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The Terror Narrative

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Title: The Terror Narrative


1
The Terror Narrative
  • The terror narrative is one of the oldest story
    archetypes we have. It utilizes a fairly simple
    structure consisting of five parts.

2
Element One
  • The Figure or Event of Terror

3
Figure/Event of Terror Example 1
  • The figure or event of terror is almost always
    from the edge of human experience, such as the
    shark in Jaws. (Jaws is 48 on the American Film
    Institutes list of Americas 100 greatest
    movies.)

4
Figure/Event of Terror Example 2
  • The figure of terror is significantly removed
    from human social reality, such as the
    psychopathic killer in Halloween, Michael Myers.
    In the movie, Michaels psychiatrist refers to
    him as an it.

5
Figure/Event of Terror Example 3 4
  • Hollywood has made millions off the American
    publics fascination with serial killers. Here
    are two of the biggest box office murderers
    Jason Vorhees from The Friday the 13th series,
    and Hannibal Lechter from The Silence of the
    Lambs. Both men are beyond comprehension.
    (Silence of the Lamb is 65 on AFIs top 100
    list.)

6
More on Hannibal the Cannibal
  • Hannibal Lechter, in particular, is an
    interesting case. On the surface he appears
    quite human. His actions, though, clearly
    distance him from any sort of normalcy that we
    can imagine. In many ways, he is the most
    horrific of terror figures in that he represents
    an absolute perversion of humanity. Yet his
    charismatic effect on us is chilling.

7
Figure/Event of Terror Example 5
  • Of course, Steven Spielbergs Jurassic Park has
    its own island full of terror figures dinosaurs.
    You dont get much more removed from normal
    American life than having a T-rex chase you
    across an isolated island.

8
Figure/Event of Terror Example 6
  • Early in the 1979 blockbuster Alien, we witness
    an encounter with the offspring of the deadly
    aliens. It doesnt get much more foreign to us
    than being an alien!

9
Element Two
  • Confinement

10
Confinement Example 1
  • What makes the terror compelling is that the
    person cannot escape. If someone could just run
    away easily, they would. If they cant, its a
    problem. Think about how true this is in a movie
    such as The Blair Witch Project.

11
Confinement Example 2
  • Consider how different Stephen Kings The Shining
    would be if it took place at the Motel 8
    downtown. Much of the eeriness of the story
    comes from the sheer isolation of these
    snow-trapped guests in a nearly-empty cliffside
    hotel in the middle of winter.

12
Confinement Example 3
  • In Halloween, consider how when Jamie Lee Curtis
    runs into the house to escape Michael Myers, he
    gets in. She goes upstairs (effectively cutting
    her available space in half), then he goes after
    her. She ends up hiding in a closet, which is
    about the smallest place one can hide. And, of
    course, Michael goes after her there too.

13
Element Three
  • The Truth is Hidden

14
The Truth is Hidden Example 1
  • As viewers or readers, we really dont know much
    about the figure of terror. Its kept as a
    mystery to us. In the bonus DVD footage of
    Alien, Ridley Scott talks about how he cut parts
    that made the aliens seem like insects (meaning
    we sort of could understand them since we sort of
    understand ants and bees, etc.). Scott wanted
    the aliens to be, well, alien.

15
The Truth is Hidden Example 2
  • Consider Freddy Krueger, the antagonist of
    Nightmare on Elm Street. How on earth does he
    enter ones dreams? If we knew, itd almost make
    it less scary somehow.

16
Element Four
  • The Cassandra Effect

17
Cassandra Effect Example 1
  • Cassandra is a figure from Greek mythology who
    had the amazing ability to always know the
    future. The problem? She was cursed. Anytime
    she told anyone, they wouldnt believe her.
    Hollywood has been making a mint off this single
    idea for decades. Its one way they create
    dramatic tension in movies. Its why we yell,
    Dont open that door! but the character doesnt
    listen, so they open the door and get eaten by
    the God-knows-what monster we saw a second
    before. And to our horror, we have to watch,
    powerless to stop it.

18
Cassandra Effect Example 2
  • Donald Pleasance, who plays the doctor who
    treated Michael Myers in Halloween, realizes that
    once Michael breaks out of the mental hospital
    that hes going back to his hometown to kill
    again. Donald tries to warn the police there,
    but no one listens.

19
Cassandra Effect Example 3
  • And we have Jeff Goldblum, who plays Dr. Ian
    Malcolm, a chaos theorist in Jurassic Park. When
    the scientists explain that they manipulate the
    dinosaurs DNA to make them all the same gender,
    he tells them that its impossible. They laugh
    at him.

20
More on The Cassandra Effect
  • Often, but not always, the Cassandra figure is
    one of the few people to survive the attack or
    event of terror. Theyre usually left as the
    broken old figure at the end of a dark bar,
    whispering to their half-finished drink, warning
    everyone to stay away from so and so or something
    terrible will happen. Yeah, right.

21
Element Five
  • The Place of Terror

22
The Place of Terror Example 1
  • Though not as exact an element as the other four,
    the place of terror is important, nonetheless.
    Terror narratives usually take place in an
    environment where humans cannot easily
    operate/live. The ocean. A deep forest. Outer
    space.

23
The Terror NarrativeWrap Up
  • So the terror narrativethe oldest and
    perhaps simplest story archetypehas five main
    parts.
  • The Figure or event of terror
  • Confinement
  • The Truth is Hidden
  • The Cassandra Effect
  • The Place of Terror

24
The Terror NarrativeFinal Thoughts
  • Not all stories/movies will have all five parts,
    but most will in one form or another. Part of
    how Hollywood keeps movies fresh is by playing up
    one part in order to be different. Event Horizon
    is all about element one. The Blair Witch
    Project is all element two. The Abyss is all
    about element five. In short, Hollywood (and
    fiction writers) knows these elements and make
    good use of them. Now that weve identified what
    they are, we can spot them more clearly and see
    how some writers are working well within (or
    against) this tradition.
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