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A BEGINNERS GUIDE TO PUBLISHING IN PSYCHOLOGY

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Title: A BEGINNERS GUIDE TO PUBLISHING IN PSYCHOLOGY


1
A BEGINNERS GUIDE TO PUBLISHING IN
PSYCHOLOGY ________________________________ Dr G
Neil Martin, FRSA, CSci
2
A PSYCHO-ANATOMY OF WRITING_____________________
______
  • Why write? Who writes?
  • Who publishes?
  • How does an author get published?
  • What makes a good author (and a bad one)?
  • What is involved in the writing process?
  • How long does it take to publish a book?

3
WHY WRITE?
  • You want to inform, educate, entertainothers
  • To earn a living

4
WHAT DO THESE HAVE IN COMMON?
  • Watership Down, Richard Adams
  • And To Think I Saw It Dr Seuss
  • Harry Potter and the Philosophers Stone, J K
    Rowling
  • Carrie, Stephen King
  • Diary of Anne Frank, Anne Frank
  • Gone With The Wind, Margaret Mitchell
  • A Time To Kill, John Grisham

5
TRADE vs ACADEMIC
  • Trade general readership market unlimited
  • Academic HE market-constrained
  • (Other Schools/professional publishing)
  • Publishing processes are different
  • Cross-overs- Baron-Cohen, Zimbardo, Jones,
    Tannen, Pinker, Dennet, Dawkins, Wolpert, Davies

6
THE LIBRARY
  • Human Neuropsychology (1998, Prentice Hall)
  • Psychology (2000, w Neil Carlson, Pearson Ed)
  • My PsychLab (2001, Pearson Ed)
  • Psychology, 2e (2001, Pearson Ed)
  • Essential Biological Psychology (2003, Hodder)
  • My PsychLab, 2e (2004, Pearson Education)
  • Human Neuropsychology, 2e (2006, Pearson Ed)
  • Psychology, American edition, 6e (2006, Allyn
    Bacon)
  • Study Guide in Psychology (2006, Pearson Ed)
  • Psychology, 3e (2007, Pearson Ed)
  • My Psych Lab, 3e (2007, Pearson Ed)
  • Psychology, A Beginners Guide (2008, Oneworld)
  • Psychology, 4e (2009, Pearson Ed)
  • Psychology, Enhanced Edition (2009, Pearson Ed)
  • Psychology, American edition, 7e (2009, Allyn
    Bacon)
  • My PsychLab, 4e (2009, Pearson Education)

7
(No Transcript)
8
ACADEMIC PUBLISHERS
  • Pearson (Pearson Education, Allyn Bacon,
    Longman, Dorling-Kindersley, Penguin, FT)
  • Wiley-Blackwell
  • Oxford/Cambridge University Press
  • John Wiley
  • Taylor Francis/Psychology Press
  • HodderArnold
  • Academic Press
  • Houghton-Mifflin
  • Open University Press
  • Sage
  • Macmillan/Palgrave
  • Elsevier

9
WHY DO PUBLISHERS PUBLISH?
  • We pick books which represent overarching ethos
    of company, say something important and which
    will generate revenue
  • We are very sales driven, so publish books to
    meet market requirements
  • Our sales are achieved by getting books adopted
    by lecturer
  • Serve the academic and professional communities

10
THE WRITERS STRUGGLE___________________________
  • There is nothing to writing. All you do is sit
    down at a typewriter and open a vein
  • Red Smith

11
THE PROCESS
  • The idea- yours or the publishers
  • The approach/proposal- commissioning editor
  • The agreement- editorial boards and contracts
  • The hard work- the writing
  • MS delivery- production editor
  • The production- copy editing/proof copying

12
THE PUBLISHER
  • is a commissioning editor, supported by an
    assistant, assigned to a list (texts within an
    area)
  • the guiding force searches for authors for
    new projectsguides them through the writing
    process.
  • Has a target no of acquisitions (40-50)
  • Manages book from idea to publication

13
THE GERM OF AN IDEA
  • Recommendation from existing author
  • Reviews of other projects
  • Look for new areas of research likely to be hot
    topics
  • Leads from the sales team
  • Visit campuses, attend conferences
  • Contacted by academics
  • Gaps in market/new, developing areas
  • You have an idea- is it viable/marketable?
  • Single/multiple authored or edited

14
THE PROPOSAL
  • Give a detailed description of the books aims
    and content (chapter headings and content)
  • Identify your target audience/market- essential
  • Identify competitors (weaknesses and strengths of
    competitors- how is yours better/different?)
  • Indicate author strengths

15
TIPS ON WRITING A GOOD BOOK PROPOSAL
  • Clear statement of aims/rationale
  • If our curiosity is not piqued by the proposal,
    we usually find it hard to imagine the book will
    be of interest to the public
  • How does book sit in market/has potential to
    compete
  • Genuine need for the book
  • Detailed table of contents- indication of how
    well the author has thought through plans
  • Well-written

16
APPROVAL/REJECTION OF PROPOSAL
  • CE makes initial assessment
  • Sent for review- some publishers only publish
    with reviewer support
  • Presentation to directors- editorial, production,
    sales, marketing and MD who approve/reject
  • Timetable for completion and delivery
  • Contracts drawn up and exchanged

17
THE GYNAECOLOGY AND MIDWIFERY OF PUBLISHING
  • Average length of time from proposal -1 to 3
    years
  • Writing can be short production process long
  • 0 months- proposal agreed
  • 0-6 months- delivery of MS
  • 6-12 months- production (layout, design, copy
    editing, proof editing, permissions, picture
    research)
  • 12-18 months- final publication

18
WRITING AND RESEARCH
  • Thorough and regular search for materials-
    general first (well-regarded texts a good source)
  • Science Direct (monthly) WoS ILRS resources
    references
  • 3e of Psychology- 1000 pages, a million words,
    200 new references

19
NOTE TAKING
  • Source material
  • Read and underline
  • Notes taken- building up to a catalogue
  • Notes can be for new sections/chapters or for
    inserts (revisions to text with new studies)
  • Revisions- good to start with stand-alone
    sections (can be slotted in feeling of
    accomplishment)
  • Focus on key facts/findings- surgically brutal

20
FEATURES -Psychology 4e
  • Controversies in Psychological Science
  • (2-3 x 18)- weather and mood, bitter gene causes
    obesity, fMRI measures deception
  • Psychology in Action
  • (2-3 x 18)- sex differences in communication
    East-West differences in visual perception
  • Cutting Edge
  • (4-5 x 18)-myth of bystander intervention,
    attraction and menstrual cycle, intelligence and
    health

21
CHAPTER REVISIONS
  • Revise new sections after you write them
  • Chapters revised about 3 times
  • Final MS printed and revised
  • ALL material in the final MS and labelled-
    prelims, text, references, tables and figures
    hard copy plus electronic copy
  • The horror of figures- inserting one ruins your
    formatting
  • For big books, half of book might be submitted
    ahead of deadline for reviewer comments

22
BE STYLISH
  • Clear text
  • Engaging
  • Informative AND entertaining
  • Avoid obfuscation
  • Dont over-simplify
  • A good communicator can explain the complex simply

23
FEATURES OF A GOOD AUTHOR
  • Good at explaining thingsmakes you interested
    in the subject
  • Enjoys communicating their specialityin a
    playful, engaging and non-threatening way
  • Provides breadth and depth
  • A good teacherInterested in students and issues
    in university education
  • Intelligent, articulate, passionate about
    subject
  • Committed to their book
  • Reliable
  • Well-knownable to shift copies by name
  • Prepared to take on board reviewer feedback
  • Shows an awareness/understanding of the
    publishing process
  • Works hard to show novel ways in which subject
    relates to reader

24
FEATURES OF A BAD AUTHOR
  • Does not accept constructive criticism/reviewer
    feedback
  • Promises but does not deliver
  • Is not interested in reader response
  • Dense, dry, just plain bad writing
  • Someone who is rude! Demanding

25
SELLING YOUR BOOK
  • Marketing- advertising
  • Endorsements
  • 1. Reps!
  • 2. Reps!
  • 3. Reps!
  • Getting it into bookshops
  • Meeting with publisher, reps, booksellers

26
SOME COMFORTING WORDS OF ADVICE
  • Writing a book is a horrible, exhausting
    struggle, like a long bout of some painful
    illness. One would never undertake such a thing
    if one were not driven by some demon whom one can
    neither resist nor understand.
  • Sylvia Plath

27
SOME MODERATELY MORE COMFORTING WORDS
  • Success is going from failure to failure with
    no loss of enthusiasm
  • Winston Churchill

28
WITHOUT WHOMETC
  • Janey Webb (Pearson Education)
  • Morten Fuglevand (Pearson Education)
  • Marsha Fillion (Oneworld)
  • Andrew McAleer (Wiley-Blackwell)
  • Andy Peart (Blackwell/Oxford UP/Pearson)
  • Christina Wipf-Perry (Hodder/Oneworld/Pearson
    Education)
  • Nicola Short (Pearson Education Marketing)
  • Marjorie Scardino (Pearson)
  • Dr Nicky Brunswick
  • Prof. Neil Carlson
  • And the 128 reviewers who read proposals, MSs
    and final books
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