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Strategies for Multimedia Archieves

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Reasons given to visit the website. Quick and easy. 24 hours a day available ... Watch short video / listen to music. Transaction: online ticket. Select your own chair ... – PowerPoint PPT presentation

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Title: Strategies for Multimedia Archieves


1
Strategies for Multimedia Archieves
The virtual culture buff How the audience is
using digital opportunities for cultural
participation. Prof. Jos de Haan (EUR/SCP)
2
Jeanette Winterson
  • Trust me, I am telling you stories

3
Stories
  • Charles Leadbeater We Think
  • James Surowiecki The Wisdom of Crowds
  • Chris Anderson The Long Tail
  • Henry Jenkins Convergence Culture,
  • i.g. the rise of a participatory culture

4
The Netherlands in Europe
  • Netherlands leading in Internet (broadband)
    diffusion
  • together with Scandinavian countries (Eurostat
    2007)
  • Relatively high level of cultural participation
  • visits to museums, theater, concerts (EC 2007)

5
NL 2007
  • PC 91
  • Internet 88

6
The Netherlands in Europe
  • Museum/galery Theater
  • Denmark 65 58
  • Netherlands 62 58
  • Sweden 62 47
  • Belgium 42 33
  • Cyprus 25 25
  • Greece 25 30
  • Portugal 24 19

7
The Netherlands in Europe
  • Netherlands forerunner digitasation of culture.
  • Reference countries
  • Scandinavian countries especially UK
  • Outside EU Canada.

8
Digitisation in museums
Registrate basic information of administrative
data on any medium (paper and/or
computer). Automate Basic information in an
automated systeem. Digitise Digital
representation of an object.
Bron MusIP (zie www.musip.nl)
9
Memory of the Netherlands
10
Fabchannel
Cultuur in brede zin als normen en waarden,
als levensstijl Cultuur in engere zin Als
kunst en cultureel erfgoed
11
Internet use
  • ICET-model
  • Information
  • Communication and community
  • Entertainment and personal development
  • Transaction

12
How did you get Information?
  • Museum Culture/going out
  • 2003 2006 2002 2006
  • Visit before 21 21 . .
  • Newspaper 21 20 84 77
  • Social contacts 19 19 90 84
  • Internet 9 15 49 77
  • Television . . 66 49

13
Who? (demographics)
  • Theater
  • Mostly woman
  • Many 35-49 olds
  • Higher educated
  • Working people
  • Museum
  • Mostly man
  • Many 12-19 year olds
  • Higher educated
  • Working people

14
Mediated interest
15
Cultural heritage nine user profiles
16
Users of digital heritage
  • Allrounders 100
  • Art lovers 100
  • Heratige society members 24
  • Gatherers 9
  • Prier 100
  • Family trips 1
  • Day out 0
  • Readers 0
  • Non-active 0

17
Reasons given to visit the website
  • Quick and easy
  • 24 hours a day available
  • Order tickets from home (theater)
  • See if show is sold out (theater)

18
Why not?
  • Used to other information sources
  • Dont know url
  • Just go there

19
Wishes for theater websites
  • ICET-model
  • Informatie
  • Seat available? Where is it located?
  • Communication and community
  • Receive newsletter
  • Entertainment and personal development
  • Watch short video / listen to music
  • Transaction online ticket
  • Select your own chair

20
Background of Internet usefor cultural purposes
  • Cultural capital
  • Digital capital

21
Conclusions
  • Internet used most often for practical
    information
  • Profile digital visitors resembles physical
    visitors
  • Age is an exception
  • Website primarily used in time before a visit
  • Media habits as most important restriction
  • General characteristics stimulating 24 hours
    available, easy, speed.
  • Ticketing in theaters should include chair
    selection.

22
Towards a participatory culture?
  • Diffusion of access
  • Diffusion of skills
  • Diffusion of practice
  • Digital generation is Web 2.0 active
  • Faster than generational exchange
  • But be patient

23
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