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Epic Poems and Heroes

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Epic Poems and Heroes Famous Epics and Their Heroes The Iliad Beowulf Song of Roland El Cid Paradise Lost Lord of the Rings? Achilles, Odysseus, Agamemnon Beowulf ... – PowerPoint PPT presentation

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Title: Epic Poems and Heroes


1
Epic Poems and Heroes
2
Famous Epics and Their Heroes
  • The Iliad
  • Beowulf
  • Song of Roland
  • El Cid
  • Paradise Lost
  • Lord of the Rings?
  • Achilles, Odysseus, Agamemnon
  • Beowulf
  • Roland
  • El Cid
  • God, Satan?
  • Frodo and friends?

3
Basic Definition of an Epic
  • An epic is usually defined as a very long
    narrative poem composed in a lofty style that
    tells a story of a hero and his adventures on a
    grand scale.

4
The Big 7
  • Most epic heroes possess most or all of 7
    general characteristics you can use to help you
    decide if a character is, indeed, an epic hero or
    heroine.

5
Trait 1 A Noble Birth
  • Most epic heroes will have an above average
    station in life.
  • They will be kings, princes, or nobles of some
    sort.
  • Commoners usually do not become epic heroes.

6
Trait 2 Capable of deeds of great strength and
courage
  • Basically, this means the hero has the potential
    for great deeds.
  • The magnitude of these actions are well above and
    beyond what the commoner does.
  • While most epic heroes are good, not all are.

7
Trait 3 Great Warrior
  • Before the hero of an epic does his business in
    the epic, he has usually established himself in
    combat during a war.
  • Sometimes, as in The Iliad, we see the hero at
    war.
  • In most, like Beowulf and The Odyssey, the hero
    has spent much time in battle.

8
Trait 4 Travels Over a Vast Setting
  • Simply put, you cannot be an epic hero if you
    stay in your village your whole life.
  • The more countries or areas traveled to, the
    better. The farther away from your own country,
    the better.
  • Distance makes the heros actions greater because
    they arent selfish they are for another country
    or people.

9
Trait 5 National Heroism
  • Before a hero can be celebrated by countries the
    world over, he must first be recognized in his
    home country as a great and heroic person.

10
Trait 6 Humility
  • Even as the rest of the world recognizes the
    great deeds of the hero, he is never a braggart
    or even willing to take applause.
  • He commits his deeds because he knows they need
    doing, and the fame and rewards that he receives
    are only a matter of course, not the reason for
    completing his quests.

11
Trait 7 Faces Supernatural Foes and/or Receives
Supernatural Help
  • Most epic heroes either receive aid from a god or
    goddess or battle some superhuman enemy.
  • This is what makes a heros action epic they
    fight something mere mortals cannot battle.
    Beowulf has his Grendel Odysseus his Cyclops.
  • For each hero, the enemy is unique. You wont
    see two heroes battling the same foe.

12
Staznoski Principle
  • To prove he is truly larger than life, authors
    often introduced other characters who were fated
    to die.

13
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14
But what was an aspiring author to do?
Especially if nobody can read!
15
Epics An Oral Tradition
  • Many epics were not originally written down by
    their authors.
  • Instead, they were memorized and retold or sung
    by wandering entertainers.
  • Some sections of epics were retold from time to
    time. It helped the storyteller learn the epic
    and also caught up any audience member who may
    have missed a part.

16
The Storytellers
  • These entertainers also served to bring news from
    other areas. Often, if a heroic deed had
    occurred in the area, it might be blended into
    the stories he told.
  • The names changed by area
  • Scop (pronounced shope) in Anglo-Saxon lands
  • Troubadours in France
  • Minnesingers in Germany

17
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18
Changing Stories
  • Other influences also played a part in changing
    the epics.
  • The text of Beowulf shows both Norse pagan belief
    and Christianity, often in the same line.
  • This may have evolved as the storytellers
    encountered villages with different beliefs.

19
Writing it Down
  • When these stories which had been orally passed
    on were finally written down, they were also
    subject to many changes.
  • Mistakes in translations
  • Misunderstanding out-of-date slang
  • Political correctness
  • or even intentional changes in the text

20
Christianizing the Old Text
  • Some parts of epics, including Beowulf, seem not
    to match the style of the rest of the text.
  • Other areas seem to be as if a narrator feels the
    need to stop and make a comment.
  • Much of these areas involve various comments and
    concepts of Christianity.
  • It is likely that some monks, while copying
    texts, put in their own views about their work.

21
Epic Conventions
  • Opening states theme, invokes muse
  • The plot begins in medias res in the middle of
    things.
  • Catalogues of warriors, ships, armies, battles,
    etc.
  • Formal speeches that are serious in tone and
    lofty in style

22
Language and Style
  • Epics are filled with rich, descriptive language
    about exciting action.
  • Epic similes long comparisons
  • Alliteration
  • Kennings
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