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KINESICS

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Title: KINESICS


1
KINESICS
  • NONVERBAL
  • COMMUNICATION

2
KINESICS
  • Movements of the body, or some part of it, used
    to communicate an idea, intention or feeling.
  • Also includes self-touching, grooming, clothing
    adjustments or nervous mannerisms that
  • Reflect or regulate state of arousal
  • Reflect the task orientation
  • Combine instrumental tasks, such as eating, with
    concept of style or appropriateness

3
MINI-ANALYSIS
  • ANALYZE THE KINESIC DIFFERENCE BETWEEN THE
    FOLLOWING TWO MUSIC VIDEO INTERPRETATIONS OF
    EGYPTIAN DANCE AND MOVEMENT

4
Thought for the day.
  • Spend some time between now and Wednesday
    interacting without using hand gestures?
  • How did you feel?
  • How did the other person react? Or, not react?

5
DEVELOPMENT
  • KINESICS
  • Social pull
  • Emblems
  • Listener responses
  • Learning philosophy

6
OVERALL FUNCTIONS
  • Replace speech
  • Regulate flow and rhythm of interaction
  • Maintain attention
  • Add emphasis to speech
  • Make memorable the content of speech

7
BIRDWHISTELLS GENERALPRINCIPLES
  • There is a high degree of interdependence among
    the five senses
  • Kinesics varies according to everything
  • There is no universal body language

8
  • The principle of redundancy, as stated in
    information theory (entropy), is not applicable
    to kinesic behavior
  • Kinesic behavior is more primitive and less
    controllable than verbal communication
  • We must compare and contrast nonverbal codes time
    and time again in context before we can make
    accurate interpretations

9
HISTORY
  • Rhetoric--the elocutionists
  • Modern
  • starts with
  • JULIUS FAST
  • BODY LANGUAGE, 1970

10
Study of Body Positions
  • Open
  • Allow for access to information
  • Related to power high immediacy
  • Closed
  • Deny access to information
  • Related to power low or no immediacy

11
Body posture
  • High Power
  • Straight
  • Relaxed
  • Low Power
  • Not straight
  • Stiff

12
SPEECH INDEPENDENT GESTURES
  • Autonomous gestures, or emblems
  • Direct verbal translation
  • High agreement among users

13
SPEECH RELATED GESTURES
  • Illustrators--directly tied to, or accompany,
    speech. Four common types are (these will be
    discussed in more detail)
  • gestures related to speakers referent
  • gestures indicating speakers relationship to the
    referent
  • visual punctuation
  • interaction gestures

14
REFERENT RELATED
  • Characterize the content of our speech
  • Such as pointing at objects
  • Pointing in a general direction

15
RELATIONSHIP TO THE REFERENT
  • Comment on the speakers orientation to the
    referent
  • How much you love, for example

16
PUNCTUATION GESTURES
  • Accent or emphasize a single word
  • Coincides with the primary voice stress
  • Used for commas, periods, etc.....
  • Can be accomplished with gestures, body
    movements, and eye and vocal changes too

17
INTERACTION GESTURES
  • Used to acknowledge the other relative to the
    speaker
  • Help to regulate and organize the interaction
  • Turn-exchange behaviors
  • Nearly 1/2 of gestures in an interaction serve
    this purpose
  • Gestures are not limited to a single function

18
FREQUENCY
  • We find more in face-to-face
  • Likely to increase when speaker is enthusiastic
    about subject
  • Use more gestures when concerned about listeners
    comprehension
  • Use more when trying to dominate

19
POWER INFLUENCES
  • Concept of expansiveness
  • Self-touching occurs more in anxiety producing
    situation
  • Canting of head--less in high power individuals
  • In flirting, women use more grooming gestures,
    but also used more closed body postures

20
  • Task as related to power
  • male orientated task, men more power related
    nonverbal (is this dated)
  • female oriented task, females more power related
    nonverbal
  • neutral task, men more power related nonverbal
  • in all, women smiled more, men had higher
    frequency of chin thrusts

21
POWER/DISTANCE
  • As distance decreases, the expansiveness of our
    gestures decreases
  • As relationship increases, distance decreases
  • As distance decreases, touch increases
  • As expansiveness of gestures increases, distance
    increases

22
GREETINGS AND GOODBYES
  • Expansiveness decreases with decreased distance
  • Vary with relationship, settings, attendant
    verbal behavior

23
  • Gestures facilitate comprehension and help
    listeners access linguistic cues in their memory.
  • Gestures that are in sync with the vocal/verbal
    stream increase comprehension.

24
SYNCHRONY
  • Body movement and gestures are not randomly
    produced during the stream of speech they are
    inextricably linked as parts of the same system)

25
SELF-SYNCHRONY
  • A change in one behavior (body part for example)
    will coincide or be coordinated with a change in
    another behavior (phonological segment or some
    other body part).

26
KINESIC MARKERS
  • Birdwhistell--NV behaviors that mark a specific
    oral language behavior
  • Gross shifts in postural behavior marking a
    sequence of point of view
  • Posture is viewed as a marker

27
Interactional Synchrony
  • A type of social rhythm
  • May reflect the ongoing relationship
  • Extent of involvement, rapport
  • Degree of interpersonal knowledge of the other
  • Out-of-sync partners are not likely to value the
    experience
  • Out-of-sync behaviors may reflect decreased
    listening, lack of rapport, lack of knowledge of
    the partner, etc.

28
  • May also occur at specific junctions in our
    discussion with a partner
  • How much of this synchrony is desirable?
  • How much is coincidence?
  • We tend to think of synchrony as an ordered
    relationship between speech and body movements,
    and between individuals.

29
  • Is it possible to predict which behaviors will
    synchronize with other behaviors, at which times?
  • Are there social contexts, relationships, that
    intensify the degree of synchrony?
  • How much synchrony is desirable?
  • One study--moderately synchronic social
    interactions are evaluated most positively.

30
Types
  • Mirroring, or matching
  • same behavior
  • Congruence
  • indicator of rapport and cooperation
  • Motor mimicry
  • one in pain, other winces
  • Interspeak influence
  • in kind behavior

31
Combine the areas.
  • Power
  • Synchrony
  • Immediacy
  • Equilibrium
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