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William Gerrie

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Lower frequency pure tones 'mask' pure tones of higher frequencies ... For each console, the same 3-tone combination is used for all alarm priorities ... – PowerPoint PPT presentation

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Title: William Gerrie


1
William Gerrie Dal Vernon Reising
  • Human-centered Alarm Sounds for Multi-Console
    Control Rooms

2
Presenters
William Gerrie
Control Systems Supervisor, ConocoPhillips
More then 25 years experience in Process
Automation (7 in RD/technology)
Project Manager on various projects including
automation lead
Ferndale Refinery www.conocophillips.com
3
Presenters
Dr. Dal Vernon Reising
Senior partner, Human Factors consulting group
based in North America
Specializes in human performance in process
industry operations
Former Principal Investigator of Honeywells
Abnormal Situation Management (ASM) Consortium
Human Centered Solutions Helping People Perform
www.applyHCS.com
4
Contributors / Co-authors
  • Vicki Whittlesey
  • Process Safety Education Director, ConocoPhillips
    Ferndale Refinery
  • Kristi Hug
  • Project Ops Liaison, ConocoPhillips Ferndale
    Refinery
  • Peter Bullemer
  • Senior Partner, Human Centered Solutions
  • Chris Vazquez
  • Project Ops Liaison, ConocoPhillips Ferndale
    Refinery

5
ConocoPhillips Ferndales Challenge
  • Had a site-wide Experion PKS migration from
    legacy Honeywell systems planned
  • Simultaneously relocating six individual
    unit-located consoles into a remote operations
    center, including centralized control room
  • Variable practices in alarm sound use in the six
    individual unit-located control rooms
  • e.g., the number of priorities audibly
    annunciated, the volume settings for the audible
    annunciations

6
ConocoPhillips Ferndales Challenge
  • In 2006, in anticipation of this migration and
    move, Ferndales engineering and automation group
    collaborated with Human Centered Solutions
  • As part of an ASM research project on effective
    methodologies for designing alarm sounds for
    multi-console control rooms

7
ConocoPhillips Ferndales Challenge
  • In late 2007, coinciding with the control room
    relocations
  • Ferndale deployed alarm sounds designed according
    to the methodologies evaluated, with the help of
    Human Centered Solutions (HCS)
  • In early 2008, Ferndale and HCS evaluated the
    effectiveness of the alarm sounds
  • Interviewed four of the six console positions
    relocated to the centralized control room
  • Interviewed all four operating shift teams per
    position

8
Auditory Psychophysics
  • Physical Dimensions
  • Fundamental Frequency
  • Amplitude
  • Amplitude Envelope
  • Spectrum Envelope
  • Perceptual Dimensions
  • Pitch
  • Loudness
  • Abruptness
  • Timbre (quality)
  • Pitch
  • Higher frequencies perceived as higher pitch
  • Loudness
  • Higher amplitudes perceived as louder sounds

9
The Perception Human Factors of Sound
  • 360 degree perception
  • Unlike our visual attention, our auditory
    attention picks up information from all
    directions
  • Primary frequency range
  • We hear frequencies between 20-20,000 Hz
  • Our ear is most sensitive between 200-1000 Hz
  • Loudness
  • Typical recommendations suggest a difference of
    15 dB between the background noise and signals
    that must be heard

10
The Perception Human Factors of Sound
  • Critical Band Masking
  • Lower frequency pure tones mask pure tones of
    higher frequencies
  • Harmonics on the higher frequency tone offsets
    this effect

11
The Perception Human Factors of Sound
  • Hearing Loss
  • Whether from Aging or Industrial exposure,
    hearing loss tends to occur over the range of
    500-8,000 Hz
  • This loss requires higher amplitude (loudness)
    for people to report hearing frequencies in this
    range
  • Harmonics helps offset this effect, by helping
    people perceive the fundamental frequency in the
    range that they can hear

12
The Perception Human Factors of Sound
  • Sound (and music) strongly influence our emotions
    and stress
  • e.g., Musical scores in horror films
  • Sound can strongly influence our mental workload
    and ability to concentrate
  • e.g., driving, having a conversation with a
    passenger while listening to the radio, and the
    traffic starts to get heavier
  • The onset / offset abruptness, compounded with
    loudness, can create startle effects
  • e.g., square wave against perpendicular surface

13
Todays Typical Auditory DCS Alarms
  • In multi-console control rooms, operators can
    have difficulty determining whose console is
    generating the alarm
  • Standard alarms are abrupt, often loud
  • Can generate a startle-reaction and
  • Can contribute to heightened operator stress
    levels.
  • Continuous, loud, high-pitched sounds can
    interrupt the operators ability
  • To communicate with other people and
  • To maintain their concentration
  • Default Experion WAV file

14
Aviations Approach The Patterson Protocol
  • The aviation industry has already developed a
    protocol for addressing many of these challenges
  • Uses multiple acoustic properties
  • To alert people to the urgency of the situation
  • To attract attention without being aversive to
    the individuals responding an abnormal or
    emergency situation
  • To easily identify the console with the alarm

15
Aviations Approach The Patterson Protocol
Pulse, Tone, or Note
Burst, Pattern, or Tune
Warning, or Alarm Sound
  • Example Alarm Sounds via Patterson Protocol
  • Priority Low High Urgent

16
HCS Approach for Multi-tone Alarm Sounds
Emergency Priority
  • Each color represents a unique note (i.e.,
    fundamental frequency)
  • Each fundamental is a frequency in our most
    sensitive hearing region
  • Each note has multiple harmonics layered on top
    of the fundamental

Loudness
Time
High Priority
Loudness
Time
Low Priority
Loudness
Time
17
HCS Approach for Multi-tone Alarm Sounds
Emergency Priority
  • Each note has an onset and offset time to
    eliminate abruptness startle
  • For each console, the same 3-tone combination is
    used for all alarm priorities
  • Priority is indicated by varying time durations
    of notes and pauses, as well as number of 3-tone
    combinations

Loudness
Time
High Priority
Loudness
Time
Low Priority
Loudness
Time
18
Operator Input Evaluation (1st Study)
  • Ferndale and HCS conducted a study of parameter
    settings that most effectively communicated
    urgent, high, and low priority
  • Length of tone itself
  • Length of silence between tones
  • Length of silence between bursts
  • Operators from five console positions
    participated, spanning four shift teams
  • The results were used to build unique alarm
    sounds for each of the six consoles

19
Operator Feedback Evaluation (2nd Study)
  • Ferndale and HCS completed a follow-up evaluation
    after operators had been in the centralized
    control room (CCR) for at least several weeks
  • Each console moved in at a different time, with
    the last console having several weeks of
    experience with the new alarm sounds
  • Effectiveness issues evaluated included
  • If there were issues with hearing the alarm
    sounds
  • If sounds were confused with neighboring consoles
  • If sounds were distracting from neighboring
    consoles
  • All four shift teams for each of the four console
    positions in the CCR participated in the
    interviews

20
Alarm Sound Impact Ratings
21
Alarm Sound Impact Ratings Cont.
  • Acceptability ratings by console positions
  • Positive acceptability scores on most dimensions
    for all consoles
  • All consoles had a positive, overall
    acceptability rating

22
Alarm Sound Impact Ratings Cont.
  • Lowest scores related to alarm sounds
    discriminability
  • Ability to recognize my alarm sounds as different
    from other consoles
  • Other alarm sounds distracting during high alarm
    periods

23
Console Assignment Discriminability
  • For initial Console assignment
  • 3 of the 4 consoles had a common pattern between
    Notes 12 and 23
  • This was contributing to the confusion, along
    with cross-room interference

A (4th)
B
  • Studies from the medical field using the
    Patterson Protocol
  • Suggest that people struggle with identifying
    individual notes
  • We are better at recognizing different patterns
    of notes

C (3rd)
D (1st)
  • In the subsequent Reassignment
  • We have used more distinctive Note-to-Note
    patterns for greater disparity between consoles

E (2nd )
F
24
Summary of Operator Comments
  • Most operators provided very positive comments
  • Initially, operators were not aware of
    differences between consoles alarm sounds
  • Did not really pay attention to it
  • Not trained on sound characteristics
  • After provided with an explanation, most
    operators realized that they had heard
    differences
  • After reassignment of alarm sounds following 2nd
    evaluation, many operators indicated console
    discrimination had improved
  • Ability to adjust volume was significant factor
    in ability to hear the alarm sounds at the
    console, while not interfering with communications

25
Summary of Operator Comments Cont.
  • Inability to recognize alarm sounds as distinct
    from other consoles mostly occurred when at team
    table in center of room
  • There was some confusion when similar console
    alarm sounds are coming from across the room, as
    opposed to left or right of console, as discussed
    above
  • Better approach for off-console indication would
    be a light tower on each console
  • Cannot turn up volume loud enough to be heard
    effectively throughout control room without being
    too loud at the console and for neighboring
    consoles
  • At least one operator that self-reported hearing
    loss reported hearing the new sounds, whereas he
    claimed he could not hear the sounds in the unit
    control room

26
Alarm Configuration Findings
  • Use of both audible active time setting and
    audible re-alarming important
  • Alarms reconfigured for 15 second active period
  • Audible re-alarming period set to 45 seconds
  • Previous ASM study demonstrated that, on average,
    operators need 50 seconds to respond to an alarm
    this configuration is in line with that
  • Each company and site would have to establish
    time frames that are suitable for the state of
    their own alarm rationalization practices

Silence

e.g., 15 sec
e.g., 45 sec
If still unacknowledged
27
Alarm Configuration Findings Cont.
  • Make sure redundant servers have same ACK
    function settings
  • Different settings at Ferndale caused audible
    alarm to annunciate one more time after
    acknowledgement
  • Alarm sound should be set to 10 dB above ambient
    sound to ensure it can be heard above
    communications
  • Provide operators with test sound to allow
    adjustment of volume (if adjustability is
    provided to them)

28
Conclusions
  • ConocoPhillips and Human Centered Solutions have
    been successful in designing and deploying alarm
    sounds that
  • Communicate more information
  • Take advantage of Human Perception strengths,
    while avoiding Human Perception weaknesses
  • Are well received by Operators
  • In addition, Experion PKS users should consider
    using the Audible Active Time and Audible
    Re-alarm settings
  • Make sure your alarm configuration settings are
    identical on servers for the same console
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