Title: Introduction to European Studies
1Introduction to European Studies
- History, society and cinema in post-war Italy
2(No Transcript)
3Republic of Italy Facts
- Official Name
- Republica Italiana
- Form of government
- Republic with two houses Senate (upper house
322), Chamber of Deputies (lower house 630) - Electoral system
- Proportional representation
- Chief of state
- President
-
- Capital
- Rome (Roma)
- Official language
- Italian
- Official religion
- None
- Monetary unit
- Euro
- Population
- 59,051,000
-
4Republic of Italy Facts
- Area sq. kilometers
- 1. Russia 3,960,000
- 2. Ukraine 603,700
- 3. France 547,030
- 4. Spain 505,992
- 5. Sweden 449,964
- 6. Norway 385,155
- 7. Germany 357,050
- 8. Finland 338,145
- 9. Poland 312,685
- 10. Italy 301,318
- Population (EU)
- 1. Germany 82,210,000
- 2. France 63,753,140
- 3. UK 60,587,300
- 4. Italy 59,337,888
- 5. Spain 45,116,894
- 6. Poland 38,115,967
- 7. Romania 21,565,119
- 8. Netherlands
- 16,372,715
- 9. Greece 11,125,179
- 10. Portugal 10,599,095
5Republic of Italy Facts
- GDP 2010 (US Dollars)
- 1Â Â USA 14,657,80
- 2Â Â Â China 5,878,28
- 3Â Japan 5,458,87
- 4Â Â Germany 3,315,64
- 5Â Â France 2,582,53
- 6 UK 2,247,46
- 7Â Â Brazil 2,090,31
- 8 Italy 2,055,11
- 9Â Â Canada 1,574,05
- 10Â Â India 1,572,84
- GDP 1950 (US Dollars)
- 1 USA 1,455,916
- 2 USSR 550,756
- 3 UK 347,850
- 4 W. Germany 265,354
- 5 China 244,985
- 6 India 222,222
- 7 France 220,492
- 8 Italy 164,957
- 9 Japan 160,966
- 10 Mexico 67,368
6Post-war Italian Economy
- From one of the weakest in Europe to one of the
strongest - Metallurgical, manufacturing, Chemical and
textile industries - Tourism
- Lack of raw materials and energy sources
- More than 4/5 of energy requirements imported
- Mixture of liberal trade policies and
entrepreneur spirits with cumbersome
bureaucracies and inefficient planning
7Italian Cultural Economy
- Motorcars
- Mass market cars
- FIAT Alfa Romeo Lancia
- Sports car manufacturers
- Ferrari Maserati Lamborghini
- Motorcycles
- Vespa Piaggio
- Ducati
8Italian Cultural Economy
- Milan as a fashion centre
- From craftsmen to celebrity designers
- From tailors to fashion houses
- Valentino - founded by Valentino Garavani at Via
Condotti, Rome in 1965 - Armani - founded by Giorgio Armani and Sergio
Galeotti in Milan,1975 - Versace - founded by Gianni Versace in Milan,1978
- Dolce Gabbana - founded by Domenico Dolce and
Stefano Gabbana in Milan 1985
9Italian Cultural Economy
- Tourism in Italy
- Geographical advantage
- The Alps to the north
- Surrounded by the Mediterranean, the Tyrrhenian,
the Ionian and the Adriatic seas - From arctic to semi-tropical weather
- Historical advantage
- From the Roman Empire, through the Renaissance
and the Baroque to the modern
- UNESCO World Heritage Sites in Europe
- 1. Italy 46
- 2. Spain 43
- 3. France 37
- 4. Germany 35
- 5. UK 28
- 6. Russia 24
- 7. Greece 17
- 8. Sweden 14
- 9. Poland 13
- 9. Portugal 13
10Italian Cultural Economy
- Ancient and archaeological sites
- A group of Greek temples in Val di Tempi in
Agrigento, Sicily - Etruscan remains in Central Italy Etruscan towns
such as Cervetelli and Tarquinia
11Italian Cultural Economy
- Heritage of the Roman Empire
- Roma as Imperial city
- Roman resorts such as Pompeii, Islands of Ischia
and Capri, and Paestum - Civil engineer heritage towns, Via Appia,
aquaduct, theatres and public buildings
12Italian Cultural Economy
- Early Christian and Mediaeval Heritage
- Churches and monasteries
- Mosaics in Ravenna
- Mediaeval towns in Central Italy such as Firenze,
Pisa, Siena, Assisi, and Padova
13Italian Cultural Economy
- Renaissance art, architecture and monuments
- Leonardos Last Supper at Santa Maria delle
Grazie in Milan - Basilica of San Pietro in Rome
- Renaissance cities and towns throughout Italy
such as Ferarra and Pienza
14Italian Cultural Economy
- Baroque art, architecture and monuments
- Many representative palaces and churches in
Venice are Baroque build in the 17th century - Baroque towns of Noto in Sicily and Lecce, Puglia
15Italian Cultural Economy
- The 18th-century royal palaces and residences
- The Royal Palace in Torino built for the Savoy
Kings - The Royal Palace at Caserta built for the Bourbon
kings of Naples
16Italian Cultural Economy
- Alpine resorts in the north
- The Dolomite valley in the north-east and the
Aosta valley in the north-west - Numerous sea-side resorts on the mainland and
islands
17Modern Italian Culture
- Modern Italian Art
- Amadeo Modigliani (1884-1920) - a painter and
sculptor inspired by primitive art - Giorgio de Chirico (1888-1978) - pre-surrealist,
known for metaphysical painting
18Modern Italian Culture
- Musicians - pianists, violinists, conductors,
composers of classical music - Opera singers
- Enrico Caruso (1873-1921)
- Luciano Pavarotti (1935-2007)
19Alberto Moravia (1907-90), Primo Levi
(1919-1987), Italo Calvino (1923-85), Umberto Eco
(1932- )
20Modern Italian Culture
- One of the greatest sporting nations in the world
- Football - World champion four times (1934, 1938,
1982, 2006) Germany (3), England (1), France (1),
Brazil (5) - Cycling - National Sports Giro dItalia
21Modern Italian Culture
- Motor Sports
- Formula 1 Team Ferrari
- Motorcycle races
- Winter sports - alpine skiing
22Modern Italian Culture
- Design houses furniture, interior and
kitchenware - Traditional design and craft leather, paper,
woodwork, stonework, porcelain
23The War
- Domination of the fascists in Benito Mussolinis
regime - Long, bloody conflicts between fascists
(fascista) and resistant (partegiano)
24The End of the War
- Europe in Ruins Over 35,000,000 dead
Country Military Deaths Civilian Deaths Total Deaths to Population
Italy 301,400 145,100 457,000 1.03
Germany 5,553,000 1,000 to 3,228,000 6,716 to 9,000,000 8 to 10.6
USSR 8,800 to 10,700,000 12,254 to 14,154,000 23,954,000 14.21
UK 383,600 67,100 450,700 0.94
France 217,600 267,000 567,600 1.35
USA 416,800 1,700 418,500 0.32
25The End of the War
- Severe material restrictions / dire economic
situation / desperate financial situation - Social Problems
- Unemployment, poverty, high inflation, political
instability, social conflicts
26The End of the War
- Italys indigenous and traditional problems
- Economic exploitation and social injustice land
owning ruling classes and industrialists vs
peasants and working classes - Geographical divide - industrial north and
agricultural south (mezzogiorno) - Political corruption
27Cinema
28Two Vital Times for Italian Cinema
- Cultural freedom and new burst of creativity
- TWO GOLDEN PERIODS
- Immediately after the war till the beginning of
the 50s films reflecting the realities of
contemporary Italy - From the end of the fifties to around 1964 films
looking at the past and present of Italy
29Filmmaking in the Wake of the War
- The First Golden Age
- Three interlocking groups of filmmakers
- 1. Those associated with the Communist
- Resistance - Luchino Visconti, Michelangelo
- Antonioni, Puccini brothers, Giuseppe di
- Santis
- 2. Roberto Rossellini and Federico Fellini
- 3. Vittorio de Sica and Cesare Zavattini
- They all started making movies just before or
just after the end of the war.
30Filmmaking in the Wake of the War
- All the works of these filmmakers were response
to the terrible moments of Italys modern history - Fascism and the Resistance
- The scar of the war
- Poverty and unemployment after the war
- Economic exploitation and social injustice
- Political corruption
- South and north divide
- Something still found in prosperous and affluent
contemporary Italy
31Roberto Rossellini
- Roma, Citta Aperta (1945)
- A documentary-like fiction film about the
struggle of resistance fighters and their
families against the occupying German forces.
32Roberto Rossellini
- Paisa (1946)
- The film consists of six episodes, which traces
the liberation of Italy by the Allies from the
landing of the Allied in Sicily through victories
in central Italy to the final fall down of the
Nazi occupation.
33Luchino Visconti
- La Terra Trema (1948)
- In rural Sicily, the fishermen live at the mercy
of the greedy wholesalers. One family risks
everything to buy their own boat and operate
independently. However, they lose everything in
a storm and have to get their house repossed by a
bank.
34Luchino Visconti
- Rocco e suoi fratelli (1960) - it tells a story
of a family which comes to industrial Milan to
escape the poverty stricken South but gradually
disintegrate in the large, modern city.
35Vittori De Sica
- Ladri di Biciclette (Bicycle Thieves, 1948)
- A drama about a father and a son who are
searching their bicycle, which is stolen on the
first day of work after being out of work for two
years.
36Vittorio De Sica
- Umberto D (1952)
- About a retired civil servant desperately trying
to maintain the decent standard of living on
dwindling state pension in the midst of crazy
post-war inflation. - 16 in 1949
37Giuseppe di Santis
- Rise Amaro (Bitter rice, 1949) - two criminals
take refuge in a rice farm in the north which
employs a large number of immigrant workers from
the south. Adulterous love, robbery and murder
take place in the farm.
38Pietro Germi
- Il Ferroviere (The Railroad Man, 1956) - a
hardworking engine driver who loves his family
involves railway accident and is suspended from
driving engine. His life is in near ruin but he
tries to prove his innocence.
39Federico Fellini
- I Vitelloni (1953)
- About five young friends from a local seafront
town, Rimini, desperately trying to find the aim
of living. Some are desperately trying to leave
the sleepy provincial town for large cities.
40Federico Fellini
- La Strada (1954)
- Story about a carnival strongman Zanpano and his
simple minded assistant Gelsomina, who are
travelling around poverty stricken areas of Italy.
41The Vital Time for Italy and Italian Cinema
- Generally labeled and known as Neo-realism.
- NEOREALISTS COMMUNICATED TO THE WORLD EVERYTHING
THE COUNTRY HAD TO GO THROUGH - In the process they changed the entire rule of
movie making - Subject matter - contemporary social problems
- Film Style - location shooting, non-professional
actors, simple technique
42Essay Title
- Watch one Italian film or one film about Italy
and describe what aspects of the post-war Italian
society is reflected in it.