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Week 7: Spatial Vision and Perception of Movement

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Contour and Contrast Perception. Gratings, Gabors, and ... Lateral Inhibition: the limulus (the horseshoe crab) http://www.mbl.edu/animals/Limulus/vision ... – PowerPoint PPT presentation

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Title: Week 7: Spatial Vision and Perception of Movement


1
Week 7 Spatial Vision and Perception of Movement
2
Week 7 Outline
  • Contour and Contrast Perception
  • Gratings, Gabors, and Spatial Frequency Analysis
  • Contrast Sensitivity
  • Selective Adaptation
  • Perception of Movement
  • Motion Aftereffects
  • The Aperture Problem
  • Structure from Motion, Optical Flow and
    Biological Motion

3
Contour and Contrast Perception
  • Contours
  • Typically defined by luminance boundaries
    (differences in brightness)
  • But sometimes defined by iso-luminant
    (equal-brightness) boundaries of
  • Color
  • Texture
  • Binocular disparity

4
Contour Enhancement Lateral Inhibition
  • Lateral Inhibition the limulus (the horseshoe
    crab) http//www.mbl.edu/animals/Limulus/vision/
  • Lateral Inhibition in human vision
    Center-surround receptive fields

5
Visual Phenomenon Related to Center-Surround
Structure of Receptive Fields
  • Hermann Grid Mach Bands
  • Lightness Contrast

6
Perception Responds to Changes
  • Contours, edges, and borders are defined by
    changes in luminance, texture, color, etc.
  • Stimuli with no changes
  • Ganzfield Textureless field of uniform
    brightness
  • Stabilized Images

7
Quantifying Changes in Luminance Spatial
Frequency
  • Spatial Frequency the number of variations in
    luminance (light-dark cycles) over a given space
  • Gratings stimuli
  • where
  • A is the amplitude,
  • f is the frequency,
  • f is the phase, and
  • x is horizontal position
  • Left high amplitude, Right low amplitude
  • Top vs. Bottom phase change

8
Quantifying Changes in Luminance Spatial
Frequency (2)
  • Differences in Frequency
  • Left grating lower spatial frequency
  • Right grating higher spatial frequency
  • Complex Spatial Frequency Gratings
  • Where N is the number of sine wave components

9
Gabor Patch Stimuli
Sine wave grating convolved with Gaussian Gabor
Patch


Brightness


10
Fourier Analysis and Synthesis Frequency vs.
Space Representations
X ? X ? Frequency (Hz)
Fourier Analysis ? ? Fourier Synthesis
11
Vision and Spatial Frequency Analysis
  • Neurons in area V1 are spatial-frequency tuned
    they respond to stimuli of a particular spatial
    frequency band
  • Response is similar to the frequency structure of
    a Gabor patch

X ? X ? Frequency (Hz)
12
Contrast Sensitivity
  • Contrast Sensitivity
  • variation in sensitivity to contrast (luminance
    boundaries) as a function of spatial frequency
  • Operationally, this is defined as the ability of
    the human observer to perceive the lines in a
    grating as a function of the gratings frequency
    and contrast

13
Selective Adaptation Spatial Frequency Channels
  • How do we know that the visual system codes the
    spatial properties of a scene by frequency?
  • The phenomenon of selective adaptation
  • After clicking to advance to the next (more
    clear) slide
  • close one eye
  • move your open eye back and forth on the black
    rectangle between these two gratings for 1 min to
    adapt
  • click to go on to the test stimulus

14
Selective Adaptation Adapting Stimulus
15
Selective Adaptation Test Simulus
16
Selective Adaptation Discussion
  • When you viewed the test stimulus, for which
    grating did the bars appear larger? Top or
    bottom?
  • This slide repeats the test stimulus to the
    right. Do the bars look the same size now that
    your adaptation has worn off?
  • Adaptation can occur with non-grating stimuli as
    well. You can repeat the demonstration with the
    next two slides.

17
Selective Adaptation Dots
18
Selective Adaptation Words
19
Selective Adaptation How does it Work?
20
Movement Perception
  • Functions of movement perception
  • Can you see the object in this scene?

21
Movement Perception
  • Now you probably can see the object!
  • Movement helps parse an object from a noisy
    background

22
Movement Perception
  • Types of movement
  • Real
  • Induced
  • Autokinetic
  • Stroboscopic (apparent)

23
Stroboscopic (apparent) Movement
  • When two stationary lights are alternately
    flashed, a perception of movement (apparent
    movement) occurs
  • Max Werteimer whole is greater than the sum of
    its parts
  • Apparent movement depends on the inter-stimulus
    interval (ISI)

off
on
off
on
off
Light status
Time? ISI
24
Stroboscopic (apparent) Movement
  • Apparent movement depends on the inter-stimulus
    interval (ISI)
  • Long ISI (400 msec) two flashing, but
    stationary lights are perceived

25
Stroboscopic (apparent) Movement
  • Medium ISI (200 msec) phi movement movement
    perceived but object not actually seen to move
    through intermediate locations

26
Stroboscopic (apparent) Movement
  • Short ISI (50 msec) beta movement movement of
    object through intermediate locations is
    perceived (classic apparent movement)

27
Movement Perception
  • Motion and the eye-head movement system
  • Perception of movement can result from
  • an image moving across the retina
  • a stationary image but the eyes moving to track
    an object
  • Some combination of both eye and retinal movement

28
Corollary discharge theory
  • Because the motor areas of the brain control the
    movement of the eyes, these movement signals can
    be fed back to the visual system (a corollary
    discharge)
  • The feedback signal allows us to perceive
  • a stable world even as it flows across our retina
    due to an eye movement
  • a moving object flowing across retina when eyes
    are stationary
  • a moving object, even when its image is
    stationary on the retina but the eyes are moving
    to track it

29
Movement Perception Bilocal detectors
  • Retinal Motion Detection Mechanisms Bilocal
    detectors
  • First proposed by Reichardt (see figure?)
  • Luminance boundary first detected by receptor A,
    then as boundary moves to the right, receptor B
    detects it.
  • Boundaries moving with speed Ds/Dt will result in
    maximum output signal (R)

30
Movement Perception Bilocal detectors
Moving Object
  • A simplified bilocal detector
  • Object moving at velocity (V) stimulates receptor
    A, then after traveling distance s, receptor B
  • Signal from A is delayed (Dt) by interneuron
  • Comparator neuron sums the signals from A and B
  • Maximum output if V Ds/Dt

Ds
Receptor B
Receptor A
Signal Flow
S
Dt
Output
31
Motion Aftereffects
  • Prolonged exposure (adaptation) to motion stimuli
    produces aftereffects
  • Viewing a neutral test stimulus after adaptation
    results in perceived motion in the direction
    opposite the direction of the adapting motion
  • Similar to perception of color and spatial
    frequency
  • Observations of motion aftereffects
  • Fast moving streams Aristotle (330 B.C) and
    Lucretius (56 B.C.)
  • Long parades, moving spokes of a wheel Purkinje
    (1820)
  • Waterfall Illusion Addams (1834)
  • Traveling on Railways Brewster (1845)
  • Rotating Spiral Plateau (1849)
  • Motion Aftereffects online (http//www.ski.org/Car
    andini/demo/DizzySpiral/motion_aftereffect.html)

32
Motion Aftereffects Ratio Model
  • Motion is coded by the relative amount of
    activity across a group of neurons (population
    coding)

Physical Stimulus
Neural Events
Perception
Balanced outputs no movement signal overall
U
stationary
Pretest
D
U
D signal dominant
moving downwards
Adaptation
D
U
U signal dominant
moving upwards
Post-test
D
33
The Aperture Problem
  • The receptive fields of motion detectors have a
    limited size or aperture
  • If the boundaries of a contour extend beyond the
    aperture, only the motion component perpendicular
    to the aperture is sensed
  • Individual neurons do not accurately code motion
    direction

Perceived motion direction
actual motion direction
34
The Aperture Problem
Perceived motion direction
35
The Aperture Problem
Perceived motion direction
actual motion direction
36
How Does the Visual System Solve the Aperture
Problem?
component direction
  • Adelson and Movshon (1982)
  • Intersection of constraint lines defines the true
    direction
  • Requires two levels
  • Detect component movement (constraint lines)
  • Integrate components to determine direction of
    overall pattern motion
  • Movshon et al. (1985)
  • Cells that respond to component motions are found
    in V1 and MT
  • Cells that respond to the pattern motion are
    found in MT

true motion direction
Constraint lines
component direction
37
Structure from Motion and Optical Flow
  • Kinetic Depth Effect stationary objects might
    appear flat or unformed, but once they start
    moving they depth and 3D structure are defined
  • Example biological motion
  • http//www.bml.psy.ruhr-uni-bochum.de/Demos/BMLwa
    lker.html

38
Motion Contrast
39
Motion Contrast
40
Lateral Inhibition and Motion Contrast
  • Middle Temporal Area(MT)
  • Some units have inhibitory surrounds
  • Motion shear detectors
  • Inhibition tuned to direction halved at 60 deg,
    disappears at 90 deg
  • Inhibition tuned to speed of surrounding movement
  • Inhibition can explain motion contrast effect

? ?
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