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Lecture 2 Communication Theory: Music as Information

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Communication Theory: Music as Information. MUSI 3911. Music, Emotion and Meaning. Overview ... theory. How is 'meaning' represented in such theories: ... – PowerPoint PPT presentation

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Title: Lecture 2 Communication Theory: Music as Information


1
Lecture 2 Communication TheoryMusic as
Information
  • MUSI 3911Music, Emotion and Meaning

2
Overview
  • What is communication?
  • Communication theory and codes
  • Music and communication theory
  • Information theory
  • Information theory and music
  • Summary

3
What is communication?
  • What do we need to have to say communication has
    occurred?
  • In what domains is communication most obvious?
  • Is communication the same as language?
  • Can we speak of musical communication

4
Communication theory and codes
  • Message/signal
  • Code
  • Sender, receiver (addressee) and channel

Noise
Errors in typesetting
5
Music and communication theory
  • What kinds of message?
  • Sender
  • Composer
  • Performer
  • Receiver
  • Listener
  • Performer
  • What kinds of encoding?
  • What kinds of channel?
  • What kinds of noise?

6
Music and communication theory
  • Why might the message be wrongly decoded?

7
Music and communication theory
  • How is meaning represented in such theories
  • Meaning is the message that is received/transmitte
    d
  • Makes clear the different components necessary
    for communication to occur
  • Questions?
  • Is there always a message?
  • Can there be meaning when the message is not
    received clearly?
  • Can there be meaning if there is no message?

8
Information theory
  • Noise in the channel
  • Missing or distorted data (ABgtBA or A_)
  • Reduces intelligibility
  • Redundancy in the signal
  • Repetition (ABABABgtABAB_B)
  • Predictability
  • Information content is negatively proportional to
    redundancy
  • Information is present whenever the signal is
    non-redundant (ABABABAC)

9
Information theory and music
  • Musical structure is redundant
  • Musical structure is predictable
  • An event implies another event
  • V implies I or gap implies fill
  • This implication is either realised, delayed or
    denied
  • Our expectations are aroused and meaning relies
    on whether they are fulfilled

10
Summary
  • Musical meaning might be communicated
  • If codes are shared
  • If there is not too much noise in the channel
  • If there is a message at all
  • Musical meaning might be encoded as pure
    information
  • If there is a degree of redundancy
  • If we are able to predict this redundancy
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