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Title: Eye%20Tracking%20With%20Stereoscopic%20Images


1
Eye Tracking With Stereoscopic Images
Eamon Moore, Punit Seth, Dhaval Shah Clemson
University
2
Introduction
  • Stereoscopic image optical illusion of depth
    seen by focusing ones eyes in front of or behind
    an image 7
  • Each eye views an image differently which gives
    the perception of depth.

3
Eye Tracking
  • Eye Trackers Can be used to track eye movements
    and gaze coordinates
  • Gaze coordinates Helps in understanding why
    some people see stereo images and some do not

4
Divergence and Convergence
  • Divergence and Convergence the methods that
    people use to view stereograms
  • Divergence Moving your eyes outward in the
    opposite direction
  • Convergence Moving your eyes inward

5
Why Use Stereograms?
  • Marketers and researchers Attempts are being
    made to utilize ones ability to see
    three-dimensional images and use them in
    advertising.
  • Stereograms can enhance vividness, clarity,
    realism, and depth.

6
The Experiment
  • Analyzing the behavior of the eyes to view
    stereograms dependant variable
  • Convergence
  • Divergence
  • Looking for significant differences in Placebo
    and Experimental group independent variable

7
Hypothesis
  • Null Hypothesis There will be no significant
    change in the distance of the eyes when viewing
    stereograms, regardless of experimental
    condition.
  • Alternate Hypothesis There will be significant
    results that indicate divergence of the eyes in
    both conditions.

8
Background
  • Brain processing The brain accepts two images
    that are seen by each eye and creates a
    completely different three-dimensional picture
    called stereo 6.

Figure 1 Image processing
  • Stereo allows you to see objects as solids
  • in dimension of width, height, and depth.

9
When Stereoscopy Started
  • Idea of stereoscopy preceded photography
  • Paintings were made by Giovanni Porta in the late
    1500s by placing images side by side. This showed
    his understanding of binocular vision.

10
Three-Dimensional Glasses
  • Three-Dimensional Glasses red filter for left
    eye, blue filter for right eye 11
  • When looked at images that have depth, a
    three-dimensional image could be seen.

Figure 2 Red-blue Stereo Image
11
Modern Stereogram
  • First modern stereogram created in 1959 by Julesz
    11
  • Original image viewed by left eye
  • Modified version of original image viewed by
    right eye
  • Brain fuses both images creating the final image

Figure 3 Modern Stereogram
12
Single Image Stereogram
  • Created in 1979 by a student of Julesz, Tyler
  • Found that the offset idea could be applied to a
    single image to create a black and white random
    dot stereogram

Figure 4 Single Image stereogram
13
Colored Stereogram Program
  • In 1991 Smith improved on the research of Julesz
    by creating stereogram modeling software.
  • Eliminated the need for dots and provided color

14
Tracking of Eye Movements and Visual Attention
  • Study conducted by Neuroinformatics Group,
    Bielefield University 8
  • Concentrated on vergence eye movements using
    stereograms similar to the ones used in this
    experiment

Figure 5 Coarse Granularity Image (left)
Stereogram (right)
15
Neuroscience Institute
  • Gave insight about vergence eye movements
  • Discussed dynamics of horizontal and vertical
    vergence
  • Study indicated that horizontal eye movements
    were of more importance.

16
Program to Create Stereograms
  • School of Electrical and Electronic Engineering
    at the University of Nottingham 3
  • Created program that produces stereograms
  • Examined how stereograms were viewed

17
Experimental Design
18
Apparatus
  • Tobii Eye Tracker 16 Video-based combined
    pupil and
  • corneal
    reflection eye tracker
  • 2.4 GHz
  • 256 MB RAM
  • Windows XP
  • Red Hat Linux Release 9,
  • Version 2.4.20
  • Sampling Rate 50 Hz
  • Accuracy 1º visual angle

Figure 6 Tobii System
19
Experimental Design
  • Between subjects
  • Two conditions
  • Experimental group Stereogram
  • Placebo group Nonstereo Image
  • 10 Participants

20
Stimulus - Control Image
21
Stimulus - Stereogram
22
The Hidden Image
23
Stimulus Nonstereo Image
24
Salient Features
  • Reduced calibration points
  • An organized file structure
  • Validity 0
  • Timer
  • Shortcut keys
  • Analysis option

25
Algorithm
  • Record XL, XR, YL, YR.
  • Distance
  • Control distance
  • Experimental distance

26
Algorithm
  • If (Experimental distance lt Control
    distance)
  • If (XL lt XR)
  • Convergence
  • Else Convergence with crossover.
  • else If (Experimental distance gt Control
    distance)
  • Divergence
  • else No difference.

27
Data Analysis
28
Data Analysis Experimental Group (Individual)
29
Data Analysis Placebo Group (Individual)
30
Data Analysis Experimental Group (Aggregate)
31
Data Analysis Placebo Group (Aggregate)
32
One Way Analysis of Variance (ANOVA)
Levene Statistic df1 df2 Sig.
3.335 1 8 .105
  • Assumptions of an ANOVA
  • Independence
  • Homogeneity of Variance
  • Normality

33
Descriptive Statistics
  • Randomly Assigned Groups
  • Placebo
  • - Five Men
  • Experimental
  • - Three Men, Two Women

N Min Max. Mean Statistic Mean Std. Error Std. Dev. Variance
Distance 10 -599.35 33.28 -133.4980 60.4466 191.1490 36537.957
34
ANOVA
  • Not a significant difference between the Placebo
    (M -36.048,
  • S 86.891) and Experimental Group (M
    -230.949,S 225.562)

Sum of Squares df Mean Square F Sig.
Between Groups 94965.981 1 94965.981 3.248 .109
Within Groups 233875.629 8 29234.454
Total 328841.610 9
35
ANOVA and Power Analysis
N Mean Std. Deviation Std. Error 95 Confidence Interval for Mean 95 Confidence Interval for Mean Minimum Maximum
N Mean Std. Deviation Std. Error Lower Bound Upper Bound Minimum Maximum
Placebo 5 -36.0475 86.8910 38.8589 -143.9370 71.8419 -163.99 33.28
Experimental 5 -230.9485 225.6521 100.9147 -511.1326 49.2355 -599.35 -48.72
Total 10 -133.4980 191.1490 60.4466 -270.2378 3.2418 -599.35 33.28
  • Post Hoc G-Power Analysis
  • power of .1077 indicates approximately 11 percent
    chance
  • that the null hypothesis could have been
    rejected.

36
Discussion
37
Discussion
  • Stereograms are viewed by using
  • convergence regardless of stimuli.
  • No significant results
  • Experimental group shows trend towards
  • divergence near the end.
  • Placebo group shows a lesser trend
  • towards convergence

38
Experimental Group (Aggregate)
39
Placebo Group (Aggregate)
40
Limitations
  • Low Power
  • - Priori Power Analysis
  • Tobii Eye Tracker
  • Stereograms are harder to view on a
  • computer screen.

41
Future Work
  • Larger sample size
  • Introduce Z coordinate for the distance from the
    screen
  • Measure characteristics such as the diameter of
    the pupil while studying its behavior.

42
Conclusion
  • Our hypothesis was incorrect however, we were
    correct in believing both groups would behave
    similarly.
  • Stereograms are viewed by converging ones eyes
    however, a higher power study may prove
    otherwise.
  • More research can now be conducted to understand
    how stereograms can be used for advertising,
    marketing, and other practical applications.

43
Acknowledgements
  • Dr. Andrew Duchowski, PhD.,
  • Associate Professor, Clemson University.
  • Ms. Puja Seth, M.A.
  • Doctoral Student, University of Georgia
  • Mr. Jacob Hicks
  • Undergraduate Student, Clemson University.

44
References
  • 1 Academy of Marketing Science Review.
    Three-Dimensional Stereographic Visual displays
    in Marketing and Consumer Research. Available
    at http//www.vancouver.wsu.edu/amsrev/theory/hol
    brook11- 97t.htm.
  • Last Accessed 10 October, 2004.
  • 2 Annals of the New York Academy of Sciences
    2002. Binocular Eye Movement Responses to
    Dichoptically
  • Presented Horizontal and/or Vertical
    Stimulus Steps. Available at http//www.annalsnya
    s.org/cgi/content/full/956/1/487. Last Accessed
    December 2, 2004.
  • 3 BBC, Nottingham. SIRDS An optical illusion.
  • Available at http//www.bbc.co.uk/notting
    ham/features/2003/08/sirds.shtmlwhat
  • Last Accessed December 2, 2004.
  • 4 CIT,Cornell University. How To See A Magic
    Eye Poster.
  • Available At http//instruct1.cit.cornell.e
    du/courses/psych470/To_Be_Edited/How20To20See20
    A20Magic20Eye20Poster20(MVW).doc. Last
    Accessed December 2, 2004.
  • 5 C. Rashbass G. Westheimer J. Physiol.
    Disjunctive Eye Movements. 159, 339-360, 1961
  • 6 Cooper, Rachel. What is Stereo Vision?.
    2004. Available At http//www.vision3d.com/ster
    eo.html.
  • Last Accessed16 September 2004.
  • 7 Dictionary.com. Available at
    http//dictionary.reference.com/search?qstereogra
    m

45
References
  • 9 Faul, F., Erdfelder, E. (1992). G-Power A
    priori, post- hoc, and compromise power analyses
    for MS-DOS
  • (computer program). Bonn, FRGBonn
    University, Department of Psychology.
  • 10 History of Photography and the Camera.
  • Available At http//inventors.about.com/li
    brary/inventors/blphotography.htm
  • Last Accessed December 2, 2004.
  • 11 Magic Eye Inc. Frequently Asked Questions.
    2004.
  • Available at http//magiceye.com/faq.htm.
    Last Accessed 16 September 2004.
  • 12 Mowforth, P. et al. Vergence Eye Movements
    Made in Response to Spatial-Frequency-Filtered
    Random-Dot-
  • Stereograms. Perception, 10, 299-304, 1981
  • 13 Patrick Hahn. The History of Stereograms
    1996.
  • Available Athttp//www2.vo.lu/homepages/p
    hahn/rds/history.htm. Last Accessed December 2,
    2004.
  • 14 Robert Leggat. Stereoscopic photography
    2003.
  • Available At http//www.rleggat.com/phot
    ohistory/history/stereosc.htm.
  • Last Accessed December 2, 2004.

46
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