Leonardo da Vinci (1452-1519)

1
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

• Art Elements and Principles
• Value
• Space
• Contrast
• Unity
• Perspective

Self-Portrait c. 1512-15 Red chalk on paper,
13-1/8 x 8-3/8 Royal Library Turin, Italy
2
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Botanical Drawing Viola, Oderata, Pyrus,
Spikelet of Germinacae c. 1481-1483 Venice
3
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

The Annuciation c. 1473-75 oil on panel, 38-3/4
x 85-1/2 Uffizi Gallery, Florence, Italy
4
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Canon of Proportions (also known as Vitruvian
Man) c. 1485-1490 Pen and ink, 13-1/2 x
9-3/4 Academy Gallery, Venice, Italy
5
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Portrait of Ginevra de Benci c. 1474-76 Oil and
tempera on wood, 15 x 14-1/4 National Gallery
of Art, Washington, D. C.
6
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Study of Hands c. 1475 Silverpoint and white
chalk Royal Collection, Windsor Castle, England
7
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Study for Head of Angel in Virgin of the
Rocks c. 1483 silverpoint Biblioteca Reale,
Turin, Italy
Virgin of the Rocks (Lourve version) c.
1482-86 Oil on wood panel, 77-5/8 x
47-5/8 Lourve, Paris
8
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Lady with Ermine c. 1483-86 Oil on wood, 21-3/8
x 15-3/4 Czartoryski Collection, Crakow, Poland
9
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

The Last Supper c. 1495-97 Oil-tempera mixture on
plaster wall, 179-3/8 x 343-1/4 Refectory of
Santa Maria della Grazie, Milan, Italy
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Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Mona Lisa, Detail Head
Mona Lisa c. 1503-05 Oil on panel, 30-1/4 x
20-7/8 Lourve, Paris
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Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Adoration of the Magi c. 1481-1482 Oil on wood,
95-5/8 x 96-7/8 Uffizi, Florence, Italy
12
Leonardo da Vinci (1452-1519)

• Italian Renaissance Painter

Perspective Study for the Background of the
Adoration of the Magi c. 1481 Pen and ink over
metal point, 6-1/2 x 11-3/8 Uffizi, Florence,
Italy