Thinking About Psychology: The Science of Mind and Behavior PowerPoint PPT Presentation

presentation player overlay
1 / 102
About This Presentation
Transcript and Presenter's Notes

Title: Thinking About Psychology: The Science of Mind and Behavior


1
Thinking About Psychology The Science of Mind
and Behavior
  • Charles T. Blair-Broeker
  • Randal M. Ernst

2
Perception
  • Module 10

Fact/Fiction Handout 10-1
3
Perception
  • The process of organizing and interpreting
    sensory information

4
Sensation Versus Perception
We sense the colors Of blue, red, and White, but
our brain Perceives a Beautiful firework Display.
5
HO 10-1Sensation v Perception
Dots and Splotches Fraser Spiral
6
Speed of PerceptionOften perception arrives so
fast that we don't notice the sensation stage
before it. But when the sensory data is vague, we
would realize the effort it takes to yield
perception. For example
Can you raed tihs? Reersachers hvae fuond that
no mttaer in waht oredr the ltteers in a wrod
are, eevn if tehy are a toatl mses, as lnog as
the frist and lsat ltteer is at the rghit pclae,
we can sitll raed it wouthit porbelm. Tihs is
bcuseae we do not raed ervey lteter by itslef but
precieve the wrod as a wlohe. Isn't that
intreestnig?
7
Organizational Principles
  • Module 10 Perception

8
Gestalt
  • The whole, or the organizational patterns that
    we tend to perceive
  • Gestalt psychologists stressed that the whole is
    greater than the sum of its parts.
  • By breaking experiences into their basic parts,
    something important is lost.

9
A Gestalt Visual Illusion
Instead of seeing 8 circles with arrows, we see
the WHOLE
10
HO 10-4 Gestalt Object Recognition
Look at the top visual. What do you see? Your
senses see a blob?? (Bottom up Processing)
Top-Down Processing Hint It is a drawing of an
animal you have seen many times.
Look at the picture on the bottom of the
page. What do you see? SquintMove the picture
closer. farther
11
Object Recognition
12
HO 10-5 Gestalt Law of Pragnanz
Supplies HO 10-5, pen/pencil, and a scrap of
paper
  • Look at the figures on HO 10-5 for a moment.
  • Turn the paper over
  • Reproduce the figures on the piece of scrap paper
  • Compare to the originals.

13
Organizational Principles Figure-Ground
Relationships
  • Module 10 Perception

14
Figure-Ground
  • The perceptual tendency to organize stimuli into
    objects (the figures) that stand out from their
    surrounding (the ground)
  • The figure is the object(s) that stands out or
    draws ones attention.
  • The ground is the background.

15
Text example page 185
16
Figure Ground
17
Handout 10-3 Figure Ground
1 Stare at box. Discuss with a partner any
patterns that you see emerging.
2 a-b What words or phrase do you see in
these Figure-Ground visuals??
3 a-b Your brain perceives a white rectangle
in the STOP which does not really exist.
It also perceives a white triangle in figure
b which also does not really exist.
18
Organizational Principles Grouping Principles
  • Module 10 Perception

19
Grouping
  • The perceptual tendency to organize stimuli into
    understandable groups
  • Several principles of grouping include
  • Similarity
  • Proximity
  • Closure
  • Continuity

20
Grouping - Similarity
  • The tendency to place items that look similar
    into a group

21
HO 10-3 Similarity
4 b and c Do you notice any distinct patterns
within the figures??
4b A triangle of black dots appears against
a background of Xs.
4c The two halves of the circular field
appear to be separate.
22
Grouping - Proximity
  • The tendency to place objects that are physically
    close to each other in a group

23
HO 10-3 Proximity
G H How many groups of lines do you see?
24
HO 10-3 Proximity
4a How many groups of dots do you see?
The circles are organized into two groups
illustrating the principle of proximity.
25
Grouping Closure
  • The tendency to look at the whole by filling in
    gaps in a perceptual field

26
HO 10-3 Closure
4 e and f Describe the figures you see
to your partner.
4e The visual is seen as a diamond between
two vertical lines. If not for the concept
of Closure, you would see (1)
the letter W stacked on the letter M, or
(2) K faced by a mirror image.
4f is seen as a triangle. If not for Closure,
you would see 3 separate acute angles.
27
Grouping Continuity
  • The tendency to perceive that movement of an
    object continues once it appears to move in a
    particular direction.

28
Depth Perception
  • Module 10 Perception

29
Depth Perception
  • The ability to see in three dimensions and judge
    distances

30
Visual Cliff
  • Visual Cliff (ex. Page 187 in text)
  • A laboratory device for testing depth perception
    in infants and young animals
  • Infants are reluctant to crawl past the edge of
    the visual cliff
  • Other animals had similar results.
  • Suggests that depth perception, to some extend,
    is inborn

31
Visual Cliff Visual 1
32
Visual Cliff Visual 2
33
Depth Perception Binocular Depth Cues
  • Module 10 Perception

34
Binocular Cues
  • Depth cues that require the use of both eyes
  • Enables people to see in three dimensions.

35
Retinal Disparity
  • A binocular depth cue resulting from slightly
    different images produced by the separation of
    the retinas in the left and right eye
  • Is most effective when the item is quite close to
    the person

36
Binocular Depth Cues Finger Sausage
37
Retinal Disparity Text example page 189
38
Autostereograms
Materials Needed HO-10-7 and 10-8
http//images.google.com/imgres?imgurlhttp//www.
juggler.demon.co.uk/asg/lightup.gifimgrefurlhttp
//www.juggler.demon.co.uk/asg.htmh480w640sz
140tbnidlxHCEhQxMBsJtbnh101tbnw135hlenst
art5prev/images3Fq3Dautostereograms26svnum3
D1026hl3Den26lr3D
39
Retinal Disparity Demo
  • Roll a piece of scrap paper into a tube shape.
  • Hold it to your right eye as if it were a
    telescope
  • Look through the tube focusing on an object
  • on a blank wall in front of you.
  • Keeping both eyes open, hold your open left
  • hand beside the tubecontinue to focus on
  • the object on the wall.
  • 5. The images should fuse and .

40
Pulfrich Pendulum EffectDemonstration
41
Convergence
  • A binocular depth cue related to the tension in
    the eye muscles when the eyes track inward to
    focus on objects close to the viewer
  • The more tension in the eye muscle, the closer
    the object is
  • Works best at close distances

42
Depth Perception Monocular Depth Cues
  • Module 10 Perception

43
Monocular Cues
  • Depth cues that require the use of only one eye

44
Components of Monocular Cues
  • Monocular depth cues include
  • relative size
  • relative motion
  • interposition
  • relative height
  • texture gradient
  • relative clarity
  • linear perspective

45
Monocular Depth Cues 1. Relative Size
  • Using the perceived size of a familiar object to
    determine depth
  • The larger the object appears, the closer the
    object is to the viewer

46
Monocular Depth Cues 2. Relative Motion
  • A person who is moving can determine depth by
    focusing on a distant object.
  • Objects further away than the object of focus
    will appear to move in the same direction as the
    subject is moving.
  • Objects closer than the object of focus will
    appear to move in the opposite direction.

47
Relative Motion Illustration
48
Monocular Depth Cues 3.
Interposition
  • Method of determining depth by noting that closer
    objects partially obstruct the more distant
    objects
  • Also called overlap

49
Monocular Depth Cues 4. Relative Height
  • Method of determining depth by noting that
    distant objects appear higher in your field of
    vision than do closer objects

50
Monocular Depth Cues 5. Texture Gradient
  • Method of determining depth by noting that
    distant objects have a smoother texture than
    nearby objects

Can see individual blades of hay, but in
the Distance, the hay seems to have a
smoother Texture.
51
Monocular Depth Cues 6. Relative Clarity
  • Method of determining depth by noting that
    distant objects are less clear than nearby
    objects
  • Tends to work outdoors

Paris Street A Rainy Day by Gustave Caillebotte
52
Monocular Depth Cues7. Linear Perspective
  • Method of determining depth by noting that
    parallel lines appear to converge in the distance
  • The lines appears to eventually merge on the
    horizon.

As parallel lines become more distant from us,
they appear to get closer together - like the
sides of the gray bit at left.  Their apparent
closeness is therefore a cue to their relative
distance from us.
53
Binocular v MonocularActivity
  • Materials needed HO 10-6, bean bags
  • Procedure
  • Divide into groups of 3
  • Rotate roles of pitcher, catcher, and recorder
  • Catcher and pitcher stand about 10 feet apart
  • Toss the bean bag to the catcher a total of 20
    times
  • The FIRST TEN TIMES, the catcher must
  • Catch as many throws as possible with one hand
    using one eye
  • Catch as many throws as possible with on hand
    using BOTH eyes
  • Recorder records the results
  • Switch roles, repeat
  • Switch roles, repeat

54
PsychQuest Activity
How Do Athletes Use Perceptual Cues?
55
Motion Perception
  • Module 10 Perception

56
Motion Perception
Survival Depends on the detection Of motion.
57
Motion Perception Demonstration
  • Focus on a point straight ahead.
  • Hold your right pointer finger directly in front
    of you
  • at eye level.
  • 3. Move your finger slowly to the right until you
  • can just no longer see it.
  • 4. (Keep staring at the point straight ahead.
  • 5. Wiggle your finger rapidly.
  • What do you see??

58
Stroboscopic Motion
  • The illusion of motion by the rapid projection of
    slightly changing images
  • The concept a motion picture uses
  • Ex. Flip Book
  • See page 193 for visual example shown here

59
Phi Phenomenon
  • The illusion of motion when fixed lights are
    turned on and off in a sequence

60
Perceptual Constancy
  • Module 10 Perception

61
Perceptual Constancy
  • Perceiving the
  • 1. size,
  • 2. shape,
  • 3. lightness
  • of an object as unchanging, even as the
    retinal image of the object changes
  • The understanding that objects usually remain the
    same

62
Perceptual Constancy 1. Size
  • A persons understanding that as an object moves
    further or closer to them its actual size stays
    the same
  • As an object appears to become larger we realize
    it is getting closer, not bigger.
  • As an object appears to become smaller we realize
    it is moving farther away, not getting smaller.

63
Size Distance Relationship
64
Size Distance Relationship
65
Size Distance Relationship
66
Demonstration of Retinal Imaging and Size
Constancy
  • Hold hand out at arms length
  • Move it towards away from
  • your head.
  • You should seen no change
  • in size of your hand Soooo now
  • Hold you left pointer finger 8 inches in front of
    your
  • face and focus on it.
  • 2. Hold your right hand behind it at arms
    length..
  • still focusing on your left fingertip.
  • Move your right hand toward away from your face
  • Notice the change in size of your hand now!!

67
Perceptual Constancy Shape Constancy
  • Module 10 Perception

68
Perceptual Constancy 2.Shape
  • The understanding that an objects shape remains
    the same even though the angle of view makes
  • the shape
  • appear
  • changed

69
Shape Constancy Example
70
Perceptual Constancy 3. Light
  • The ability to see an object as having a constant
    level of lightness no matter how the lighting
    conditions change

butterfly can be trained to land on a yellow
portion of the colored grid. Moreover,
butterflies have color constancy (like humans)
and will still recognize yellow even if the
illuminating light changes considerably (color
constancy).
71
Perceptual Constancy and Color Light
Which is the black Pair of socks? Which is the
blue Pair of socks? Do we know at 6AM? Do we
CARE at 6AM?
72
Illusion of the Camera
  • Play Lights, Camera, Magic! (1253) Segment 10
    from Scientific American Frontiers Video
    Collection for Introductory Psychology (2nd
    edition).

73
Perceptual Set
  • Module 10 Perception

74
Perceptual Set
  • A mental predisposition to perceive something one
    way and not another
  • Example of top-down processing
  • Influence of the power of suggestion
    (subliminal perception)
  • Guided by schemas concepts or mental frameworks
    that organize and interpret information

75
Perceptual Set Sound
What do these letters spell?
  • Say these words softly to yourself as soon
  • as they they appear on the screen

SOAK
FOLK
CROAK
What do we call the white part of an egg?
76
Subliminal Perception
  • Play Studying the Effects of Subliminal
    Stimulation on the Mind (446) Segment 9 from
    The Mind Psychology Teaching Modules (2nd
    edition).

77
Subliminal Activities
  • Urban Legends Myths
  • Psychological Hollywood excerpts
  • Backmasking Listening DVD

78
Excerpt 1 Artist Led ZeppelinSong Black
Dog
Forward Started tellin her friends
she gonna be a star.
Backward Oh Satan want ya near
bless my soul
79
Excerpt 2Artist Backstreet BoysSong
Everybody
Forward Alright, alright, now throw your
hands up in the air
Backward (Not school appropriate. Youll
have to hear it for yourselves.)
80
Excerpt 3Artist ELOSong Eldorado
Forward Here it comes, another lonely day in
the dream. Ill sail away on a
voyage of no return.
Backward He is the nasty one, Christ youre
infernal. It is said were dead
me, everyone who has the
mark will live.
81
Excerpt 4Artist Rolling StonesSong Tops
Forward Im sorry for a breath of your sweet
love
Backward I love you, said the devil.
82
Excerpt 5Artist?? Marilyn MansonSong The
Anti-Christ Superstar
Forward The horrible people, the horrible
people, its all been.
Backward Love Evil. I Love Evil
83
Excerpt 6Artist MinistrySong Just One Fix
Forward Never trust a junkie
Backward Christ is so stupid.
84
Excerpt 7Artist Ozzy OsborneSong Suicide
Solution
Forward Get your gun and do it.shoot, shoot,
shoot, shoot, shoot
Backward When the last shoot is played
backward, it says
Satan This song was blamed for causing
suicide among teenagers.
85
Excerpt 8Artist ??Song The Pokemon Rap
Forward Gotta catch em all, Gotta catch em
all, Gotta catch em all, Gotta
catch em all.
Backward O Satan, O Satan, O Satan, O Satan
86
ContextPreview Activities HO 10-1(Next slide)
Anagrams 10-11
  • Module 10 Perception

87
HO 10-1
88
Context
  • The setting or environment in which we interpret
    sensory stimuli

If I started off saying, In this picture Of a
man playing saxophone You would be hard
pressed to see the picture Of the woman.
89
Context Classic Picture Example
90
Context Example
One student will volunteer to say the following
words as quickly as possible
MACDONALD
MACHENRY
MACMAHON
MACHINERY
91
MORE Context Examples
1945 Allport Postman Study College Letter
Context
92
Illusions
  • Module 10 Perception

93
Illusions
  • Misinterpreting sensory stimuli
  • Help researchers understand how sensation and
    perception normally works

94
Light Shadow Illusiontext p 201
  • There appears to be ripples
  • although it is on a flat paper.
  • Turn your book upside down
  • and the figure reverses.
  • Using light shadows, the
  • small circle inside the top-
  • right ball appears to bulge out,
  • while the small circle inside the
  • bottom left circle appears to
  • dip in.
  • Turn your book around it
  • Reverses!

95
Müller-Lyer Illusion
Which line segment is longer?? Line AB or Line
BC??
96
Müller-Lyer Illusion
Most people think segment AB equals BC. In
reality AB is much longer than BC.
97
Müller-Lyer Illusion
98
Müller-Lyer Illusion
99
Müller-Lyer Illusion
100
Ames Room Illusion Secret Revealed
101
Other Optical Illusions
  • Arrows
  • Wundt-Jastrow Illusion
  • Poggendorf Illusion
  • Illusions Packet Worksheet
  • PsychSim Computer Illusions

102
The End
Write a Comment
User Comments (0)
About PowerShow.com