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Baroque Art Vs' Impressionism

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Baroque art is less complex, more realistic and more emotionally affecting than Mannerist art. ... Artists of the Baroque Period ... – PowerPoint PPT presentation

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Title: Baroque Art Vs' Impressionism


1
Baroque ArtVs. Impressionism
Texas Essential Knowledge Skills
2
Baroque Art
  • Baroque Art developed in Europe around
    1600, as an reaction against the intricate and
    formulaic Mannerism that dominated the Late
    Renaissance. Baroque art is less complex, more
    realistic and more emotionally affecting than
    Mannerist art.

Rembrandt, The Mill
3
Artists of the Baroque Period
  • Baroque Art was developed by Caravaggio,
    Gianlorenzo Bernini and Annibale Carracci, among
    others. This was also the age of Rubens,
    Rembrandt, Vermeer and Velazquez.

Remberandt The Denial Of Peter
Vermeer The Letter
Caravaggio Lute Player
4
Impressionism
Impressionism is a light, spontaneous manner
of painting which began in France as a reaction
against the restrictions and conventions of the
dominant Academic Art. The hallmark of the style
is the attempt to capture the subjective
impression of light in a scene.
Curran, On the Heights
5
Artists of Impressionism Period
  • The core of the earliest Impressionist
    group was made up of Claude Monet, Alfred Sisley
    and Pierre-Auguste Renoir. Others associated with
    this period were Camille Pissarro, Frederic
    Bazille, Edgar Degas, Gustave Caillebotte,
    Edouard Manet, and the American Mary Cassatt.

Renoir
Lilla Cabot Perry Lady with a Bowl of Violets
Claude Monet
6
TEKs
  • 117.55. Art, Level IV.
  • (3)  Historical/cultural heritage. The student
    demonstrates an understanding of art history and
    culture as records of human achievement. The
    student is expected to
  • (A)  identify and illustrate art history as a
    major source of interpretation
  • (B)  analyze and evaluate the influence of
    contemporary cultures on artworks and
  • (C)  evaluate a selected career in art,
    justifying the choice.
  • (4)  Response/evaluation. The student makes
    informed judgments about personal artworks and
    the artworks of others. The student is expected
    to
  • (A)  develop evaluative criteria for selecting
    artworks to include in a portfolio and senior
    exhibition that demonstrate a high level of
    creativity and expertise in one or more art
    areas and
  • (B)  analyze a wide range of artworks to form
    conclusions about formal qualities, historical
    and cultural contexts, intents, and meanings.

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