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Current polity 1:

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selectivity: ignoring important aspects of children's development, especially ... terrible character, but children, well, they are like grotesque drawings of us. ... – PowerPoint PPT presentation

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Title: Current polity 1:


1
  • Current polity 1
  • International models holistic and liberal ideals

2
  • the following features are damaging schools
    capability to improve
  • shallowness definition of success as a narrow
    range of outputs which do not reflect the more
    complex and human purposes of schooling
  • selectivity ignoring important aspects of
    childrens development, especially the social
    aspects and areas of knowledge outside the
    prescribed curriculum content
  • this requires taking more account of
    students.
  • Lodge Reed (2003)

3
  • Our own learning experiences
  • Good memorability is a good sign
  • Often unusual learning experiences, not the
    commonplace
  • An extension or opportunity?
  • An exponential effect in learning (remember the
    initial personal narrative)

4
  • Character may be manifested in the great
    moments, but it is made in the small ones.
  • Phillips Brooks
  • We are chameleons, taking our hue the hue of
    our moral character from those who are about
    us.
  • Locke
  • Ordinary conversation with students should not
    necessarily be considered time off-task or time
    wasted
  • Noddings

5
  • The multiple person
  • Heart hand head
  • Think act feel
  • (Greek are do say)
  • Dream it believe it achieve it
  • Spiritual and aspirational?

6
  • Character development takes place in all
    schools irrespective of whether the word
    character appears in official school
    documentation
  • Arthur
  • further research and practical application will
    continue to be needed because all schools are
    already heavily engaged in character education.
    The question is whether they are doing it well or
    not.
  • Does this colour why / how we are / are not
    willing to discuss Character education in current
    UK educational discourse?

7
  • The multiple person? (again)
  • Head
  • Heart
  • Hand
  • Hunger
  • Hope

8
  • teachers and pupils all caught in a wider
    system, over which they exert little or no
    influence, that is shaped by forces of
    competition and experienced as depersonalised and
    disciplinary (quotes head teacher memo to
    staff) the best thing that we can do for our
    pupils is to strive to get the greatest possible
    proportion achieving that five high-grade
    benchmark.
  • Gillborn Youdel (2000)
  • Does a particular school attended by a child
    make a difference?
  • Mortimore et al (1988), opening words

9
  • What other models of (non-desk-based) education
    are there? What do they aim at?
  • PSHE? Process / X-curricular dimensions in
    Curr08? SEAL?
  • Core-type alternatives IB, (Citizenship?),
    Diploma?
  • Established alternatives Steiner, Montessori
  • Physical / outdoor scouts, D of E, CCF, sports
    Academies, (Frontiers?)
  • Do these perceive themselves as community or
    schooling endeavours? Vocational or academic?
    Learning or being?
  • Asian traditionalism US empowering UK ?

10
  • Tutorial Colleges catch-up or other model?
  • CHECKPOINT
  • Personalisation agenda...
  • What are the aims and purposes? Are aspirations
    meaningful for this theme?
  • What are its (dangerous) token forms?
  • What can it learn from breadth of models?
  • What reflections from your own experiences?

11
  • The pastoral system has become a servant of the
    academic as schools seek to identify individual
    pupils who, with additional support and
    resources, might change one of more predicted
    grade Ds into actual grade Cs here the
    principles of educational triage are most clearly
    visible.
  • Gillborn Youdel (2000)

12
  • THE PLACEMENT GAME
  • (Have a break during / after)

13
  • No matter how full a reservoir of maxims one may
    possess, and no matter how good ones sentiments
    may be, if one has not taken advantage of every
    concrete opportunity to act, ones character may
    remain entirely unaffected for the better. With
    mere good intentions, hell is proverbially
    paved.
  • William James

14
Lodges 2005 quadrant model of student voice
Student voice is ACTIVE
quality control the customer providing feedback,
the purposes for institutional gains
dialogic young people are viewed as active
participants the building of shared
narrativemakes learning purposeful
self-directed
Purpose for the institution
Purpose for the community
source of information limited value in school
improvement as it does not engage the young
people
compliance control adults manipulate
childrens voices to carry their own message
tokenistic or decorative includes
target-setting
Student voice is PASSIVE
15
  • The best index to a persons character is how he
    treats people who
  • cant do him any good and
  • cant fight back.
  • Abigail van Buren

16
  • People seem not to see that their opinion of the
    world is also a confession of their character.
  • Emerson
  • Forming characters! Whose? Our own or others?
    Both. And in that momentous fact lies the peril
    of our existence.
  • Elihu Burritt

17
  • Homework
  • Sit down with a group of students from your
    school, and place the school on the Lodge
    quadrant.
  • You might want to read an example of this first
  • How will you choose the students?
  • How will the discussion occur?
  • Report it onto the discussion board in some form.

18
  • Young people are more hopeful at a certain age
    than adults, but I suspect thats glandular. As
    for children, I keep as far from them as
    possible. I dont like the sight of them. The
    scale is all wrong. The heads tend to be too big
    for their bodies, and the hands and feet are a
    disaster. They keep falling into things. The
    nakedness of their bad character! We adults have
    learned how to disguise our terrible character,
    but children, well, they are like grotesque
    drawings of us. They should be neither seen nor
    heard, and no-one must make another one.
  • Gore Vidal
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