Title: Baroque Art Vs' Impressionism
1Baroque ArtVs. Impressionism
Texas Essential Knowledge Skills
2Baroque Art
- Baroque Art developed in Europe around
1600, as an reaction against the intricate and
formulaic Mannerism that dominated the Late
Renaissance. Baroque art is less complex, more
realistic and more emotionally affecting than
Mannerist art.
Rembrandt, The Mill
3Artists of the Baroque Period
- Baroque Art was developed by Caravaggio,
Gianlorenzo Bernini and Annibale Carracci, among
others. This was also the age of Rubens,
Rembrandt, Vermeer and Velazquez.
Remberandt The Denial Of Peter
Vermeer The Letter
Caravaggio Lute Player
4Impressionism
Impressionism is a light, spontaneous manner
of painting which began in France as a reaction
against the restrictions and conventions of the
dominant Academic Art. The hallmark of the style
is the attempt to capture the subjective
impression of light in a scene.
Curran, On the Heights
5Artists of Impressionism Period
- The core of the earliest Impressionist
group was made up of Claude Monet, Alfred Sisley
and Pierre-Auguste Renoir. Others associated with
this period were Camille Pissarro, Frederic
Bazille, Edgar Degas, Gustave Caillebotte,
Edouard Manet, and the American Mary Cassatt.
Renoir
Lilla Cabot Perry Lady with a Bowl of Violets
Claude Monet
6TEKs
- 117.55. Art, Level IV.
- (3) Historical/cultural heritage. The student
demonstrates an understanding of art history and
culture as records of human achievement. The
student is expected to - (A) identify and illustrate art history as a
major source of interpretation - (B) analyze and evaluate the influence of
contemporary cultures on artworks and - (C) evaluate a selected career in art,
justifying the choice. - (4) Response/evaluation. The student makes
informed judgments about personal artworks and
the artworks of others. The student is expected
to - (A) develop evaluative criteria for selecting
artworks to include in a portfolio and senior
exhibition that demonstrate a high level of
creativity and expertise in one or more art
areas and - (B) analyze a wide range of artworks to form
conclusions about formal qualities, historical
and cultural contexts, intents, and meanings.
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