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The Inferno

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Canto 24: Still in the 6th pouch, the Hypocrites, then a journey to the 8th ... Bitten by snakes, turned to ash, then restored (Canto 25) ... – PowerPoint PPT presentation

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Title: The Inferno


1
The Inferno
  • CNE/ENG 120
  • 11/12/04

2
Canto 1, lines 1-9
  • Nel mezzo del cammin di nostra vita mi
    ritrovai per una selva oscura,
  • chè la diritta via era smarrita.
  • Ahi quanto a dir qual era è cosa dura
    esta selva selvaggia e aspra e forte
  • che nel pensier rinova la paura!
  • Tant' è amara che poco è più morte
  • ma per trattar del ben ch'i' vi trovai,
  • dirò de l'altre cose ch'i' v'ho scorte.

3
Canto 13 Violent Against Themselves
  • The poisonous forest no greenery, no fruits -
    but gnarled branches and poison briers.
  • The mythological monsters the Harpies (the
    Snatchers) utter laments on the strange trees.
  • Dante hears cries but sees no people Vergil
    tells him to snap off a tree branch
  • Why do you tear me? The tree bleeds.

4
Dore Harpies the Suicides
5
Modern Representation of the Wood
6
Pier della Vigna
  • A poet and accomplished letter-writer, he was
    minister and councilor to Emperor Frederick II.
    Accused of plotting with the pope to poison the
    emperor, he was imprisoned and blinded.
  • Said to have commited suicide by dashing his head
    against a wall.
  • Once made into a tree, suicides are injured by
    the Harpies, making wounds in them through which
    they can vent their (emotional) pain.

7
Canto 15 Violent Against Nature (punishment hot
sands, rain of fire)
  • Brunetto Latini grabs Dante they talk. A famous
    writer, he had been an influence on Dante. His
    sin homosexuality. Whether or not he sinned in
    reality or metaphorically is unsure - this was a
    term also for sterile or non-productive use of
    language and education.

8
Cantos 16-18
  • Canto 16 Circle 7, round 3, the violent against
    nature and art seated under rain of fire with
    purses around their necks (heraldic crests)
  • Canto 17 Circle 7, round 3 the violent against
    art.
  • The travelers are carried on Geryons back down
    the deep drop to the 8th Circle.
  • Geryon symbolizes Fraud.
  • 8th Circle Malebolge (Evil pouches), which is
    subdivided into 10 trenches.
  • Canto 18 Circle 8. The fraudulent malicious.
    Bolgia 1 panderers seducers, whipped by demons.

9
Botticelli Panderers Seducers
10
Cantos 18-23
  • Bolgia 2 the flatterers, sunk in excrement.
    Sinner Alessio Interminei, of a prominent family
    in Tuscany.
  • Canto 19 Circle 8, Bolgia 3 the Simoniacs
    (sellers of church offices favors). Punishment
    set heads down into rock holes, feet in flames.
    Pope Nicholas III, who awaits Pope Boniface VIII
    to replace him.
  • Canto 20 Circle 8, Bolgia 4 the fortune tellers
    diviners punishment - heads turned backwards.
    Example Teiresias.
  • Cantos 21-22 Circle 8, Bolgia 5, probably has
    biographical relevance to Dante - the grafters,
    in boiling pitch.
  • Canto 23 Circle 8, Bolgia 6, the hypocrites,
    lead-caped (deceptive).

11
Botticelli Canto 19
12
Botticelli Canto 23
13
Cantos 24-26
  • Canto 24 Still in the 6th pouch, the Hypocrites,
    then a journey to the 8th Circle, 7th pouch
    Thieves. Bitten by snakes, turned to ash, then
    restored (Canto 25).
  • Canto 26 view of the 8th pouch, the Fraudulent
    Counselors, clothed in burning flames. Examples
    Odysseus and Diomedes. Odysseus gives an account
    of his death, shipwrecked before Mt. Purgatory.

14
Cantos 27-28
  • Canto 27 more of the 8th circle, 8th pouch,
    Fraudulent Counselors.
  • Canto 28 8th circle, 9th pouch sowers of
    scandal and schism, eternally circling. They are
    wounded, healed, wounded again by a
    sword-wielding demon. Examples Mohammed and
    Bertran de Born.

15
Cantos 29-31
  • Canto 29 8th circle, 9th pouch first, then 10th
    pouch the Falsifiers (of metal alchemists -
    plagued by itchy scabs, lying on earth).
  • Canto 30 8th circle, 10th pouch. The
    Counterfeiters of Others Persons, Coins, Words
    (Liars).
  • Canto 31 Passage to the 9th circle. The central
    pit of Hell. Cocytus, the frozen river the
    Giants. Vergil and Dante are lowered into the pit.

16
Cantos 32-34
  • 32 Traitors to their Kin immersed in ice, heads
    bent down.
  • Traitors to their Homeland or Party (we see 2
    traitors gnawing on each others heads).
  • 33 Traitors against their Guests, eyes sealed by
    frozen tears. Here Dante puts those still living
    but already in Hell (Fra Alberigo, who invited
    relatives to a feast, then had 2 of them killed)
  • 34 Traitors against their Benefactors covered
    in ice. Satan holds Judas, Brutus, Cassius in his
    mouth.

17
Emergence
  • Dante and Virgil climb down Satans body to the
    southern hemisphere - see the stars (stelle, the
    word which ends the Inferno, Purgatorio, and
    Paradiso).
  • Dante doesnt want to focus on divine sin
    (Satans fall) but on human - so Satan here is
    mechanized, almost - he is part of the mechanics
    of Hell. Compare with Miltons wonderfully
    developed Satan in Paradise Lost.

18
Dante Emerges from Hell
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