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Title: The Enjoyment of Music 10th Shorter Edition


1
The Enjoyment of Music 10th Shorter Edition
2
Unit VIII Instrumental Music of the Baroque
Vivaldi
J.S. Bach
Handel
3
25. The Baroque Sonata and Concerto
  • The Rise of Instrumental Music
  • Early- vs. late-Baroque instrumentation

4
Baroque Instruments
  • Instrument designs were improved
  • Finest violins in history came from shops of
  • Stradivarius
  • Guarneri
  • Amati

5
The Baroque Orchestra
  • Violin strings made of gut
  • Woodwinds made of wood
  • Horns and trumpets valveless, called natural
  • Timpani

6
Baroque Keyboard Instruments
  • Organ
  • Harpsichord
  • Clavichord

harpsichord
7
Sonata Types
  • Sonata da camera
  • Sonata da chiesa
  • Written for 18 instruments
  • Favored combination two violins and continuo
  • Trio sonata

8
Baroque Concerto
  • Contrast and unity
  • Latin concertare (to contend with)
  • Opposition of different forces

9
Concerto Grosso Concertino Ripieno, or tutti
Two Types of Concerto
Solo Concerto
Vivaldi Concerto for Piccolo in C, I
Handel Concerto Grosso in G, II
10
Antonio Vivaldi (16781741)
  • Italian violinist and composer
  • The red priest
  • Conservatorio delOspedale della Pietà (Venice)
  • Prolific composer

Above all, he was possessed by music.
Marc Pincherle
11
Vivaldi The Four Seasons (Le quattro stagioni)
(Listening Guide)
  • Group of four violin concertos
  • Each concerto accompanied by a poem
  • Music depicts specific lines of the poem
  • No. 1 Spring (La primavera)
  • No. 2 Summer (Lestate)
  • No. 3 Autumn (Lautunno)
  • No. 4 Winter (Linverno)

12
Vivaldi The Four Seasons (Le quattro stagioni)
(Listening Guide)
  • Spring (La primavera)
  • Solo violin, string orchestra, continuo
  • Three movements
  • I Evokes animals and nature
  • Ritornello form
  • II Largo in triple meter
  • Imagery form a sleeping goatherds poem
  • Ostinato dog bark in violas
  • III Rustic dance, drone of bagpipes

Listening Guide PDF
13
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14
The Enjoyment of Music 10th Shorter Edition
15
26. The Baroque Suite
  • Suite Each movement is A-A-B-B
  • Allemande
  • Courante
  • Sarabande
  • Gigue (jig)
  • Other optional dances minuet, gavotte, bourrée,
    passepied
  • Repeated sections ornamented second time

Corelli. Violin Sonata, Gigue
16
Handel and the Orchestral SuiteTwo notable
suites by Handel
  • Water Music
  • Music for the Royal Fireworks

17
Water Music, Suite in D major, II (Listening
Guide)
  • Royal party on the Thames River in London, July
    17, 1717
  • 22 numbers
  • Performed without continuo
  • Divided into three suites

18
Water Music, Suite in D major, II (Listening
Guide)
  • D-major Suite
  • Opens with fanfare-like theme in trumpets
  • Answered by horns and strings
  • Followed by lively hornpipe (dance)

Listening Guide PDF
19
Music at the French Royal Court
  • Grand entertainments of Louis XIV and Louis XV
  • Court composer Jean-Baptiste Lully
  • Composer at the Palace of Versailles (outside
    Paris)
  • Director of the 24 Violons du Roy

20
Jean-Joseph Mouret (1682-1738)
  • Theatrical composer at the court in Paris
  • Stage works
  • Divertissements
  • Instrumental suites
  • Suite de symphonies

21
Mouret Rondeau, from Suite de symphonies
(Listening Guide)
  • Written for a full Baroque orchestra
  • Familiar fanfare
  • used as theme music for television show
  • 5-part rondo structure (A-B-A-C-A)
  • A section serves as a refrain
  • Regular phrasing, with a strong, even beat

Listening Guide PDF
22
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23
The Enjoyment of Music 10th Shorter Edition
24
27. Other Instrumental Forms
  • Passacaglia
  • Chaconne
  • French overture
  • Italian overture

Purcell Come, ye sons of art away
25
Keyboard forms
  • Two basic types
  • (1) Based on harmony with strong element of
    improvisation
  • Prelude
  • Chorale prelude
  • (2) Stricter forms based on counterpoint
  • Fugue

Bach The Well-Tempered Clavier
Bach Jesu, Joy of Mans Desiring
Bach Fugue in D
26
The Fugue and Its Devices
  • Fuga
  • Contrapuntal, based on imitation
  • Subject unifies the work
  • Choral or instrumental
  • Melodic lines are referred to as voices

27
Episodes are interludes between subject
statements
  • Modulation to foreign keys
  • Use of contrapuntal devices
  • Use of stretto is common
  • Piece ends in tonic key

28
Contrapuntal Devices
Original Inversion
Retrograde Retrograde inversion
Augmentation Diminution
MELODY
MELODY
MELODY
MELODY
MELODY
MELODY
29
Form Opening of Exposition
Fugue Exposition (4 voice)
Subject
Countersubject I
Countersubject 2

Contrapuntal line
Countersubject 2

Answer
30
Form Exposition and Episode
31
Bach's Contrapunctus I, from The Art of Fugue
(Listening Guide) Listening Guide PDF
  • 4-voice fugue
  • Exposition
  • Subject is presented in order alto-soprano-bass-t
    enor
  • Episode
  • Subject appears partially, in stretto
  • Incorporates musical symbolism
  • His name in notes Bb-A-C-H

32
Transition II To the Age of Enlightenment
  • Rococo, in France
  • Empfindsamkeit, in Germany

33
The Rococo and the Age of Sensibility
  • Rococo
  • French rocaille, a shell
  • Reaction against Baroque style
  • François Couperin (16681733)
  • Precursor to Age of Enlightenment
  • Systematization of knowledge
  • Jean-Philippe Rameau (16831784),
  • Treatise on Harmony (1722) 

34
Age of Sensibility
  • In Germany Empfindsamkeit
  • Sons of Bach
  • Wilhelm Friedmann
  • Carl Philipp Emanuel
  • Johann Christoph
  • Johann Christian

35
Expanded forms
  • Pre-Classical period (c. 172575)
  • Classical multimovement cycle

36
The Changing Opera
  • Satirization of Opera
  • London John Gays The Beggars Opera (1728)
  • Paris Giovanni Battista Pergolesis La serva
    padrona (1752)
  • War of the Buffoons

John Gay
37
Gluck and Opera Reform
  • Christoph Willibald Gluck (17141787)
  • German-born, Italian-trained
  • Changed conventions
  • Words are master to the music
  • Simplicity, truth, naturalness

38
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