Book Review ETC 547 Darcy Markham. Table of Contents ... The Nature of Creativity * The Role of Personality ... Practical Intelligence * Putting It All Together ... – PowerPoint PPT presentation
1 Defying the Crowd Book Review ETC 547 Darcy Markham
Cultivating Creativity in a Culture of Conformity
By Robert J. Sternberg
2 Table of Contents
Reviewers Comments Educational Implications
The Nature of Creativity The Role of Personality
The Role of Intelligence The Relation of Motivation to Creativity Synthetic Intelligence Motivating Creativity
Analytic Intelligence Environment Creativity
Practical Intelligence Putting It All Together
Knowledge Formal Informal Personal Philosophy of Teaching
The Role of Thinking Styles Reflections
in Creativity Resources
Function e-mail dmarkaz_at_aol.com
Form
Levels
Scope
Orientation Title Page
3 Reviewers Comments Sternbergs Book Defying the Crowd examines the idea of creativity and how it can be cultivated. The book itself focuses on the general public and though it relates and references the education system it is not specifically oriented in this matter. For the purposes of this Review I will specifically focus on cultivating creativity within the education system a system which tends to support conformity rather than creativity. 4 The Nature of Creativity
Intelligence
Knowledge
Thinking Styles
Personality
Motivation
Environmental Context
5 The Role of Intelligence
Intelligence serves three roles in creativity
Synthetic
Analytic
Practical
6 Synthetic Intelligence
The ability to generate ideas depends on the individuals insight.
Selective Encoding-the students ability to recognize the relevance of information that may or may not be immediately obvious.
Selective Comparison-the students ability to determine how information from the past can be brought to bear on the problems of the future.
Selective Combination-the students ability to fit together the pieces of information whose connection is not obvious.
7 Analytic Intelligence
Analytical Intelligence involves knowing where the problem exists and how to define it. The four key parts are
Problem Recognition
Mentally representing the information
Formulating a Strategy and Allocating Resources
Monitoring and Evaluating Problem-solving
8 Practical Intelligence
Making Good Ideas Work!
Involves the students taking into account their own interests as well as the interests of others.
9 Knowledge
Formal- Students must have knowledge of a particular field in order to be creative.
Students must have knowledge of a field in order to produce work that is novel to that field
Students must have knowledge of current thinking in order to move against the tide.
Knowledge helps students transform an idea into a product
Allows students to concentrate on new ideas rather than on basics.
Knowledge allows students to use chance occurrences as a source for creative ideas.
10 Knowledge
Informal- the knowledge picked up from daily living.
Creativity in everyday life-Students ability to solve everyday problems by seeing them in a new way and using informal knowledge to solve them in an optimal way.
Creativity in the Classroom- Students ability to know when to be creative and when not to be creative.
See Practical Intelligence for School
11 The Role of Thinking Styles in Creativity
How students approach a task are based upon their thinking styles.
Important factors to consider
Thinking styles may vary across tasks and situations
Thinking styles vary in strength
Thinking styles are effected influences in the environment
Thinking styles vary over time.
NEXT 12 Creative Thinking StylesFunctions
Legislative-
Plan what to do and how to do it.
Prefer tasks they can do their own way
Prefer less structured tasks
Executive
Prefer clear directions
Follow instructions when solving problems
Prefer step by step process
Judicial
Analyze peoples behavior
Prefer to evaluate the work of others
Prefer to express their opinions
13 Creative Thinking StylesForm
Monarchic Style- very high creative achievers tend to be monarchic in their style
Prefer to finish one assignment before beginning another
Devote time and energy to one project at a time
Will work on a project for several hours without being distracted.
Hierarchic-students who are hierarchic tend to be the most creative
Prioritize tasks
Prioritize within a task
Emphasize major points and de-emphasize minor ones
14 Creative Thinking StylesForm
Oligarchic-these students are good at finding competing approaches to solving problems
Tries to address problems simultaneously
Difficulty setting priorities
View all aspects with equal importance.
Anarchic- these students take a random approach to problem-solving.
Do not organize thoughts prior to beginning a task
Minds wander from idea to idea
Speak before thinking.
15 Creative Thinking StylesLevels
Global- students with a global style prefer big issues and often ignore details.
Dont pay attention to details
They emphasize the general picture
Make decisions without paying attention to details
Local-students with a local style tend to be pragmatic and down to earth.
Like problems that require engagement of details
Not satisfied until the details are given close attention
Focus on one thing and scrutinize it thoroughly.
16 Creative Thinking StylesScope
Internal Style-students with an internal style tend to be introverted, task-oriented, aloof, socially less sensitive.
Prefer to work alone
Avoid group situations
Prefer research to discussion
External Style-students with an external style tend to be extroverted, people-oriented and out-going.
Discuss ideas with others before beginning a project
Prefer to work in groups
Like to talk about ideas and listen to what others have to say.
17 Creative Thinking StylesOrientation
Liberal Style-these students like to go beyond existing rules and procedures.
Like to do things in new ways
Avoid the established way of doing things
Comfortable with unconventional methods
Conservative Style-these students stick to the rules and procedures, and avoid ambiguous situations
Teachers and students will not necessarily match in their thinking styles therefore it is necessary that teachers and students alike be flexible with regards to the differences they encounter.
Teachers cant match every students style but they can teach in a way that allows children to express their styles to a maximum benefit
19 The Role of Personality
Creative Students Display the Following
Perseverance in the face of obstacles
Willingness to take sensible risks
Willingness to grow
Tolerance of ambiguity
Openness to experience
Belief in yourself and courage of convictions
20 The Relation of Motivation to Creativity
Intrinsic- Students who are intrinsically motivated tend to be more creative and persevere in the face of adversity
Extrinsic-Students who are extrinsically motivated tend to be less creative and look outside themselves for rewards.
21 Motivating CreativityEducational Implications
De-emphasize grades
Make creativity an explicit part of an assignment
Give verbal recognition for creative work
Encourage students to submit work to external shows or contests
Attempt to use a combination of intrinsic and extrinsic motivators
22 Environment Creativity
Environmental Variable Affecting Creativity
The Context of Work
Task Constraints
Evaluation
Competition
Cooperation
Home Climate
Role Models
School Climate
23 Putting It All TogetherFostering a Creative Spirit 24 Personal Philosophy of Teaching
All children can learn. The challenge is to find the right key to unlock the door.
I believe children learn when they are actively engaged in the process. I believe that children need to be given the right tools and strategies and be exposed to different ways of conceptualizing and comprehending material. Children need t0 draw on their prior knowledge and experienced in a n effort to conceptualize new information and store such information in a manner that is easily retrieved. It is therefore crucial that students be provided with numerous opportunities to learn new information in a variety of ways.
I believe that learning should be an adventure and that children should be filled with excitement when they enter the classroom. My job is to restore their joy of learning by finding the key that will unlock the door and provide them with the greatest adventure of all- Learning!
25 Reflections
I believe that Sternberg presents some very important ideas in cultivating creativity in children. Just as with learning children need to be given the right tools and strategies in order to develop their own creative styles.
Further children need to have the knowledge and experience which allows then to conceptualize a new idea and make that idea a reality.
I believe that environment is important not only to learning but also to creativity and it is important to create environments that allow students the freedom to express themselves
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