Evolutionary Semiotics: How the Sign Use of Human Came about PowerPoint PPT Presentation

presentation player overlay
About This Presentation
Transcript and Presenter's Notes

Title: Evolutionary Semiotics: How the Sign Use of Human Came about


1
Evolutionary SemioticsHow the Sign Use of Human
Came about
  • 11th Early Fall School of Semiotics Semiotics of
    Genre
  • September 10-16, 2005
  • Sozopol (Bulgaria)

Wolfgang Wildgen, Bremen (Germany)
2
Introductory remarks
  • Yesterday, I have shown how dynamical structures
    are relevant even for the analysis of pictures
    which were traditionally considered as a typical
    example of static sign-structures. In this
    context, it became already clear that the
    underlying capacities of vision/manual action and
    audition/articulation have strong links, although
    deep functional differences show up.
  • Today, I will make a radical move by considering
    the most far-reaching dynamics one can consider
    in linguistics the evolution of human language
    and the underlying capacity (faculté de language,
    Saussure).
  • Less far-reaching dynamics are those encountered
    in the (cultural) evolution of language families
    or of a specific language,
  • The individual acquisition of a primary or a
    secondary language.

3
Part I
  • The Evolution of a Protolanguage

4
An informed guess of the shape of protolanguage
  • I shall try to respond to the following
    questions
  • What is the most plausible evolutionary era in
    which a protolanguage existed?
  • Can artifacts stone tools, engravings, paintings
    tell us something about the cognitive basis of a
    protolanguage (as one symbolic form among
    others)?
  • Does the anatomical change of hominids give hints
    to the shape of a protolanguage?

5
The idea of a protolanguage and the methodology
of reconstruction
  • Since Darwins theory of evolution (theoretically
    already since Lylells transformationalism
    against Cuviers catastrophism) the basic idea
    is that of a continuous evolution (i.e., moved by
    infinitesimal steps). Applied to language, it
    derives linguistic capacities in a continuous
    series of steps from communicational habits and
    intellectual capacities of mammals (and animals
    in general).
  • Derek Bickerton assumes an internal
    stratification of human language capacity, which
    recapitulates (and thus indicates) an
    evolutionary stratification. Basically he
    presupposes an additive effect of evolution,
    i.e., early developed forms of behavior persist
    and constitute the stable platform on which later
    forms rest. He formulates his methodology as
    follows
  • If there indeed exists a more primitive variety
    of language alongside fully developed human
    language, then the task of accounting for the
    origins of language is made much easier. No
    longer do we have to hypothesize some gargantuan
    leap from speechlessness to full language, a leap
    so vast and abrupt that evolutionary theory would
    be hard to put to account for it. (Bickerton,
    1990 128)

6
  • Any analysis of the evolution of language should
    strictly follow the general strategy and
    methodology of post-Darwinian theory including
    the results of modern genetics. I will consider
    the traces of semiotic activity of hominids and
    early man until the upcoming of writing systems
    as data for the reconstruction of intermediate
    forms of human language. This direct strategy has
    two consequences
  • Insofar as the contours of early semiotic
    capacities can be reconstructed from artifacts
    and art, one can only infer the semantics
    (perhaps the pragmatics) of a earlier language
    capacity, not its lexicon or syntax.
  • As the artefacts point rather to the cognitive
    level than to the level of linguistic expression,
    the reconstructed semantics must be a type of
    cognitive semantics (although it differs from
    current cognitive theories which have no
    evolutionary dimension).

7
Anatomical evolution and the shape of a
protolanguage
  • The control of a larger area, the use of centers
    for communal life, the systematic expansion into
    new areas presupposes high ecological flexibility
    and a global spatial orientation. It seems
    therefore highly plausible that advanced Homo
    erectus who migrated to Europe and Asia had the
    cognitive and social capacity for symbol use,
    i.e., for a language which probably was organized
    vocally with gestural cues. The power of motor
    imitation in the learning of techniques, gestures
    and phonations was already given to higher
    primates (cf. the existence of mirror-neurons).
    Thus the cognitive, social and behavioral
    presuppositions for language were given.
  • The basic question Did they speak a language?
    can only be answered probabilistically As all
    conditions were given, they probably did.

8
Can artifacts tell us something about a
protolanguage?
  • In fact, first stone axes were produced around 2,
    0 my (the so-called pebble culture). Whereas
    chimpanzees may use a stone to open a nut or fit
    a branch for the fishing of termites, the
    pebble culture asks for the use of a stone or
    bone to chock another one, in order to produce a
    sharp edge on the pebble, i.e., a tool is used to
    produce a specific shape (fitted to a large
    number of uses). Probably other materials (bone,
    wood, fur) were again shaped using the primitive
    stone axes.
  • Artefacts are not only hints at the cognitive
    level of humans, they are also linked to social
    life. In order to produce artifacts and to keep
    fire, a socially organized exploitation of the
    environment, a division of labor and a mode of
    social distribution of products must be in place.
    This asks for rules of collective behavior and
    language as a kind of rule-governed social
    behavior not only helps to represent and enact
    social behavior, it is quasi the symbolic
    representation of social behavior.

9
The semantics of space and time in a protolanguage
  • The representation of space has to do with
    frontiers (their transition) and perspectives.
  • A first perspective is centrifugal, i.e.,
    starting from the self and its basic bodily
    motions an experienced three dimensional space
    is cognized front  behind (go), above  below
    (climb, fall), left  right (grasp with the left
    hand or the right hand). This space of bodily
    motion with feet and arms defines the immediate
    space, where objects may be reached and
    manipulated. The intermediate space depends on
    mans ecology it can be the housing (the cave,
    abri) or the village the distal space contains
    roughly all possible itineraries (of
    hunting/gathering).
  • The second perspective is centripetal, i.e., the
    self is seen as the place of effect of external
    causes. The sky, the horizon (typical points
    where the sun sets or rises), the favored
    direction of winds, the ridge of mountains may be
    the external locus of orientation for the self,
    who is at the center of a force field or gradient
    implicit in these delimitations.

10
Fig. 1 Force fields of centrifugal versus
centripetal orientation.
11
  • A protolanguage must categorize events and
    actions (by proto-verbs) and must discriminate
    stable entities (by proto-nouns). The question
    arises, if temporal, dynamic, quantitative,
    qualitative relations between them can be
    mastered and to what degree.
  • I will argue that there are intrinsic complexity
    barriers which could have blocked the elaboration
    of a protolanguage for a long (evolutionary)
    time-span, say 0,5 my.

12
Representation of actions and events
  • The action-concept GRASP involves two stable
    entities the body (the hand) and the object.
    Every point on the lines in Fig. 2 is an
    attractor, i.e., the perception of a stable
    entity in the 30 msec window. The whole schema
    should fit into the 3 sec window, e.g., in the
    sentence The father took the book (from the
    table) (cf. Pöppel, 1994 and 1997 for the
    neurological evidence)
  • Fig. 2 Catastrophe schema of GRASP.

The book
The father (having the book)
The father
Catastrophe of capture
13
  • One may distinguish three ways of grasping
  • the force grip (e.g., of a branch)
  • the precision grip (e.g., of a small tool)
  • the refined grip (e.g., of a needle)

finger
Force-grip
finger
thumb
object
thumb
Precision-grip
Fig. 3 Topological difference between power grip
and precision grip.
14
First principle of a protolanguage
  • The GRASP schema constitutes a structured
    (bivalent) action schema with a long evolutionary
    history and includes a manner specification
    categorized on topological cues.
  • As the distinction between several precision
    grips shows, more elaboration appears as soon as
    more precise manipulations on objects and
    instruments are developed.

15
Second principle of a protolanguage
  • The topologico-dynamical schema of grasping
    assembles causal/enabling/intentional meaning
    components, which are necessarily present in the
    purposeful shaping of a tool and it sets the
    ground of force-dynamics in phonic language

16
Restriction on valence complexity
  • The iteration of basic action schemata presents a
    barrier of complexity as the composition is not
    dynamically stable.

17
Order of emergence
  • The order of emergence of grammatical features
    transcending these restrictions could have been
  • elaboration of valence patterns (up to valence 3
    or even 4),
  • elaboration of the manner component,
  • elaboration of the TMA-component.

18
The Design of Lithic Instruments
  • The industry had to consider the following
    factors
  • Form and quality of a stone found (this includes
    a geographic knowledge of places, where they may
    be found).
  • Splitting of the stone and isolation of the
    kernel.
  • Separation of sharp blades from the kernel.
  • Use of instruments for choking stone on one side
    and use of stone instruments for the
    manufucturing of other instruments (bone and
    wood).

19
Chopper of the Olduwai.-culture East-Africa
20
Handaxe in the early Paleolithicum (above) Abbévil
lien- Biface (Le Stade) Le Champs de
Mars (below) Middle Acheuléen (Saint Acheul) (cf.
Weiner, 1972 130)
Abbévillien 600.000-350.000, second glacial
period Acheuléen 350.000-100.000 third glacial
period
21
(left) Moustérien until 40.000, fourth glacial
period Charente (middle), La Quina (right) , La
Quina (all in the Mousterian period)
22
Blades from the Solutréen
Blades from the Magdalénien
23
Stages of glaciations (measured by isotopes of oxygen) ky BP Lithic technologies (Neanderthals, recent man) Stylistic periods of cave art in France (recent man)
Interglacial (5e) 128-118 Core/chopping tool
Early glacial/temperate (5d-a) 118-75 Flake, core/chopping tool
Early glacial, glacial (4,3) 75-32 Handaxes, scrapers
Full glacial (2) 32-13 Blades Perigordian (ca. 34 ky-19 ky) Aurignacian (33 ky- 18 ky)
Late glacial (1) 13-10 Microlithic elements Solutrean (18 ky 16 ky) Magdalenian (16 ky 10 ky)
Current interglacial 10-0
24
Beyond the grasp-scenario
As a consequence catastrophe theoretical
semantics (cf. Wildgen, 1982 and 1994) contains
implicitly an evolutionary stratification of
human sign use and language.
Fig. 4 Schema of shaping an object with an
instrument via subtraction.
25
The restriction on the complexity of (nominal)
phrases
  • The head and its attribute (or non-determiner
    specifier) are of the same basic type
    (nominal/adjectival) and the restriction
    primarily concern the risk of blending two or
    more semantic spaces. If every noun or adjective
    is associated with a place in a semantic space
    (e.g., kinship, color, age, evaluation) then the
    mapping of one place in space A (say father) to
    one place in space B (say old) is a problem
    insofar as the spaces are different and may not
    be combined simply to a conjunct space A x B.

26
Conclusions for Part I
  • The grammar of a protolanguage specifies three
    hierarchically scaled levels of primary
    categorization
  • Stable entities (no change in the perceptual and
    classificatory time window and recurrence as
    pattern (statistical relevance),
  • dynamic aspects of entities in change and motion
    (inchoative, egressive, durative), and
  • bivalent GRASP-schema with qualitative change
    (capture or emission).
  • The restriction principles may explain why
    further conditions of control on the
    combinatorial /mapping /blending semantics had to
    evolve in order to arrive at a more complex and
    less context dependent grammar, i.e., at a
    full-fletched language, and why this took the
    time it took.

27
Part II
  • Symbolic Evolution in the late Paleolithic
  • Referential art and abstract symbols

28
The origin of art in rock-engravings
  • Rock engravings and later plastic art in stone
    may be understood as the origin of
    representational art.
  • As this line also leads to the invention abstract
    (mnemotechnically motivated) signs and finally to
    writing, the modern cultures of fine arts and
    literature have their origin in Paleolithic
    symbol techniques.
  • Color was originally used for body-painting,
    later in the context of funeral practices, and
    finally in the art of caves (after 40.000 BP)

29
  • Combination (and separation) of pictorial and
    abstract signs in the Paleolithic period.
  • (cf. J. Jelinek, 1975, 433)

30
  • Styled Representations of hands
  • Cave Santian (Spain)).

31
Abstract representations of humans Russia
32
Paleolithic Sculptures
Representations of women (so called Venus of
Willendorf, Austria
33
Paleolithic cave paintingGeographic distribution
The so called franco-cantabric culture
34
Drawing techniques
Monochrome drawing of a horse (Peña de Candamo)
35
Polychrome pictures in the Cave Chauvet (France)
Battle between two rhinozeros
36
A group of chasing lions Cave Chauvet
37
A bison which turns ist head in attack cave
Chauvet
38
Details of horses
39
Methonymic abstraction
Giant deer
Contours of a deers head
Sketch of a deers head
40
A list of abstract symbols
Tectiform symbols 1-16 1-10 Dordogne ( Les
Eyzies) 11-16 Northern Spain (Altamira,
Castillo, u.a.) 17 23 isolated signs
41
Art of the Levante (Spain) ca. 9-8 000 BP
42
Transition to the Meso- und Neolithic
Norhtern Sahara (Kargur Talh) (Neolithic 4-5.
Thou. B.C.)
43
From object-language to writing
  • Between 8000 BC and 3000 BC very simple object
    languages, where small-scale sculptures
    represent their objects, existged.
  • Later two-dimensional contours represented the
    object-signs included in a jar.
  • They finally lead to the first systems which may
    truly be called writing systems. These presuppose
    the political and economic organization of the
    first empires and cities.
  • Cf. Schmandt-Besserat (1978 82)

44
Transition to writing (the last 10.000 years)
  • Original functions
  • Representation of objects for the purpose of
    bookkeeping (a sign stands for an object in the
    economic world)
  • Creation of a representational universe of
    discourse (where the buying, selling, transfer.,
    loss etc. of objects is represented).
  • Calculation (origin of mathematics)

45
Early object-symbols (choice from a field of 12
categories)
46
Hieroglyphs in Egypt
Signs for concrete contents
Signs for processes
47
Further developments in Egypt
Hieroglyphs First simplifications in the 3rd
millenium B.C. Hieratic Latest text 3rd century
AD Demotic Latest text 476 AD
48
Conclusions
  • There is a line which leads continously from
    artifact-industries already presupposing the
    semantics and pragmatics of a natural language to
    art, writing and mathematics.
  • The basic principles which organize these levels
    of semiotic evolution should be formulated in a
    common language.
  • Such a scientific language must have geometrical
    and combinatorial powers.
Write a Comment
User Comments (0)
About PowerShow.com