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Mathematical Morphology in Image Processing

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Title: Mathematical Morphology in Image Processing


1
Mathematical MorphologyinImage Processing
  • Dr.K.V.Pramod
  • Dept. of Computer Applications
  • Cochin University of Sc. Technology

2
  • What is Mathematical Morphology ?

3
An (imprecise) Mathematical answer
  • A mathematical tool for investigating geometric
    structure in binary and grayscale images.

4
A (precise) Mathematical Answer
Algebra Complete Lattices
Topology Hit-or-Miss
Mathematical Morphology
Operators Erosions-Dilations
Geometry Convexity - Connectivity Distance
  • A mathematical tool that studies operators on
    complete lattices

5
  • With in Biology, the term morphology is used for
    the study of the shape and structure of animals
    and plants.
  • In image processing Mathematical morphology is
    theoretical framework for representation,
    description and pre-processing

6
  • Built on Minkowski set theory.
  • Part of the theory of finite lattices.
  • A mathematical theory or methodology for
    nonlinear image processing.
  • A technique for image analysis based on shape.
  • Extremely useful, yet not often used

7
Morphology - advantages
  • Preserves edge information
  • Works by using shape-based processing
  • Can be designed to be idempotent
  • Computationally efficient

8
Morphology - applications
  • Image enhancement
  • Image restoration (eg. Removing scratches from
    digital film)
  • Edge detection
  • Texture analysis
  • Noise reduction
  • There are many more applications that
    morphology can be applied to. Morphology has
    been widely researched for use in image and video
    processing.

9
Some History
  • Mathematical morphology was developed in the
    1970s by George Matheron and Jean Serra
  • - George Matheron (1975) Random Sets and Integral
    Geometry, John Wiley.
  • Jean Serra (1982) Image Analysis and
    Mathematical Morphology, Academic Press.
  • Petros Maragos (1985) A Unified Theory of
    Translations-Invariant Systems with Applications
    to Morphological Analysis and Coding of Images,
    Doctoral Thesis, Georgia Tech.

10
Why we use these techniques ?Shape Processing
and Analysis
  • Visual perception requires transformation of
    images so as to make explicit particular shape
    information.
  • Goal Distinguish meaningful shape information
    from irrelevant one.
  • The vast majority of shape processing and
    analysis techniques are based on designing a
    shape operator which satisfies desirable
    properties.

11
Example
  • Image analysis consists of obtaining measurements
    characteristic to images under consideration.
  • Geometric measurements (e.g., object location,
    orientation, area, length of perimeter)

12
Mathematical Morphology
  • Principles
  • Such further processing is performed using one or
    a combination of several morphological
    transformations.
  • The transformations work in a certain local
    neighborhood of each pixel (similarly to
    convolution) defined by so called Structuring
    Element . The structuring element can be
    square, cross-like or any other shape.

13
Mathematical Morphology Binary
ImagesMorphology uses Set Theory as foundation
for many functions. The simplest functions to
implement are Dilation and Erosion
  • Dilation
  • Dilation replaces zeros neighboring to ones by
    ones.
  • Erosion
  • Erosion replaces ones neighboring to zeros by
    zeros.

14
  • Two other basic operations are -
  • Closing Opening
  • Closing
  • Closing is dilation followed by erosion.
  • Closing merges dense of ones together, fills
    small
  • holes and smoothes boundaries.
  • Closing smoothes objects by adding pixels
  • Opening
  • Opening is erosion followed by dilation.
  • Opening removes single ones, thin lines and
    divides objects connected with a narrow path
    (neck).
  • Opening smoothes objects by removing pixels

15
Dilation (I)
  • Brief Description
  • One of the two basic operators
  • Basic effect
  • Gradually enlarge the boundaries of regions of
    foreground pixels on a binary image.

16
Dilation (II)
  • How It Works
  • A set of Euclidean coordinates corresponding to
    the input binary image
  • B set of coordinates for the structuring element
  • Bx translation of B so that its origin is at x.
  • The dilation of A by B is simply the set of all
    points x such that the intersection of Bx with A
    is non-empty.

17
  • Dilation in 1D is defined as
  • A B x (?)x (intersection) A ? ? Ãœx?B
    Ax
    (1)
  • Where A and B are sets in Z. this definition is
    also known as Minkowski Addition. This
    equation simply means that B is moved over A and
    the intersection of B reflected and translated
    with A is found. Usually A will be the signal or
    image being operated on and B will be the
    Structuring Element.

18
. The following figure shows how dilation works
on a 1D binary signal.
  • The output is given by (1) and will be set to one
    unless the input is the inverse of the
    structuring element. For example, in the input
    it is 000 would cause the output to be zero, if
    in the SE it 111.

19
How dilation works
20
  • . Dilation has several interesting properties,
    which make it useful for image processing. These
    properties are
  • Translation invariant.
  • This means that the result of A dilated with B
    translated is the same as A translated dilated
    with B as given by
  • (A B)x Ax B (2)
  • Order invariant
  • This simply means that if several dilations
    are to be done, then the order in which they are
    done is irrelevant. The result will be same
    irrespective.
  • (A B) C A (B C) (3)

21
  • Increasing operator
  • This means that if a set A, is a subject of
    another set B, then the dilation of A by C is
    still a subset of B dilated by C
  • (A contained in B) A C contained in B
    C (4)
  • Scale invariant
  • This means that the input and structuring
    element can be scaled, then dilated and will give
    the same as scaling the dilated output
  • rA rB r(A B) (5)
  • Where r is a scale factor.
  • These properties can be very useful in image
    processing and can result in some operations
    being simplified.

22
Dilation (III)
  • Guideline for Use

23
Dilation (IV)
  • Example Binary dilation
  • Note that the corners have been rounded off.
  • When dilating by a disk shaped structuring
    element, convex boundaries will become rounded,
    and concave boundaries will be preserved as they
    are.

Result of two Dilation passes using a disk shaped
structuring element of 11 pixels radius
Original image
Thresholded image
24
Dilation (V)
  • Example Binary dilation (edge detection)
  • Dilation can also be used for edge detection by
    taking the dilation of an image and then
    subtracting away the original image.

25
Dilation (VI)
  • Example Binary dilation (Region Filling)
  • Dilation is also used as the basis for many other
    mathematical morphology operators, often in
    combination with some logical operators.

26
Dilation (VII)
  • Conditional dilation
  • Combination of the dilation operator and a
    logical operator
  • Region filling applies logical NOT, logical AND
    and dilation iteratively.

27
Dilation (VIII)

X0 One pixel which lies inside the region
Dilate the left image
AND
Step 1 Result
Negative of the boundary
Original image
28
Dilation (IX)

Dilate the left image
X1
AND
Step 2 Result
Negative of the boundary
29
Dilation (X)
  • Repeating dilation and with the inverted
    boundary until convergence, yields

Step 4 Result
Step 5 Result
Step 6 Result
Step 3 Result
OR
Final Result
Original image
Result of Region Filling
30
Dilation (XI)
  • Grayscale Dilation
  • Generally brighten the image
  • Bright regions surrounded by dark regions grow in
    size, and dark regions surrounded by bright
    regions shrink in size.
  • The effect of dilation using a disk shaped
    structuring element

31
Dilation (XII)
  • Example Grayscale dilation (brighten the image)
  • The highlights on the bulb surface have increased
    in size.
  • The dark body of the cube has shrunk in size
    since it is darker than its surroundings.

Original image
Two passes Dilation by 33 flat square
structuring element
Five passes Dilation by 33 flat square
structuring element
32
Dilation (XIII)
Pepper noise image
Dilation by 33 flat square structuring element
33
Morphological Erosion
Structuring Element
Pablo Picasso, Pass with the Cape, 1960
34
Erosion (I)
  • Brief Description
  • Erosion is one of the basic operators in the area
    of mathematical morphology.
  • Basic effect
  • Erode away the boundaries of regions of
    foreground pixels (i.e. white pixels, typically).

Common names Erode, Shrink, Reduce
35
Erosion (II)
  • How It Works
  • A set of Euclidean coordinates corresponding to
    input binary image
  • B set of coordinates for the structuring
    element
  • Bx translation of B so that its origin is at x
  • The erosion of A by B is simply the set of all
    points x such that Bx is a subset of A

36
The Opposite of Dilation is known as Erosion
  • This is defined as
  • A ? B x (B)x contained in A
    ?x?B Ax

  • (6)
  • This definition is also known as Minkowski
    Substration. The equation simply says, erosion
    of A by B is the set of points x such that B
    translated by x is contained in A. The following
    Figure shows how erosion works on a 1D binary
    signal. This works in exactly the same way as
    dilation. However (6) essentially says that for
    the output to be a one, all of the inputs must be
    the same as the structuring element.

37
How Erosion Works
38
Erosion, like dilation also contains properties
that are useful for image processing
  • Translation invariant.
  • This means that the result of A eroded with B
    translated is the same as A translated eroded
    with B as given by
  • (A ? B)x Ax ? B (7)
  • Order invariant
  • This simply means that if several erosions are
    to be done, then the order in which they are done
    is irrelevant. The result will be same
    irrespective.
  • (A ? B) ? C A ? (B ? C) (8)

39
  • Increasing operator
  • This means that if a set, A, is a subject of
    another set, B, then the erosion of A by C is
    still a subset of B eroded by C
  • (A ? B) ? C A ? C contained in B ? C (9)
  • Scale invariant
  • This means that the input and structuring
    element can eb scaled, then eroded and will give
    the same as scaling the eroded output
  • rA ? rB r(A ? B) (10)
  • Where r is a scale factor.

40
Erosion (III)
  • Guideline for Use

Effect of erosion using a 33 square structuring
element
41
Erosion (IV)
  • Example Binary erosion
  • It shows that the hole in the middle of the image
    increases in size as the border shrinks.
  • Erosion using a disk shaped structuring element
    will tend to round concave boundaries, but will
    preserve the shape of convex boundaries.

Original thresholded image
Result of erosion four times with a disk shaped
structuring element of 11 pixels in diameter
42
Erosion (V)
  • Example Binary erosion (separate touching
    objects)

Original image (a number of dark disks)
Inverted image after thresholding
The result of eroding twice using a disk shaped
structuring element 11 pixels in diameter
Using 99 square structuring element leads to
distortion of the shapes
43
Erosion (VI)
  • Grayscale erosion
  • Generally darken the image
  • Bright regions surrounded by dark regions shrink
    in size, and dark regions surrounded by bright
    regions grow in size.
  • The effect of erosion using a disk shaped
    structuring element

44
Erosion (VII)
  • Example Grayscale erosion (darken the image)
  • The highlights have disappeared.
  • The body of the cube has grown in size since it
    is darker than its surroundings.

Two passes Erosion by 33 flat square structuring
element
Five passes Erosion by 33 flat square
structuring element
Original image
45
Erosion (VIII)
  • Example Grayscale erosion (Remove salt noise)
  • The noise has been removed.
  • The rest of the image has been degraded
    significantly.

Erosion by 33 flat square structuring element
Salt noise image
46
Opening (I)
  • Brief Description
  • The Basic Effect
  • Somewhat like erosion in that it tends to remove
    some of the foreground(bright) pixels from the
    edges of regions of foreground pixels.
  • To preserve foreground regions that have a
    similar shape to structuring element.

47
Opening (II)
  • How It works
  • Opening is defined as an erosion followed by a
    dilation.
  • Gray-level opening consists simply of a
    gray-level erosion followed by a gray-level
    dilation.
  • Opening is the dual of closing.
  • Opening the foreground pixels with a particular
    structuring element is equivalent to closing the
    background pixels with the same element.

48
  • Both dilation and erosion have interesting and
    useful properties. However, it would be useful
    to have the properties of both in one function.
    This can be done in two ways. The first method,
    Opening is defined as
  • A ? B (A ? B) B (11)
  • This simply erodes the signal and then dilates
    the result as shown in Figure 3. As can be seen,
    the zeros are opened up. Any ones that are
    shorter than the structuring element are removed,
    but the rest of the signal is left unchanged.
  • This is a very useful property as it means that
    if the filter is applied once, no more changes to
    the signal will result from repeated applications
    is known as Idempotent
  • (A ? B) ? B A ? B (12)

49
Opening (III)
  • Guidelines for Use
  • Idempotence
  • After the opening has been carried out, the new
    boundaries of foreground regions will all be such
    that the structuring element fits inside them.
  • So further openings with the same element have no
    effect
  • Effect of opening using a 33 square structuring
    element

50
Opening (IV)
  • Binary Opening Example
  • Separate out the circles from the lines
  • The lines have been almost completely removed
    while the circles remain almost completely
    unaffected.

Opening with a disk shaped structuring
element with 11 pixels in diameter
A mixture of circle and lines
51
Opening (V)
  • Binary Opening Example
  • Extract the horizontal and vertical lines
    separately
  • There are a few glitches in rightmost image where
    the diagonal lines cross vertical lines.
  • These could easily be eliminated, however, using
    a slightly longer structuring element.

Original image
The result of an Opening with 39 vertically
oriented structuring element
The result of an Opening with 93 horizontally
oriented structuring element
52
Opening (VI)
  • Example Binary opening

Original image
Inverted image after thresholding
The result of an Opening with 11 pixel circular
structuring element
The result of an Opening with 7 pixel circular
structuring element
53
Opening (VII)
  • Example Grayscale opening
  • The important thing to notice here is the way in
    which bright features smaller than the
    structuring element have been greatly reduced in
    intensity.
  • The fine grained hair and whiskers have been much
    reduced in intensity.

54
Opening (VIII)
  • Compare Opening with Erosion
  • Opening
  • The noise has been entirely removed with
    relatively little degradation of the underlying
    image.
  • Erosion
  • The noise has been removed.
  • The rest of the image has been degraded
    significantly.

Erosion by 33 flat square structuring element
Salt noise Image
Opening with 33 square structuring element
55
Opening (IX)
  • Example Grayscale opening (pepper noise)
  • No noise has been removed.
  • At some places where two nearby noise pixels have
    merged into one larger point, the noise level has
    even been increased.

56
Closing (I)
  • Brief Description
  • Closing is one of the two important operators
    from mathematical morphology.
  • Closing is similar in some ways to dilation in
    that it tends to enlarge the boundaries of
    foreground (bright) regions in an image.

Common names Closing
57
Closing (II)
  • How It works
  • Closing is defined as a dilation followed by an
    erosion.
  • Closing is the dual of opening.
  • Closing the foreground pixels with a particular
    structuring element is equivalent to opening the
    background pixels with the same element.

58
Closing
  • the opposite of opening is Closing defined by
  • A ? B (A B) ? B (13)
  • It can be seen that this closes gaps in the
    signal in the same way as opening opened up gaps.
    Closing also has the property of being
    idempotent.

59
Closing (III)
  • Guidelines for Use
  • Idempotence
  • After the closing has been carried out, the
    background region will be such that the
    structuring element can be made to cover any
    point in the background without any part of it
    also covering a foreground point.
  • So further closings will have no effect.

Effect of closing using a 33 square
structuring element
60
Closing (IV)
  • Example Binary closing
  • If it is desired to remove the small holes while
    retaining the large holes, then we can simply
    perform a closing with a disk-shaped structuring
    element with a diameter larger than the smaller
    holes, but smaller than the larger holes.

Original image
Result of a closing with a 22 pixel diameter disk
61
Closing (V)
  • Example Binary closing
  • Enhance binary images of objects obtained from
    thresholding.
  • We can see that skeleton (B) is less complex, and
    it better represents the shape of the object.

Result of closing with a circular structuring
element of size 20
Original image
Thresholded image
(B) The skeleton of the image produced by
the closing operator
(A) The skeleton of the image which was only
thresholded
62
Closing (VI)
  • Example Grayscale closing
  • Gray-level closing can similarly be used to
    select and preserve particular intensity patterns
    while attenuating others.
  • Notice how the dark specks in between the bright
    spots in the hair have been largely filled in to
    the same color as the bright spots.
  • But, the more uniformly colored nose area is
    largely the same intensity as before.

63
Closing (VII)
  • Compare Closing with Dilation
  • Closing
  • The noise has been completely removed with only a
    little degradation to the image.
  • Dilation
  • Note that although the noise has been effectively
    removed, the image has been degraded
    significantly.

Closing with 33 square structuring element
Dilation by 33 flat square structuring element
Pepper noise image
64
Closing (VIII)
  • Example Grayscale closing (salt noise)
  • No noise has been removed.
  • The noise has even been increased at locations
    where two nearby noise pixels have merged
    together into one larger spot.

Salt noise image
Result of Closing
65
Open-close Close-open filters
  • Both Open and Close filters again have
    interesting properties that would be nice to have
    in one filter. The opening and closing can be
    combined to merge these properties. There are
    two ways of combining these, the first of which
    is known as an Open-Close filter and is defined
    by
  • A O? B (A ? B) ? B (14)
  • The signal is first opened and the result is then
    closed. The opposite can also be done by closing
    and then opening. This is called a Close-Open
    filter and is defined by
  • A ?O B (A ? B) ? B (15)

66
Extending to Grey scale and Extending to 2D 3D
  • For morphology to be of use in image
    processing, it needs to be extended to non-binary
    signals. There are various ways in which this
    can be done . The chosen method uses very simple
    functions, which allow them to be implemented in
    an efficient way. One method of implementing is
    Gray scale morphology and further extending to 2D
    3D.

67
  • THANK YOU
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