs demand a lot of
attention. Theyre perfect for daily specials, or
back to school displays.
87S- SIGNS
88S- SIGNS
89VISUAL MERCHANDISINGT- TIMING
- How long a display should be kept up? It depends
on how much repeat traffic your store gets.
Generally, displays should be changed monthly.
90VISUAL MERCHANDISINGU- UNITE
- Meet display experts at trade show seminars.
Swap business cards, form friendships. Make
contacts! You can be each others resources of
ideas, opinions, etc.
91VISUAL MERCHANDISINGV- VISUALIZING
- You create visual merchandising settings, not
displays. The eye must focus on the merchandise.
The overall display is the pretty picture that
helps draw attention to the merchandise. If
merchandise is not the most visible part of the
setting, make the necessary adjustments.
92VISUAL MERCHANDISINGV- VISUALIZING
Good use of colors, contrast, props and signage.
93VISUAL MERCHANDISINGV- VISUALIZING
Good use of colors, natural hay as props, but
large Shamrock in background steals attention.
Signage would have worked better. Sign used gets
lost.
94VISUAL MERCHANDISINGV- VISUALIZING
Good background, contrast and fixture. Pie gets
lost, Hersheys container steals attention.
95VISUAL MERCHANDISINGV- VISUALIZING
Good spring showers sign, use of umbrella, but
brand sign is lost, no contrast in merchandise
colors and yellow boots (prop!) steals
attention.
96VISUAL MERCHANDISINGV- VISUALIZING
Ask a stranger to look at the window display. If
the merchandise isnt seen first, change the
display.
97V- VISUALIZING
98V- VISUALIZING
99V- VISUALIZING
100V- VISUALIZING
101VISUAL MERCHANDISINGW- WASH IT!
- All the merchandise and props must be clean (and
kept that way). Wash the window from both sides
before creating the display, then wash it from
the outside at least once a day.
102VISUAL MERCHANDISINGX- XMAS
- Abbreviations or cute names for holidays and
special occasions, like Xmas instead of
Christmas can turn off traditionally minded
customers.
103VISUAL MERCHANDISINGY- YEAR
- Work on new ideas all year. Keep an idea file
for each month, and each department. You never
know when you will come across a great idea.
Clip it, jot it down, photograph it, or sketch
it, and keep for use later.
104VISUAL MERCHANDISINGZ-ZERO
- If thats your budget, or amount of time you have
to create the display, dont panic. You are
talented. Heres the opportunity to prove it.
105