Title: The Enjoyment of Music 10th Shorter Edition
1The Enjoyment of Music 10th Shorter Edition
2Unit VIII Instrumental Music of the Baroque
Vivaldi
J.S. Bach
Handel
325. The Baroque Sonata and Concerto
- The Rise of Instrumental Music
- Early- vs. late-Baroque instrumentation
4Baroque Instruments
- Instrument designs were improved
- Finest violins in history came from shops of
- Stradivarius
- Guarneri
- Amati
5The Baroque Orchestra
- Violin strings made of gut
- Woodwinds made of wood
- Horns and trumpets valveless, called natural
- Timpani
6Baroque Keyboard Instruments
- Organ
- Harpsichord
- Clavichord
harpsichord
7Sonata Types
- Sonata da camera
- Sonata da chiesa
- Written for 18 instruments
- Favored combination two violins and continuo
- Trio sonata
8Baroque Concerto
- Contrast and unity
- Latin concertare (to contend with)
- Opposition of different forces
9Concerto Grosso Concertino Ripieno, or tutti
Two Types of Concerto
Solo Concerto
Vivaldi Concerto for Piccolo in C, I
Handel Concerto Grosso in G, II
10Antonio Vivaldi (16781741)
- Italian violinist and composer
- The red priest
- Conservatorio delOspedale della Pietà (Venice)
- Prolific composer
Above all, he was possessed by music.
Marc Pincherle
11Vivaldi The Four Seasons (Le quattro stagioni)
(Listening Guide)
- Group of four violin concertos
- Each concerto accompanied by a poem
- Music depicts specific lines of the poem
- No. 1 Spring (La primavera)
- No. 2 Summer (Lestate)
- No. 3 Autumn (Lautunno)
- No. 4 Winter (Linverno)
12Vivaldi The Four Seasons (Le quattro stagioni)
(Listening Guide)
- Spring (La primavera)
- Solo violin, string orchestra, continuo
- Three movements
- I Evokes animals and nature
- Ritornello form
- II Largo in triple meter
- Imagery form a sleeping goatherds poem
- Ostinato dog bark in violas
- III Rustic dance, drone of bagpipes
Listening Guide PDF
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14The Enjoyment of Music 10th Shorter Edition
1526. The Baroque Suite
- Suite Each movement is A-A-B-B
- Allemande
- Courante
- Sarabande
- Gigue (jig)
- Other optional dances minuet, gavotte, bourrée,
passepied - Repeated sections ornamented second time
Corelli. Violin Sonata, Gigue
16Handel and the Orchestral SuiteTwo notable
suites by Handel
- Water Music
- Music for the Royal Fireworks
17Water Music, Suite in D major, II (Listening
Guide)
- Royal party on the Thames River in London, July
17, 1717 - 22 numbers
- Performed without continuo
- Divided into three suites
18Water Music, Suite in D major, II (Listening
Guide)
- D-major Suite
- Opens with fanfare-like theme in trumpets
- Answered by horns and strings
- Followed by lively hornpipe (dance)
Listening Guide PDF
19Music at the French Royal Court
- Grand entertainments of Louis XIV and Louis XV
- Court composer Jean-Baptiste Lully
- Composer at the Palace of Versailles (outside
Paris) - Director of the 24 Violons du Roy
20Jean-Joseph Mouret (1682-1738)
- Theatrical composer at the court in Paris
- Stage works
- Divertissements
- Instrumental suites
- Suite de symphonies
21Mouret Rondeau, from Suite de symphonies
(Listening Guide)
- Written for a full Baroque orchestra
- Familiar fanfare
- used as theme music for television show
- 5-part rondo structure (A-B-A-C-A)
- A section serves as a refrain
- Regular phrasing, with a strong, even beat
Listening Guide PDF
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23The Enjoyment of Music 10th Shorter Edition
2427. Other Instrumental Forms
- Passacaglia
- Chaconne
- French overture
- Italian overture
Purcell Come, ye sons of art away
25Keyboard forms
- Two basic types
- (1) Based on harmony with strong element of
improvisation - Prelude
- Chorale prelude
- (2) Stricter forms based on counterpoint
- Fugue
Bach The Well-Tempered Clavier
Bach Jesu, Joy of Mans Desiring
Bach Fugue in D
26The Fugue and Its Devices
- Fuga
- Contrapuntal, based on imitation
- Subject unifies the work
- Choral or instrumental
- Melodic lines are referred to as voices
27Episodes are interludes between subject
statements
- Modulation to foreign keys
- Use of contrapuntal devices
- Use of stretto is common
- Piece ends in tonic key
28Contrapuntal Devices
Original Inversion
Retrograde Retrograde inversion
Augmentation Diminution
MELODY
MELODY
MELODY
MELODY
MELODY
MELODY
29Form Opening of Exposition
Fugue Exposition (4 voice)
Subject
Countersubject I
Countersubject 2
Contrapuntal line
Countersubject 2
Answer
30Form Exposition and Episode
31Bach's Contrapunctus I, from The Art of Fugue
(Listening Guide) Listening Guide PDF
- 4-voice fugue
- Exposition
- Subject is presented in order alto-soprano-bass-t
enor - Episode
- Subject appears partially, in stretto
- Incorporates musical symbolism
- His name in notes Bb-A-C-H
32Transition II To the Age of Enlightenment
- Rococo, in France
- Empfindsamkeit, in Germany
33The Rococo and the Age of Sensibility
- Rococo
- French rocaille, a shell
- Reaction against Baroque style
- François Couperin (16681733)
- Precursor to Age of Enlightenment
- Systematization of knowledge
- Jean-Philippe Rameau (16831784),
- Treatise on Harmony (1722)
34Age of Sensibility
- In Germany Empfindsamkeit
- Sons of Bach
- Wilhelm Friedmann
- Carl Philipp Emanuel
- Johann Christoph
- Johann Christian
35Expanded forms
- Pre-Classical period (c. 172575)
- Classical multimovement cycle
36The Changing Opera
- Satirization of Opera
- London John Gays The Beggars Opera (1728)
- Paris Giovanni Battista Pergolesis La serva
padrona (1752) - War of the Buffoons
John Gay
37Gluck and Opera Reform
- Christoph Willibald Gluck (17141787)
- German-born, Italian-trained
- Changed conventions
- Words are master to the music
- Simplicity, truth, naturalness
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